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Date 1832

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Subject Terms figure study

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Descent from the Cross
Creator:
Alfred Stevens, 1817–1875
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 8 3/4 inches (13.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sioux Chieftain
Creator:
Juan Buckingham Wandesforde, 1817–1902
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink and pen black ink on very thick, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 × 4 1/8 inches (11.7 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan.
Studies of a Seated Draped Figure with a Book
Creator:
George Frederic Watts, 1817–1904
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, smooth, blue wove paper
Dimensions:
Sheet: 13 9/16 × 8 1/16 inches (34.4 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Studies of a kneeling knight
Creator:
George Frederic Watts, 1817–1904
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 4 3/8 inches (17.5 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Studies for the Angels in The Court of Death
Creator:
George Frederic Watts, 1817–1904
Date:
undated
Materials & Techniques:
Black ink and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study for a Circular Ceiling Decoration
Creator:
George Frederic Watts, 1817–1904
Date:
undated
Materials & Techniques:
Pen and brown ink and black ink and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 7/16 × 6 inches (21.4 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund