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Date 1836

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301. Linlithgow

Linlithgow
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

302. Killiecrankie

Killiecrankie
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. Stirling

Stirling
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

304. Craigmillar Castle

Craigmillar Castle
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

305. Rouen Distant View

Rouen Distant View
Creator:
Print made by William Richardson, active 1842–1877
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

306. Fort Augustus

Fort Augustus
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. Inverness

Inverness
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. Abbeville

Abbeville
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. Château d'Arc, near Dieppe

Château d'Arc, near Dieppe
Creator:
Print made by William Forrest, 1802–1889
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

310. Killiecrankie

Killiecrankie
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

311. Craigmillar Castle

Craigmillar Castle
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

312. Age of Innocence

Age of Innocence
Creator:
Print made by Charles Turner, 1774–1857
Date:
1836
Materials & Techniques:
Mezzotint (first state) on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 20 13/16 × 16 inches (52.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

313. Master Henry Thomas Hope

Master Henry Thomas Hope
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1836
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 12 15/16 inches (40 x 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

314. "Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...
Creator:
George Hunt, active 1820–1840
Date:
1836
Materials & Techniques:
Color printed aquatint
Dimensions:
Sheet: 12 7/8 x 21 7/8in. (32.7 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

315. Age of Innocence

Age of Innocence
Creator:
Print made by Charles Turner, 1774–1857
Date:
1836
Materials & Techniques:
Mezzotint and etching (proof) on moderately thick, moderately textured, beige wove paper, with beige chine collé
Dimensions:
Sheet: 13 7/8 × 10 3/8 inches (35.2 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

316. The Thames at Mortlake

The Thames at Mortlake
Creator:
Print made by William John Cooke, 1797–1865
Date:
1836 to 1838
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. The Destroying Angel

The Destroying Angel
Creator:
John Martin, 1789–1854
Date:
1836
Materials & Techniques:
Engraving
Dimensions:
Sheet: 21 7/16 x 30 7/16 inches (54.5 x 77.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

318. Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)

Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)

Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. Death of the First Born

Death of the First Born
Creator:
John Martin, 1789–1854
Date:
1836
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 7/8 × 30 inches (55.6 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1836
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/8 × 9 5/16 inches (15.6 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. The Red Sea and Suez

The Red Sea and Suez
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. Mount Moriah

Mount Moriah
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving, first state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. Joppa

Joppa
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. The Dead Sea, Jericho and the Mouth of the Jordan

The Dead Sea, Jericho and the Mouth of the Jordan
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. Santa Sabas and the Brook Kidron

Santa Sabas and the Brook Kidron
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. Solomon's Pools

Solomon's Pools
Creator:
Print made by James Stephenson, 1808–1886
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. Egypt, the Pyramid of Ghizeh

Egypt, the Pyramid of Ghizeh
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving, Engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. Mount Lebanon and the Convert of St. Antonio

Mount Lebanon and the Convert of St. Antonio
Creator:
Print made by William Finden, 1787–1852
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. Jericho

Jericho
Creator:
Print made by William Finden, 1787–1852
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. Babylon

Babylon
Creator:
Print made by John Cousen, 1804–1880
Date:
1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. Nineveh, Moussul on the Tigris

Nineveh, Moussul on the Tigris
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. Bethlehem

Bethlehem
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. Nazareth

Nazareth
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving, Engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. Ramah and Rachel's Tomb

Ramah and Rachel's Tomb
Creator:
Print made by William Finden, 1787–1852
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. Jerusalem, Pool of Bethesda

Jerusalem, Pool of Bethesda
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. Jerusalem, with the Walls

Jerusalem, with the Walls
Creator:
Print made by William Finden, 1787–1852
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. Jerusalem from the Mount of Olives

Jerusalem from the Mount of Olives
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. Assos

Assos
Creator:
Print made by William Finden, 1787–1852
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

340. Rhodes

Rhodes
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. Dunfermline

Dunfermline
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. Linlithgow

Linlithgow
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. Dunstaffnage

Dunstaffnage
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. Rouen - Distant View

Rouen - Distant View
Creator:
Print made by William Richardson, active 1842–1877
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. Inverness

Inverness
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. Fort Augustus (Vignette)

Fort Augustus (Vignette)
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. Calais (Vignette)

Calais (Vignette)
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. Château d'Arc, near Dieppe

Château d'Arc, near Dieppe
Creator:
Print made by William Forrest, 1802–1889
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. Abbeville

Abbeville
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1836
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. Coln. Mannering, Hazlewood and Smugglers / Coln. Mannering, Hazelwood et Les Contrebandiers

Coln. Mannering, Hazlewood and Smugglers / Coln. Mannering, Hazelwood et Les Contrebandiers
Creator:
Print made by William Finden, 1787–1852
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

351. It's Auld Ailie Hersell

It's Auld Ailie Hersell
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1836-1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. View of the Port of Liverpool

View of the Port of Liverpool
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1836
Materials & Techniques:
Colored aquatint on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 26 5/16 inches (53.3 × 66.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. The Licensed Victualler's Annual Dinner, held at the Highbury Barn Tavern

The Licensed Victualler's Annual Dinner, held at the Highbury Barn Tavern
Creator:
unknown artist
Date:
1836
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. Cutting Reviews

Cutting Reviews
Creator:
James Smetham, 1821–1889
Date:
undated
Materials & Techniques:
Gray wash and pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 × 3 13/16 inches (12.7 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

355. The Artist Sketching

The Artist Sketching
Creator:
James Smetham, 1821–1889
Date:
undated
Materials & Techniques:
Pen and brown ink, black ink, and gray wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/4 × 3 3/4 inches (13.3 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

356. The Stone Bow, Lincoln

The Stone Bow, Lincoln
Creator:
Frederick James Havell, 1801–1840
Date:
1836
Materials & Techniques:
Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 13/16 × 8 3/4 inches (14.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. Bay Middleton. Winner of the Derby Stakes at Epsom 1836

Bay Middleton. Winner of the Derby Stakes at Epsom 1836
Creator:
Edward Duncan, 1803–1882
Date:
1836
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 9/16 x 20 1/8in. (39.5 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. The Country Artist

The Country Artist
Creator:
James Smetham, 1821–1889
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on medium, smooth, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 × 3 3/16 inches (12.2 × 8.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

359. Set of six with printed wrapper, Plate 1: The Adventures of a Fox by Moonlight

Set of six with printed wrapper, Plate 1: The Adventures of a Fox by Moonlight
Creator:
Thomas Mann Baynes, 1794–1854
Date:
1836
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. Part of the Ghaut at Hurdwar

Part of the Ghaut at Hurdwar
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. The Desert of Sinai

The Desert of Sinai
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. Sidon

Sidon
Creator:
Print made by William Finden, 1787–1852
Date:
1836
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. The Thames at Mortlake

The Thames at Mortlake
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1836-1838
Materials & Techniques:
Line engraving; engraver's proof on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. Meeting in Copenhagen Fields of the Trades Union

Meeting in Copenhagen Fields of the Trades Union
Creator:
W. Summers, active 1833
Date:
1836
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 14 1/2 x 19 3/4in. (36.8 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. View of the Port of Liverpool

View of the Port of Liverpool
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1836
Materials & Techniques:
Color printed etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 × 27 1/8 inches (54 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. Austin's Farm at Sapiston Suffolk the Early Residence of Robert Bloomfield

Austin's Farm at Sapiston Suffolk the Early Residence of Robert Bloomfield
Creator:
Charles John Smith, 1803–1838
Date:
1836
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. Sketch of Izaak Walton's Cottage for the "Complete Angler," London, 1836

Sketch of Izaak Walton's Cottage for the "Complete Angler," London, 1836
Creator:
Thomas Stothard, 1755–1834
Date:
1836
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 6 inches (24.1 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. Near Ennerdale Lake, 20 May 1836

Near Ennerdale Lake, 20 May 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. The Pillar & Steeple or Red Pike from the East End of Ennerdale Lake, 10 May 1836

The Pillar & Steeple or Red Pike from the East End of Ennerdale Lake, 10 May 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. From Anglers Rock, Ennerdale Lake, 10 May 1836

From Anglers Rock, Ennerdale Lake, 10 May 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. Ennerdale, 10 May 1836

Ennerdale, 10 May 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. Ennerdale Lake from the Inn, 12 May 1836

Ennerdale Lake from the Inn, 12 May 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 19 3/8 inches (22.9 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

373. Whitehaven Road, 10 May 1836

Whitehaven Road, 10 May 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. Ennerdale, 10 May 1836

Ennerdale, 10 May 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. Near the Anglers Rock, Ennerdale Lake, 10 May 1836

Near the Anglers Rock, Ennerdale Lake, 10 May 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 5/8 inches (22.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. Ennerdale Lake, 20 May 1836

Ennerdale Lake, 20 May 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. Ennerdale Lake, 10 May 1836

Ennerdale Lake, 10 May 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. Ennerdale Lake, 10 May 1836

Ennerdale Lake, 10 May 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. From under the Screes at Wast Water, May 1836

From under the Screes at Wast Water, May 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 5/8 inches (22.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. From Rydal Cottage, 11 February 1836

From Rydal Cottage, 11 February 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. At Rydal Lake, 8 February 1836

At Rydal Lake, 8 February 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. Rydal Cottage from the Bridge, 8 February 1836

Rydal Cottage from the Bridge, 8 February 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 5/8 inches (22.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. Rydal Lake, 8 February 1836

Rydal Lake, 8 February 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. Near Rydal Lake, 10 February 1836

Near Rydal Lake, 10 February 1836
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1836
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 5/8 inches (22.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. Inverlochy Castle, Invernesshire

Inverlochy Castle, Invernesshire
Creator:
Henry Griffiths, 1835–1849
Date:
1836
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 3/16 inches (21.6 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

386. Edinburgh from St. Anthony's Chapel

Edinburgh from St. Anthony's Chapel
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

387. Stirling

Stirling
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

388. Glen Coe, Scotland

Glen Coe, Scotland
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

389. Craigmillar Castle (Vignette)

Craigmillar Castle (Vignette)
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

390. Killiecrankie

Killiecrankie
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

391. The Spanish Mother

The Spanish Mother
Creator:
Abraham Raimbach, 1784–1868
Date:
1836
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 21 3/4 × 30 5/16 inches (55.2 × 77 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

392. Corpus Christi College, Cambridge

No cover image available
Creator:
Richard Banks Harraden, 1778–1862
Date:
1836
Materials & Techniques:
Watercolor, pen and gray ink, black ink, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Cover: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

393. Proof for an illustration: Walton, Izaak. The Complete Angler. London, 1836.

No cover image available
Creator:
Print made by John Thompson, 1785–1866
Date:
1836
Materials & Techniques:
Etching on thin, smooth, cream laid paper
Dimensions:
Sheet: 8 × 5 3/8 inches (20.3 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

394. Pheasant Shooting

No cover image available
Creator:
George Hunt, active 1820–1840
Date:
1836
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 16 7/8in. (33 x 42.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

395. [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate IV. "Aground. The vermin sinks: mark, struggling for the lead, / ... Take counsel of our canvas - nurse your steed, / ..."

No cover image available
Creator:
Newton Limbird Smith Fielding, 1799–1856
Date:
1836
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 14 1/2 x 17in. (36.8 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

396. Plate 4. Snipe Shooting, November

No cover image available
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1836
Materials & Techniques:
Aquatint, printed in color and hand colored
Dimensions:
Sheet: 17 x 20 1/8in. (43.2 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

397. Plate 2. Partridge Shooting, September

No cover image available
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1836
Materials & Techniques:
Aquatint, printed in color and hand colored
Dimensions:
Sheet: 17 x 20 1/8in. (43.2 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

398. Plate 3. Pheasant Shooting, October

No cover image available
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1836
Materials & Techniques:
Aquatint, printed in color and hand colored
Dimensions:
Sheet: 17 x 20 1/8in. (43.2 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

399. Plate 5. Woodcock Shooting, December

No cover image available
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1836
Materials & Techniques:
Aquatint, printed in color and hand colored
Dimensions:
Sheet: 17 x 20 1/8in. (43.2 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. Plate 6. Water Fowl Shooting, January

No cover image available
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1836
Materials & Techniques:
Aquatint, printed in color and hand colored
Dimensions:
Sheet: 17 x 20 1/8in. (43.2 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection