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Date 1841
Remove constraint Date: 1841Subject Terms landscape
Remove constraint Subject Terms: landscapeClassification Prints
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- Date:
- 1841
- Materials & Techniques:
- Lithograph on wove paper
- Dimensions:
- Plate: 9 15/16 x 15 15/16in. (25.2 x 40.5cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
- Date:
- 1841
- Materials & Techniques:
- Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 29 1/4 × 19 inches (74.3 × 48.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1841
- Materials & Techniques:
- Etching and line engraving; first published state on thick, moderately textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 33 × 25 1/4 inches (83.8 × 64.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1841
- Materials & Techniques:
- Etching and line engraving, second state on thick, moderately textured, beige wove paper, with cream chine collé
- Dimensions:
- Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1841
- Materials & Techniques:
- Etching and line engraving; fourth state on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 29 5/8 × 22 1/2 inches (75.2 × 57.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
6. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
- Date:
- 1841
- Materials & Techniques:
- Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection