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Cloud Study
Creator:
Lionel Constable, 1828–1887
Date:
between 1849 and 1855
Materials & Techniques:
Oil on paper on board
Dimensions:
9 3/4 x 18 1/2 inches (24.8 x 47 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1849
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 3/4 x 17 5/16 inches (29.8 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ass and the Sick Lion
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1849
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 11/16 x 17 3/16 inches (29.7 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Archbishop Abbot’s Hospital, Guildford, View from the High Street
Creator:
John Drayton Wyatt, 1820–1891
Date:
1849
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 12 1/4 inches (24.8 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
George Vertue
Creator:
Print made by George T Doo, 1800–1886
Date:
1849
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper with cream chine collé
Dimensions:
Sheet: 9 5/8 x 6 1/2 inches (24.5 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Shakespeare
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1849
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 1/4 x 17 1/8 inches (56.5 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund