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Date 1874

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At Oxford
Creator:
Edna Kaulbach, active 1874
Date:
1874
Materials & Techniques:
Black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 16 3/4 × 23 3/8 inches (42.5 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward I. Elicofon
An Essex Farm
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1874
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 8 7/16 x 13 7/16 inches (21.5 x 34.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
Studies of Spider Crabs, Venice
Creator:
Myles Birket Foster, 1825–1899
Date:
1874
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 6 × 8 1/2 inches (15.2 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Fish, Venice
Creator:
Myles Birket Foster, 1825–1899
Date:
1874
Materials & Techniques:
Watercolor and gouache over graphite on card on thick, moderately textured, card
Dimensions:
Sheet: 8 7/8 × 11 1/8 inches (22.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Ruined Castle on the Esk
Creator:
Richard Principle Leitch, 1844–1875
Date:
1874
Materials & Techniques:
Watercolor, gouache, and graphite, with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 15 3/4in. (26.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Last House in Lynmouth
Creator:
Helen Allingham, 1848–1926
Date:
1874
Materials & Techniques:
Watercolor and gouache with scratching out on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 7 1/2 × 10 3/8 inches (19.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund