Date: 1837 / Subject Terms: man - YCBA Collections Search Search Results

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Date 1837

Subject Terms man

1. Landscape with Goatherd

Landscape with Goatherd

Creator:: Edward Lear, 1812–1888
Date:: ca. 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/2 x 14 1/2 inches (26.7 x 36.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:: Not on view

2. Portrait Bust of the Artist's Brother, the Sculptor John Gibson, R.A.

Portrait Bust of the Artist's Brother, the Sculptor John Gibson, R.A.

Creator:: Benjamin Gibson, 1811–1851
Date:: 1837 to 1838
Materials & Techniques:: Carrara marble
Dimensions:: Overall: 24 7/8 x 13 x 10 1/4 inches (63.2 x 33 x 26 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. Oberon and Titania

Oberon and Titania

Creator:: Francis Danby, 1793–1861
Date:: 1837
Materials & Techniques:: Watercolor and black ink with gum over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Lord Henry Charles Capel Somerset, 5th Light Infantry - Cheltenham

Lord Henry Charles Capel Somerset, 5th Light Infantry - Cheltenham

Creator:: Richard Dighton, 1795–1880
Date:: between 1837 and 1848
Materials & Techniques:: Gouache, watercolor, pen, black ink, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 8 3/4 inches (27.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Sunshine of Love

Sunshine of Love

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1837
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/8 x 13 7/8 inches (44.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund