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Date 1834

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501. Mountainous Landscape

Mountainous Landscape
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Watercolor, white gouache, and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 x 11 1/4 inches (23.2 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

502. St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834

St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834
Creator:
Print made by Andrew Picken, 1815–1845
Date:
ca. 1835
Materials & Techniques:
Lithograph on smooth, thin, cream wove paper
Dimensions:
Sheet: 6 5/16 × 8 5/8 inches (16 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

503. Mr. Lee's House After the Fire, House of Lords

Mr. Lee's House After the Fire, House of Lords
Creator:
unknown artist
Date:
ca. 1835
Materials & Techniques:
Pen and black ink and brown wash on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 7/8 × 9 15/16 inches (20 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

504. St. Stephen's Chapel, Speaker's House, &c. from the River

St. Stephen's Chapel, Speaker's House, &c. from the River
Creator:
unknown artist
Date:
ca. 1835
Materials & Techniques:
Line engraving, proof before letters on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 13/16 × 7 7/16 inches (14.8 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

505. Hills and Sky

Hills and Sky
Creator:
attributed to John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 9 7/8 inches (10.8 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

506. Mountainous Landscape

Mountainous Landscape
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 x 9 1/4 inches (11.7 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

507. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
1834
Materials & Techniques:
Graphite, pen and brown ink, brown wash on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 1/4 × 17 inches (33.7 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

508. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
1834
Materials & Techniques:
graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 17 1/8 × 13 5/16 inches (43.5 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

509. Martin Archer Shee

Martin Archer Shee
Creator:
Print made by unknown artist
Date:
1834
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

510. Clarkson Stanfield

Clarkson Stanfield
Creator:
William Say, 1768–1834
Date:
1834
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

511. The House of Commons

The House of Commons
Creator:
Print made by Henry Melville, active 1826–1841
Date:
1834
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 11 inches (19.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

512. The Kind Proroguing Parliament

The Kind Proroguing Parliament
Creator:
Print made by Henry Melville, active 1826–1841
Date:
1834
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 3/8 × 10 7/8 inches (18.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

513. Ruins of Westminster Palace

Ruins of Westminster Palace
Creator:
George Harley, 1791–1871
Date:
1834
Materials & Techniques:
Graphite and brown wash on slightly textured, medium, white wove paper
Dimensions:
Sheet: 9 9/16 × 6 1/4 inches (24.3 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

514. Chance. The London Firemen's Dog

Chance. The London Firemen's Dog
Creator:
Print made by unknown artist
Date:
1834
Materials & Techniques:
Lithograph on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 10 3/4 × 11 1/4 inches (27.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

515. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Lithograph on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 12 3/4 × 17 3/4 inches (32.4 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

516. The Destruction by Fire of the Houses of Parliament

The Destruction by Fire of the Houses of Parliament
Creator:
Print made by M. Gauci, 1810–1846
Date:
after 1834
Materials & Techniques:
Lithograph on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 15 1/8 inches (27.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

517. Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
Creator:
Print made by unknown artist
Date:
1834
Materials & Techniques:
Lithograph on smooth, moderately thick, brown wove paper
Dimensions:
Sheet: 17 × 19 3/4 inches (43.2 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

518. Fécamp

Fécamp
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

519. Chiswick

Chiswick
Creator:
Print made by George Cooke, 1781–1834
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

520. St. Knighton's Kieve near Boscastle

St. Knighton's Kieve near Boscastle
Creator:
after Thomas Allom, 1804–1872
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

521. Triport

Triport
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

522. Treport

Treport
Creator:
after Clarkson Stanfield, 1793–1867
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

523. Mardale Head, Westmorland

Mardale Head, Westmorland
Creator:
Print made by Ebenezer Challis, active 1837–1859
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

524. View near Havre

View near Havre
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Steel engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

525. The Gipsy

The Gipsy
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 × 5 7/8 inches (27.5 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

526. A Village – Evening

A Village – Evening
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with light blue chine collé
Dimensions:
Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

527. Keswick Lake

Keswick Lake
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

528. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, creame wove paper
Dimensions:
Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

529. A Village Fair

A Village Fair
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, smooth wove paper
Dimensions:
Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

530. Traitor's Gate, Tower of London

Traitor's Gate, Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

531. Greenwich Hospital

Greenwich Hospital
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 9 1/8 inches (36.8 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

532. Leaving Home

Leaving Home
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

533. A Hurricane in the Desert

A Hurricane in the Desert
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 3/8 × 11 7/8 inches (44.1 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

534. Valombre

Valombre
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

535. St. Pierre's Cottage

St. Pierre's Cottage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving; with graphite and scraping out; touched engraver's proof (b) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 9/16 × 12 3/16 inches (44.6 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

536. An Old Manor House

An Old Manor House
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 5 15/16 inches (21.6 × 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

537. St. Julienne's Chapel

St. Julienne's Chapel
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

538. Captivity

Captivity
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof (b) on medium, smooth, beige wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

539. St. Pierre's Cottage

St. Pierre's Cottage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/16 × 11 3/4 inches (43.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

540. Bolton Abbey

Bolton Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; early engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/16 × 6 3/4 inches (30.6 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

541. An Old Oak

An Old Oak
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 3/8 × 11 7/8 inches (44.1 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

542. St. Anne's Hill, No. II

St. Anne's Hill, No. II
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof (c) on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

543. The Alps at Daybreak

The Alps at Daybreak
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 9 1/2 inches (37.8 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

544. The Boy of Egremond

The Boy of Egremond
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 1/16 inches (38.7 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

545. St. Anne's Hill, No. II

St. Anne's Hill, No. II
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/8 × 11 3/4 inches (18.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

546. The Vision of Columbus

The Vision of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

547. St. Anne's Hill, No. II

St. Anne's Hill, No. II
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (d) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 1/16 inches (44.1 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

548. Columbus and his Son

Columbus and his Son
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 3/8 × 11 7/8 inches (44.1 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

549. The Vision of Columbus

The Vision of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 9/16 × 6 1/8 inches (29.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

550. Land Discovered by Columbus

Land Discovered by Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof (b) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

551. Datur Hora Quieti

Datur Hora Quieti
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:
Sheet: 14 1/8 × 8 9/16 inches (35.9 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

552. Columbus Setting Sail

Columbus Setting Sail
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 3/8 × 11 11/16 inches (44.1 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

553. A Tempest – Voyage of Columbus

A Tempest – Voyage of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/16 × 11 5/8 inches (43.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

554. Cortes and Pizarro

Cortes and Pizarro
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/8 × 8 5/16 inches (30.2 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

555. The Alps at Daybreak

The Alps at Daybreak
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 3/8 × 9 inches (36.5 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

556. The Castle of St. Angelo

The Castle of St. Angelo
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

557. Havre

Havre
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 10 7/8 inches (22.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

558. St. Germains

St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (d) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

559. Troyes

Troyes
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; early engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 13 1/8 inches (26.4 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

560. Smailholm Tower

Smailholm Tower
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 inches (42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

561. Troyes

Troyes
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

562. Kelso

Kelso
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Etching and engraving; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 17 1/8 inches (28.3 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

563. Johnnie Armstrong's Tower

Johnnie Armstrong's Tower
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

564. Carlisle

Carlisle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 inches (18.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

565. Jedburgh Abbey

Jedburgh Abbey
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (I) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

566. Lochmaben Castle

Lochmaben Castle
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 1/4 inches (44.1 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

567. Lochmaben Castle

Lochmaben Castle
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

568. Fingal's Cave, Staffa

Fingal's Cave, Staffa
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

569. Hermitage Castle

Hermitage Castle
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/8 inches (43.8 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

570. Caerlaverock Castle

Caerlaverock Castle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 11 1/2 inches (21 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

571. Rouen, Looking Up the River

Rouen, Looking Up the River
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (ab) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

572. Rouen, Looking Up the River

Rouen, Looking Up the River
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

573. Bemerside

Bemerside
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 8 1/2 inches (25.4 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

574. Bemerside

Bemerside
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 6 5/8 inches (22.5 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

575. Bemerside

Bemerside
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 6 3/8 inches (21.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

576. Ashestiel

Ashestiel
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 8 3/4 inches (34 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

577. Dryden's Monument

Dryden's Monument
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 11 1/2 inches (34 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

578. Mayburgh

Mayburgh
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

579. Milan

Milan
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834-1836
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

580. Melrose

Melrose
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

581. Loch Katrine

Loch Katrine
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite, white chalk, and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 9 1/2 inches (17.8 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

582. Loch Achray

Loch Achray
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 5/8 inches (43.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

583. Berwick-upon-Tweed

Berwick-upon-Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, with scraping out and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

584. Dumbarton Castle

Dumbarton Castle
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

585. New Abbey, near Dumfries

New Abbey, near Dumfries
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 11 1/4 inches (43.2 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

586. Berwick-upon-Tweed

Berwick-upon-Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

587. Edinburgh from Blackford Hill

Edinburgh from Blackford Hill
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

588. Brussels, Distant View

Brussels, Distant View
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

589. Hougoumont

Hougoumont
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 7 1/2 inches (27.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

590. Dryden's Monument

Dryden's Monument
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

591. Jerusalem

Jerusalem
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and white chalk; touched engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 13 1/8 inches (21.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

592. Brienne

Brienne
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and scraping out; early touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 12 3/8 inches (21.6 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

593. Hotel de Ville, Paris

Hotel de Ville, Paris
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834-1836
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 11 1/2 inches (34.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

594. Venice, the Campanile

Venice, the Campanile
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

595. St. Cloud

St. Cloud
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

596. Placenza

Placenza
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 13 1/4 inches (21.6 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

597. Brienne

Brienne
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving with scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 12 3/8 inches (21.6 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

598. Vincennes

Vincennes
Creator:
Print made by William Miller, 1796–1882
Date:
1834-1836
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 8 1/2 inches (33.3 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

599. Mayence

Mayence
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 25 × 8 3/4 inches (63.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

600. Verona

Verona
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection