Period: 17th century / Subject Terms: pointing - YCBA Collections Search Search Results

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Period 17th century

Subject Terms pointing

1. Portrait of a Family, Probably that of Richard Streatfeild

Portrait of a Family, Probably that of Richard Streatfeild

Creator:: William Dobson, 1611–1646
Date:: ca. 1645
Materials & Techniques:: Oil on canvas
Dimensions:: 42 x 49 inches (106.7 x 124.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Thomas Shadwell, Esquire, Poet Laureat & Historiographer

Thomas Shadwell, Esquire, Poet Laureat & Historiographer

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1690 and 1703
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 13/16 x 11 1/8 inches (40.1 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

3. St. Francis

Creator:: Print made by unknown artist
Date:: between 1681 and 1688
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 11/16 inches (15.6 × 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. The Confession

Creator:: Print made by Isaac Beckett, 1652/3–1719
Date:: between 1681 and 1688
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 8 1/16 inches (26.6 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. The Judgement of Paris

No cover image available

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680s to 1690s
Materials & Techniques:: Mezzotint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund