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101. Mount Moriah

Mount Moriah
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. The Red Sea and Suez

The Red Sea and Suez
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Solomon's Pools

Solomon's Pools
Creator:
Print made by James Stephenson, 1808–1886
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Babylon

Babylon
Creator:
Print made by John Cousen, 1804–1880
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. The Desert of Sinai

The Desert of Sinai
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Santa Sabas and the Brook Kidron

Santa Sabas and the Brook Kidron
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Jericho

Jericho
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Joppa

Joppa
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving and graphite, touched engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Ramah and Rachel's Tomb

Ramah and Rachel's Tomb
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Egypt, the Pyramids of Ghizeh

Egypt, the Pyramids of Ghizeh
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. The Dead Sea, Jericho and the Mouth of the Jordan

The Dead Sea, Jericho and the Mouth of the Jordan
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Lebanon from Tripoli

Lebanon from Tripoli
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Nazareth

Nazareth
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Bethlehem

Bethlehem
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Nineveh, Moussul on the Tigris

Nineveh, Moussul on the Tigris
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835-1836
Materials & Techniques:
Etching and engraving, (Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Jerusalem, with the Walls

Jerusalem, with the Walls
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Jerusalem from the Mount of Olives

Jerusalem from the Mount of Olives
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Jerusalem, Pool of Bethesda

Jerusalem, Pool of Bethesda
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Valley of the Brook Kedron

Valley of the Brook Kedron
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Sidon

Sidon
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Rhodes

Rhodes
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Assos

Assos
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Mount Lebanon and the Convent of St. Antonio

Mount Lebanon and the Convent of St. Antonio
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. The Fall of the Rebel Angels

The Fall of the Rebel Angels
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving, first published state
Dimensions:
Plate: 8 7/16 x 5 7/8in. (21.5 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Mustering of the Warrior Angels

Mustering of the Warrior Angels
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Line engraving, 1st published state
Dimensions:
Sheet: 17 3/16 × 11 3/4 inches (43.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. The Expulsion from Paradise

The Expulsion from Paradise
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving, 1st published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. The Temptation on the Mountain

The Temptation on the Mountain
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. The Temptation on the Pinnacle

The Temptation on the Pinnacle
Creator:
Print made by Frederick Bacon, 1803–1887
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Ludlow Castle - Rising of the Water - Nymphs

Ludlow Castle - Rising of the Water - Nymphs
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. St. Michael's Mount - Shipwreck of Lycidas

St. Michael's Mount - Shipwreck of Lycidas
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. The Temptation on the Mountain

The Temptation on the Mountain
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Engraver's Proof b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Caernarvon Castle, Wales

Caernarvon Castle, Wales
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Ullswater, Cumberland

Ullswater, Cumberland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Ullswater, Cumberland

Ullswater, Cumberland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, 1st published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/8 × 16 3/8 inches (35.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Powis Castle, Montgomery

Powis Castle, Montgomery
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Powis Castle, Montgomery

Powis Castle, Montgomery
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Worcester, Worcestershire

Worcester, Worcestershire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (completed)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Fire at Sea (vignette)

Fire at Sea (vignette)
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Fire at Sea (vignette)

Fire at Sea (vignette)
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Lodore Falls, Keswick, June 1835

Lodore Falls, Keswick, June 1835
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1835
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Leathes Water

Leathes Water
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1835
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Helm Hill, or the Lion and the Lamb

Helm Hill, or the Lion and the Lamb
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1835
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Helm Hill, or the Lion and the Lamb

Helm Hill, or the Lion and the Lamb
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1835
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. France Pittoresque, Le Prix de Vertu

France Pittoresque, Le Prix de Vertu
Date:
1835
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

147. Confluence of the Seine and Marne

Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Pont-Neuf, Paris

Pont-Neuf, Paris
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Melun

Melun
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Confluence of the Seine and Marne

Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Melun

Melun
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched, (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. HMS Bellerophon, Plymouth Sound

HMS Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and engraving, ngraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. The Temptation on the Mountain

The Temptation on the Mountain
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Babylon

Babylon
Creator:
Print made by John Cousen, 1804–1880
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving on steel
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Fontainebleau

Fontainebleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, with scraping out and touched with graphite (Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Mount Lebanon and the Convent of St. Antonio

Mount Lebanon and the Convent of St. Antonio
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Solomon's Pools

Solomon's Pools
Creator:
Print made by James Stephenson, 1808–1886
Date:
1835-1836
Materials & Techniques:
Etching and engraving (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Nineveh, Moussul on the Tigris

Nineveh, Moussul on the Tigris
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Nineveh, Moussul on the Tigris

Nineveh, Moussul on the Tigris
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Assos

Assos
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Sidon

Sidon
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. The Temptation on the Pinnacle

The Temptation on the Pinnacle
Creator:
Print made by Frederick Bacon, 1803–1887
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. The Piazzetta, Venice, circa 1835

The Piazzetta, Venice, circa 1835
Creator:
Print made by Pellissier & Allen, active late 19th century
Date:
c.1835
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. The Borghese Gardens

The Borghese Gardens
Creator:
John Ruskin, 1819–1900
Date:
ca. 1840
Materials & Techniques:
Graphite and brown wash on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 8 7/8 inches (16.2 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

166. Plaza Real and Procession

Plaza Real and Procession
Creator:
David Roberts, 1796–1864
Date:
1835
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 x 15in. (26 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Paris from the Barriere de Passy

Paris from the Barriere de Passy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Pont-Neuf, Paris

Pont-Neuf, Paris
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Damon and Pythias

Damon and Pythias
Creator:
Print made by Frederick Bacon, 1803–1887
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Hotel de Ville and Pont d'Arcole

Hotel de Ville and Pont d'Arcole
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched, (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Marche aux Fleurs and Pont-au-Change

Marche aux Fleurs and Pont-au-Change
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Set of four: A Celebrated Stag Hunt. Plate 3. The Chase

Set of four: A Celebrated Stag Hunt. Plate 3. The Chase
Creator:
Robert Havell, 1769–1832
Date:
1835
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 1/4 x 26 5/8in. (41.3 x 67.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. [Set of four] Sporting in the Scottish Isles: No. IV. Deer Hunting in the Paps of Jura

[Set of four] Sporting in the Scottish Isles: No. IV. Deer Hunting in the Paps of Jura
Creator:
William Heath, 1795–1840
Date:
1835
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 8 7/8 x 12 5/8in. (22.5 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Fox Hunting [set of six]: Melton Mowbray No. 4. Taking the Shine out of a New Stultz

Fox Hunting [set of six]: Melton Mowbray No. 4. Taking the Shine out of a New Stultz
Creator:
Printed by Day & Co., 1824–1913
Date:
1835
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 9 7/8 x 13 3/8in. (25.1 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Fox Hunting [set of six]: Melton Mowbray No. 3. Breaking Cover

Fox Hunting [set of six]: Melton Mowbray No. 3. Breaking Cover
Creator:
Printed by Day & Co., 1824–1913
Date:
1835
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 9 7/8 x 13 3/8in. (25.1 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Fox Hunting [set of six]: Melton Mowbray No. 5. Taking the Gate at the Hinge Post while Snob walks thro'

Fox Hunting [set of six]: Melton Mowbray No. 5. Taking the Gate at the Hinge Post while Snob walks thro'
Creator:
Printed by Day & Co., 1824–1913
Date:
1835
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 9 7/8 x 13 3/8in. (25.1 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Dr. Johnson

Dr. Johnson
Creator:
Samuel William Reynolds, 1773–1835
Date:
1835
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 13 x 9 1/2in. (33 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

178. Hog Hunting: The Burst

Hog Hunting: The Burst
Creator:
S. W. Fores, 1761–1838
Date:
ca. 1840
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 21 5/8 x 29 3/8in. (54.9 x 74.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Set of four: A Celebrated Stag Hunt. Plate 2. Turning Out / Ben the Sailor

Set of four: A Celebrated Stag Hunt. Plate 2. Turning Out / Ben the Sailor
Creator:
Robert Havell, 1769–1832
Date:
1835
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 1/4 x 26 5/8in. (41.3 x 67.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Set of four: A Celebrated Stag Hunt. Plate 3. Taking Soil

Set of four: A Celebrated Stag Hunt. Plate 3. Taking Soil
Creator:
Robert Havell, 1769–1832
Date:
1835
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 1/4 x 26 5/8in. (41.3 x 67.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. [Set of four] Sporting in the Scottish Isles: No. II. Otter Hunting

[Set of four] Sporting in the Scottish Isles: No. II. Otter Hunting
Creator:
William Heath, 1795–1840
Date:
1835
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 8 7/8 x 12 5/8in. (22.5 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. [Set of four] Sporting in the Scottish Isles: No. III. Salmon Fishing

[Set of four] Sporting in the Scottish Isles: No. III. Salmon Fishing
Creator:
William Heath, 1795–1840
Date:
1835
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 8 7/8 x 12 5/8in. (22.5 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Fox Hunting [set of six]: Melton Mowbray No. 6. The Cream of the Thing

Fox Hunting [set of six]: Melton Mowbray No. 6. The Cream of the Thing
Creator:
Printed by Day & Co., 1824–1913
Date:
1835
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 9 7/8 x 13 3/8in. (25.1 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Hog Hunting: The Charge

Hog Hunting: The Charge
Creator:
Print made by S. W. Fores, 1761–1838
Date:
ca. 1840
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 21 5/8 x 29 3/8in. (54.9 x 74.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Cock Fighting [a pair]: 2. The Trimm'd Cock

Cock Fighting [a pair]: 2. The Trimm'd Cock
Creator:
Charles Turner, 1774–1857
Date:
1835 (re-issue of 1812)
Materials & Techniques:
Mixed method, hand colored
Dimensions:
Sheet: 18 3/4 x 15 1/2in. (47.6 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Drawing for a `Punch' Cartoon

Drawing for a `Punch' Cartoon
Creator:
John Tenniel, 1820–1914
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/4 × 7 9/16 inches (28.6 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Christopher Swan, Yale MA 2001, in honor of Malcolm Warner

187. The Great Temple, Hurdwar

The Great Temple, Hurdwar
Creator:
Print made by William Finden, 1787–1852
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 1/2 inches (18.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

188. Jain Temples, Muktagerri

Jain Temples, Muktagerri
Creator:
Print made by William Finden, 1787–1852
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 7 inches (26.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

189. Infanticide in India, as Practised in the Temples of Ganesa

Infanticide in India, as Practised in the Temples of Ganesa
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 7 1/8 inches (26.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

190. Hindu Fakirs Practising their Superstitious Rites

Hindu Fakirs Practising their Superstitious Rites
Creator:
Print made by Bell, active 1840s
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 1/2 inches (18.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

191. Key to Plate of Hindu Fakirs Practising their Superstitious Rites

Key to Plate of Hindu Fakirs Practising their Superstitious Rites
Creator:
Print made by Bell, active 1840s
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

192. Festival of Al-Mohurram

Festival of Al-Mohurram
Creator:
Print made by Francis William Topham, 1808–1877
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 5/8 inches (20.3 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

193. Borro Boedoor

Borro Boedoor
Creator:
Print made by Samuel Bradshaw, 1830–1869
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 11 inches (21 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

194. Mexican Street Scene - Aquas Caliente

Mexican Street Scene - Aquas Caliente
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
ca. 1840
Materials & Techniques:
Watercolor, pen, black ink, gouache, and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured beige wove paper
Dimensions:
Sheet: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

196. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Graphite, watercolor, heightened with gouache on thin wove paper, stained for tracing, laid down on contemporary wove paper mount
Dimensions:
Sheet: 6 15/16 × 8 15/16 inches (17.6 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

197. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:
Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

198. Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
Creator:
Print made by T. Clarke, 1799–1839
Date:
1835
Materials & Techniques:
Line engraving, proof before letters on medium, smooth, white wove paper
Dimensions:
Sheet: 8 3/4 × 5 1/2 inches (22.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
Creator:
Print made by T. Clarke, 1799–1839
Date:
1835
Materials & Techniques:
Line engraving proof on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Mr. Wood Offers to Adopt Little Jack Sheppard

Mr. Wood Offers to Adopt Little Jack Sheppard
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 11/16 x 7 7/16 inches (22 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960