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Date 1833

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201. Hermitage Castle

Hermitage Castle
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 6 1/2 × 4 1/8 inches (16.5 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. Hermitage Castle

Hermitage Castle
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; second state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. Château Hamelin

Château Hamelin
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 15/16 × 8 15/16 inches (15.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Blois

Blois
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/4 × 16 inches (28.6 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. Broune's Dairy Farm, Kentish Town

Broune's Dairy Farm, Kentish Town
Creator:
unknown artist
Date:
1833
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. Havre

Havre
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Garden Reach - Calcutta

Garden Reach - Calcutta
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
between 1833 and 1838
Materials & Techniques:
Watercolor, white gouache, gray wash, and graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Mount: 7 7/8 × 15 inches (20 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Mosque at Borranypore

Mosque at Borranypore
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
between 1833 and 1838
Materials & Techniques:
Watercolor, white gouache, and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 9 1/4 × 14 3/8 inches (23.5 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Statue of the Marquis of Hastings in Tank Square - Calcutta

Statue of the Marquis of Hastings in Tank Square - Calcutta
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
between 1833 and 1838
Materials & Techniques:
Watercolor, gray wash, white gouache, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:
Sheet: 8 1/4 × 15 inches (21 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. Town and Port of Calcutta

Town and Port of Calcutta
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
between 1833 and 1838
Materials & Techniques:
Watercolor, gray wash, white gouache, charcoal, and graphite on moderately thick, slightly textured, gray/green wove paper
Dimensions:
Mount: 11 1/2 × 16 3/8 inches (29.2 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. General View of Calcutta, from the Entrance to the Water Gate of Fort William

General View of Calcutta, from the Entrance to the Water Gate of Fort William
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
between 1833 and 1838
Materials & Techniques:
Watercolor, graphite, and white gouache on moderately thick, moderately textured, blue-gray wove paper
Dimensions:
Mount: 6 3/4 × 21 inches (17.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. View of Part of Chowringhee - Calcutta

View of Part of Chowringhee - Calcutta
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
between 1833 and 1838
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:
Mount: 7 15/16 × 16 5/8 inches (20.2 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. Ely Cathedral, Cambridgeshire

Ely Cathedral, Cambridgeshire
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 22 inches (41 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. Ely Cathedral, Cambridgeshire

Ely Cathedral, Cambridgeshire
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Etching and engraving; first published state on thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching with chine-collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/4 × 21 3/4 inches (41.3 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. Castle Upnor, on the River Medway

Castle Upnor, on the River Medway
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 22 1/4 inches (41 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. Castle Upnor, on the River Medway

Castle Upnor, on the River Medway
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. Laugharne Castle, Caermarthenshire

Laugharne Castle, Caermarthenshire
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1833
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 22 3/4 inches (42.9 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. Coventry, Warwickshire

Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Etching and engraving with graphite; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. Laugharne Castle, Caermarthenshire

Laugharne Castle, Caermarthenshire
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1833
Materials & Techniques:
Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 21 inches (37.8 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. Coventry, Warwickshire

Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 21 3/4 inches (41.9 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. Laugharne Castle, Caermarthenshire

Laugharne Castle, Caermarthenshire
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1833
Materials & Techniques:
Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 19 3/4 inches (37.1 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. Coventry, Warwickshire

Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. Nottingham, Nottinghamshire

Nottingham, Nottinghamshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1833
Materials & Techniques:
Etching and engraving with chine-collé; first published state on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Nottingham, Nottinghamshire

Nottingham, Nottinghamshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1833
Materials & Techniques:
Etching with chine-collé; open etched state on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 × 21 7/8 inches (40.6 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Nottingham, Nottinghamshire

Nottingham, Nottinghamshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite, white chalk, and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 5/8 inches (34 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. A Cat and Chickens

A Cat and Chickens
Creator:
Newton Limbird Smith Fielding, 1799–1856
Date:
1833
Materials & Techniques:
Watercolor, pen and brown ink over graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Nantes

Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on Thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 11 3/8 inches (42.5 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. Blois

Blois
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. Orleans

Orleans
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. Palais at Blois

Palais at Blois
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof (b) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 11 11/16 inches (21.7 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. Canal of the Loire and Cher, near Tours

Canal of the Loire and Cher, near Tours
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 1/2 inches (21.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. Tours

Tours
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. St. Julian's, Tours

St. Julian's, Tours
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. Rietz, near Saumur

Rietz, near Saumur
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. Saumur

Saumur
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. St. Florent

St. Florent
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. Montjen

Montjen
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. Scene on the Loire

Scene on the Loire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. Château Hamelin

Château Hamelin
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 7/8 inches (27.6 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Between Clairmont and Mauves

Between Clairmont and Mauves
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. Clairmont

Clairmont
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Château de Nantes

Château de Nantes
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. Tomb of Cecilia Metella, Rome

Tomb of Cecilia Metella, Rome
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. Rhodes

Rhodes
Creator:
Print made by William Finden, 1787–1852
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's finished proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. The Drachenfels

The Drachenfels
Creator:
Print made by William Finden, 1787–1852
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 × 17 5/16 inches (29.7 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. Tours, Looking Backwards

Tours, Looking Backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, sliightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. Whitby

Whitby
Creator:
Charles Bentley, 1806–1854
Date:
1833
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 1/2 inches (27 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. The Old Double Bridge, Bury St. Edmunds

The Old Double Bridge, Bury St. Edmunds
Creator:
James Ward, 1769–1859
Date:
1833
Materials & Techniques:
Brown and gray wash over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. A Scene from "The Abbot"

A Scene from "The Abbot"
Creator:
Sir David Wilkie, 1785–1841
Date:
1833
Materials & Techniques:
Watercolor with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, Fund

258. Preparing for the Field, Trinidad

Preparing for the Field, Trinidad
Creator:
Richard Bridgens, active 1838
Date:
ca. 1838
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 3/4 inches (24.8 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. Versailles

Versailles
Creator:
William Callow, 1812–1908
Date:
1833
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 × 9 1/2 inches (8.3 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. Henstridge Church, 23 August 1833

Henstridge Church, 23 August 1833
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1833
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 3/8 inches (17.5 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. Scene from Quentin Durward

Scene from Quentin Durward
Creator:
Sir David Wilkie, 1785–1841
Date:
1833
Materials & Techniques:
Brown ink with brown and gray wash over graphite on medium, smooth, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 8 1/2 × 11 1/4 inches (21.6 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. Hartwell, Buckinghamshire

Hartwell, Buckinghamshire
Creator:
Cornelius Varley, 1781–1873
Date:
1833
Materials & Techniques:
Brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/16 x 21 1/16 inches (36.4 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

263. Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"

Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"
Creator:
Sir David Wilkie, 1785–1841
Date:
1833
Materials & Techniques:
Black chalk with brown wash on thick, slightly textured, beige card
Dimensions:
Sheet: 18 1/8 × 11 3/8 inches (46 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. The Luxor, Paris, December 1833

The Luxor, Paris, December 1833
Creator:
William Callow, 1812–1908
Date:
1833
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 7/8 x 9 5/16 inches (32.7 x 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. A Shooting Party: Lord Ossulston, Mr. W. Wells, Lord Abercorn and Sir E. Landseer

A Shooting Party: Lord Ossulston, Mr. W. Wells, Lord Abercorn and Sir E. Landseer
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1833
Materials & Techniques:
Watercolor on thin, slightly textured, blue laid paper
Dimensions:
Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

266. A Shooting Party: Mr. C. Leslie and Mr. John Leslie

A Shooting Party: Mr. C. Leslie and Mr. John Leslie
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1833
Materials & Techniques:
Pen and brown ink, brown wash, and gray wash on thin, slightly textured, blue laid paper
Dimensions:
Sheet: 9 5/8 x 10 1/2 inches (24.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. Tours

Tours
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (a) on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. St. Julian's, Tours

St. Julian's, Tours
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. Blois

Blois
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof (ab) on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. Tours

Tours
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

271. White Lady

White Lady
Creator:
Print made by Edward Scriven, 1775–1841
Date:
1833
Materials & Techniques:
Line engraving with hand coloring in watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

272. Part of the Old and New London Bridges

Part of the Old and New London Bridges
Creator:
Print made by George Cooke, 1781–1834
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

273. Prince Edward in Scotland

Prince Edward in Scotland
Creator:
after Paul Delaroche, 1797–1856
Date:
1833
Materials & Techniques:
Etching and mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

274. John Wilson Esquire

John Wilson Esquire
Creator:
Print made by Henry Dawe, 1790–1848
Date:
1833
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

275. Harbour of St. Malo

Harbour of St. Malo
Creator:
Print made by W. Floyd, active 1845
Date:
1833
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

276. Credulity, Superstition & Fanaticism

Credulity, Superstition & Fanaticism
Creator:
Print made by Charles Mottram, 1807–1876
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

277. The Gate of Calais, O the Roast Beef of Old England

The Gate of Calais, O the Roast Beef of Old England
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

278. Gate of Calais, O the Roast Beef of Old England

Gate of Calais, O the Roast Beef of Old England
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

279. Gate of Calais, O the Roast Beef of Old England

Gate of Calais, O the Roast Beef of Old England
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

280. Gate of Calais, O the Roast Beef of Old England

Gate of Calais, O the Roast Beef of Old England
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

281. First Stage of Cruelty

First Stage of Cruelty
Creator:
Print made by T. E. Nicholson, active early 19th century
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

282. Humours of an Election Entertainment

Humours of an Election Entertainment
Creator:
Print made by T. E. Nicholson, active early 19th century
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

283. Humours of an Election Entertainment

Humours of an Election Entertainment
Creator:
Print made by T. E. Nicholson, active early 19th century
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

284. Chairing the Member

Chairing the Member
Creator:
Print made by T. E. Nicholson, active early 19th century
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

285. Chairing the Member

Chairing the Member
Creator:
Print made by T. E. Nicholson, active early 19th century
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

286. Chairing the Member

Chairing the Member
Creator:
Print made by T. E. Nicholson, active early 19th century
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

287. 3 Characters, 4 Caricaturas

3 Characters, 4 Caricaturas
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

288. 3 Characters, 4 Caricaturas

3 Characters, 4 Caricaturas
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

289. 3 Characters, 4 Caricaturas

3 Characters, 4 Caricaturas
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

290. 3 Characters, 4 Caricaturas

3 Characters, 4 Caricaturas
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

291. The Chorus

The Chorus
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

292. The Chorus

The Chorus
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

293. The Chorus

The Chorus
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

294. The Laughing Audience

The Laughing Audience
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

295. The Laughing Audience

The Laughing Audience
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

296. The Laughing Audience

The Laughing Audience
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

297. The Laughing Audience

The Laughing Audience
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

298. The Lecture

The Lecture
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

299. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

300. Analysis of Beauty, Plate II

Analysis of Beauty, Plate II
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection