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Date 1931

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Width [cm] 29

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The 100th Lie
Creator:
John Banting, 1902–1972
Date:
1931
Materials & Techniques:
Cyanotype on medium, smooth, white wove paper, mounted on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 9 3/8 × 5 1/2 inches (23.8 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Untitled
Creator:
John Banting, 1902–1972
Date:
1931 or 1932
Materials & Techniques:
Cyanotype on medium, smooth, white wove paper, mounted on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 10 × 8 1/4 inches (25.4 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Secret Visit
Creator:
John Banting, 1902–1972
Date:
1931
Materials & Techniques:
Cyanotype on medium, smooth, white wove paper, mounted on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 9 1/4 × 6 1/2 inches (23.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Untitled
Creator:
John Banting, 1902–1972
Date:
1931 or 1932
Materials & Techniques:
Cyanotype on medium, smooth, white wove paper, mounted on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 10 × 7 7/8 inches (25.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sir Muirhead Bone
Creator:
Print made by Francis Dodd, 1874–1949
Date:
1931
Materials & Techniques:
Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 11/16 x 11 3/8 inches (39.8 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
No cover image available
Creator:
John Banting, 1902–1972
Date:
1931 to 1932
Materials & Techniques:
Cyanotypes on medium, smooth, white wove paper, mounted on medium, moderately textured, brown wove paper
Dimensions:
Mount: 17 7/8 × 11 1/4 inches (45.4 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund