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1. The Vorticists at the Restaurant de la Tour Eiffel: Spring 1915, 1961

The Vorticists at the Restaurant de la Tour Eiffel: Spring 1915, 1961
Creator:
William Roberts, 1895–1980
Date:
undated
Materials & Techniques:
Watercolor with graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 13/16 × 7 1/2 inches (22.4 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Deposition

Deposition
Creator:
Sir Stanley Spencer, 1891–1959
Date:
1910
Materials & Techniques:
Watercolor, pen and black ink, and graphite, with scraping out on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 14 5/16 x 9 3/4 inches (36.4 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Mlle. Pouvereau

Mlle. Pouvereau
Creator:
Gwen John, 1876–1939
Date:
between 1910 and 1919
Materials & Techniques:
Watercolor with gouache and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 × 5 3/8 inches (17.5 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Elizabeth S. Tower

4. Woman in a Kimono

Woman in a Kimono
Creator:
Walter Crane, 1845–1915
Date:
1910
Materials & Techniques:
Watercolor and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Elizabeth S. Tower

5. Study of Flowers

Study of Flowers
Creator:
Gwen John, 1876–1939
Date:
ca. 1915
Materials & Techniques:
Watercolor and graphite on thin, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 7 inches (16.8 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Elizabeth S. Tower

6. Relief Design of a Seated Female Figure

Relief Design of a Seated Female Figure
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Brushed black ink, brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 7 1/4 inches (29.2 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Standing Female Figure

Standing Female Figure
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Brushed black ink, brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 7 1/8 inches (29.2 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Study for a Sculptural Column

Study for a Sculptural Column
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Brushed black ink, brown wash, red colored pencil and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 7 5/8 inches (29.2 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Self-portrait, sketching

Self-portrait, sketching
Creator:
William Roberts, 1895–1980
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 9 1/2 inches (34 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Girl Standing by a Bed

Girl Standing by a Bed
Creator:
David Jones, 1895–1974
Date:
undated
Materials & Techniques:
Graphite, watercolor and pastel on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Three Women in Church

Three Women in Church
Creator:
Gwen John, 1876–1939
Date:
between 1910 and 1919
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 7 13/16 inches (23.8 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection