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L'Institut de France, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1830
Materials & Techniques:
Watercolor, with pen in brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 14 x 10 7/16 inches (35.6 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Religious Ceremony in Ancient Greece
Creator:
Francis Oliver Finch, 1802–1862
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, gouache, gum arabic, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 5/16 × 25 5/16 inches (46.5 × 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond Hill
Creator:
Anthony Vandyke Copley Fielding, 1787–1855
Date:
1830
Materials & Techniques:
Watercolor with scraping on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 12 inches (16.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Junction of the Severn and the Wye with Chepstow in the Distance
Creator:
David Cox, 1783–1859
Date:
1830
Materials & Techniques:
Watercolor with stopping out, scraping out, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 31 x 42 inches (78.7 x 106.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
I am not learned in Vaccine Matters - but I think those look like Charley's Calves
Creator:
Hablot Knight Browne, 1815–1882
Date:
Undated
Materials & Techniques:
Black chalk and watercolor on moderately thick, moderately textured, gray laid paper
Dimensions:
Sheet: 21 1/2 x 28 7/8 inches (54.6 x 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection