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Period 17th century

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Width [cm] 20

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Subject Terms religious and mythological subject

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The Confession
Creator:
Print made by Isaac Beckett, 1652/3–1719
Date:
between 1681 and 1688
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 8 1/16 inches (26.6 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Betrayal of Christ
Creator:
Print made by William Faithorne, ca. 1620–1691
Date:
1653
Materials & Techniques:
Line engraving with stipple engraving on moderately thick, slightly textured cream laid paper
Dimensions:
Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ferdinandus Austriacus
Creator:
Print made by Pieter de Jode II, ca. 1606–1674
Date:
ca. 1635
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 7/16 × 11 inches (36.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Holy Family
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 11/16 × 7 15/16 inches (29.7 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Dido and Aeneas Sheltering in a Cave
Creator:
Francis Cleyn, 1582–1658
Date:
undated
Materials & Techniques:
Gray wash and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 7 3/4 inches (26 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
1680-1690s
Materials & Techniques:
Mezzotint, proof before inscriptions on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/8 × 7 3/4 inches (28.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund