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Date 1828

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Subject Terms trees

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Classification Drawings & Watercolors

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Study for Cottage in Cornfield, East Bergholt
Creator:
attributed to John Constable, 1776–1837
Date:
ca. 1833
Materials & Techniques:
Graphite and brown wash on medium, smooth, beige wove paper mounted to card
Dimensions:
Sheet: 3 1/2 x 2 1/2 inches (8.9 x 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancient Trees, Lullingstone Park
Creator:
Samuel Palmer, 1805–1881
Date:
1828
Materials & Techniques:
Graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 14 5/8 inches (26.7 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Pont Royal
Creator:
William Callow, 1812–1908
Date:
ca. 1833
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 19 13/16 inches (33.7 × 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Stephen's Churchyard, Jersey, with the Tomb of the Artist's Brother
Creator:
Robert Hills, 1769–1844
Date:
after 1828
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 8 5/8 inches (14.3 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for 'Elijah'
Creator:
Peter DeWint, 1784–1849
Date:
1828
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 16 inches (25.1 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study for 'Elijah'
Creator:
Peter DeWint, 1784–1849
Date:
1828
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 11 inches (18.1 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund