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Period 17th century

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Subject Terms head

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Design for an English Silver Table
Creator:
unknown artist
Date:
between 1670 and 1680
Materials & Techniques:
Brown ink with brown wash and gouache over graphite on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 18 1/16 × 21 9/16 inches (45.8 × 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
David with the Head of Goliath
Creator:
Print made by Wallerant Vaillant, 1623–1677
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 9 3/4 inches (19.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Judith with Head of Holofernes
Creator:
Print made by Wallerant Vaillant, 1623–1677
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 11/16 × 10 5/16 inches (42.4 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Head of St. John Baptist on a Charger
Creator:
Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Date:
ca. 1656
Materials & Techniques:
Mezzotint and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Great Executioner
Creator:
Print made by Prince Rupert, 1619–1682
Date:
1658
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/8 × 17 1/2 inches (63.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Little Executioner
Creator:
Print made by Prince Rupert, 1619–1682
Date:
ca. 1662
Materials & Techniques:
Mezzotint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 6 3/4 inches (15.2 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund