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1. The Morning of Life

The Morning of Life
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Morning of Life

The Morning of Life
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. View near Auckland: Maori Warrior and Women

View near Auckland: Maori Warrior and Women
Creator:
Lt. Gen. Charles Emilius Gold, 1803?–1871
Date:
1860
Materials & Techniques:
Watercolor, gouache and graphite with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. View of Oakfield, Hornsey

View of Oakfield, Hornsey
Creator:
George Shadbolt, 1830–1901
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 × 8 1/4 inches (17.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

5. Loch Earu

Loch Earu
Creator:
Rev. N. B. Drummond, active 1860s
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Mount: 12 × 14 1/2 inches (30.5 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

6. Trees in the Snow

Trees in the Snow
Creator:
A. Booty Esq., active 1867
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/8 × 9 1/2 inches (18.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

7. Shere Mill Pond, no. 2 (large plate)

Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream antique laid paper
Dimensions:
Sheet: 12 1/2 x 18 3/8 inches (31.7 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

8. Shere Mill Pond, no. 2 (large plate)

Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 8 1/4 x 13 7/8 inches (20.9 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Yale Stevens from her father's (Richard Sharpe V, B.S. 1873) Collection

9. Shere Mill Pond, no. 2 (large plate)

Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 8 5/16 x 14 1/16 inches (21.1 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield