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Period 17th century

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201. Portrait of a Man in a Full Bottomed Wig and Yellow Brocade Coat

Portrait of a Man in a Full Bottomed Wig and Yellow Brocade Coat
Creator:
unknown artist
Date:
ca. 1680
Materials & Techniques:
Pastel, black chalk, gouache, and graphite on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 14 × 9 3/8 inches (35.6 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. View of the Waterhouse and Old St. Paul's, London

View of the Waterhouse and Old St. Paul's, London
Creator:
Thomas Wyck, 1616–1677
Date:
ca. 1663
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 13 1/2 inches (22.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. An English Man of War, Starboard Quarter View: Possibly the Victory

An English Man of War, Starboard Quarter View: Possibly the Victory
Creator:
Willem van de Velde the Younger, 1633–1707
Date:
ca. 1675
Materials & Techniques:
Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:
Mount: 17 1/8 x 25 13/16 inches (43.5 x 65.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. An English Man-of-War, Port View from the Stern

An English Man-of-War, Port View from the Stern
Creator:
Willem van de Velde the Younger, 1633–1707
Date:
ca. 1675
Materials & Techniques:
Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:
Mount: 17 1/4 x 26 7/16 inches (43.8 x 67.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. St. Jerome in his Study

St. Jerome in his Study
Creator:
Alexander Marshal, active 1651–died 1682
Date:
1650
Materials & Techniques:
Gouache, watercolor, and graphite on vellum
Dimensions:
Sheet: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

206. Venus and Adonis

Venus and Adonis
Creator:
Peter Oliver, 1589–1647
Date:
1631
Materials & Techniques:
Gray wash, graphite, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 x 8 13/16 inches (19.2 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. A Woman Seated and Holding an Image

A Woman Seated and Holding an Image
Creator:
Peter Oliver, 1589–1647
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 15/16 × 3 11/16 inches (7.5 × 9.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. The Diana Fountain, Bushy Park: Original Design

The Diana Fountain, Bushy Park: Original Design
Creator:
Edward Pierce, c.1630–1695
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 x 19 9/16in. (38.1 x 49.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Colonel James Griffin, Aged 15

Colonel James Griffin, Aged 15
Creator:
Lawrence Crosse, ca. 1645–1724
Date:
1682
Materials & Techniques:
Gouache on card
Dimensions:
Frame: 5 1/8 x 4 x 3/8 inches (13 x 10.2 x 1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Portrait of a Gentleman

Portrait of a Gentleman
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on card mounted on wood
Dimensions:
Frame: 4 1/4 x 3 3/4 x 3/4 inches (10.8 x 9.5 x 1.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Elizabeth Dormer, Countess of Carnarvon (née Capel)

Elizabeth Dormer, Countess of Carnarvon (née Capel)
Creator:
Richard Gibson, 1615–1690
Date:
ca. 1665
Materials & Techniques:
Gouache on vellum
Dimensions:
Frame: 4 3/8 x 3 5/8 x 1/8 inches (11.1 x 9.2 x 0.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. Portrait of a Lady

Portrait of a Lady
Creator:
Nicholas Hilliard, ca. 1547–1619
Date:
between 1600 and 1615
Materials & Techniques:
Watercolor and gouache on vellum laid onto card
Dimensions:
Sheet: 2 x 1 11/16 inches (5.1 x 4.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. Portrait of a Lady

Portrait of a Lady
Creator:
attributed to Edward Norgate, ca. 1581–1650
Date:
ca. 1610
Materials & Techniques:
Gouache on vellum
Dimensions:
Sheet: 2 x 1 5/8 inches (5.1 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. Elizabeth, Queen of Bohemia

Elizabeth, Queen of Bohemia
Creator:
Isaac Oliver, ca. 1565–1617
Date:
after 1596
Materials & Techniques:
gouache on card
Dimensions:
Sheet: 2 x 1 5/8 inches (5.1 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. Dudley North, third Baron North (1581-1666)

Dudley North, third Baron North (1581-1666)
Creator:
Isaac Oliver, ca. 1565–1617
Date:
ca. 1609
Materials & Techniques:
Gouache and gold on vellum laid onto card
Dimensions:
Sheet: 2 x 1 5/8 inches (5.1 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. Design for an English Silver Table

Design for an English Silver Table
Creator:
unknown artist
Date:
between 1670 and 1680
Materials & Techniques:
Brown ink with brown wash and gouache over graphite on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 18 1/16 × 21 9/16 inches (45.8 × 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. The Betrayal of Christ

The Betrayal of Christ
Creator:
Print made by William Faithorne, ca. 1620–1691
Date:
1653
Materials & Techniques:
Line engraving with stipple engraving on moderately thick, slightly textured cream laid paper
Dimensions:
Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. Starboard-quarter view of a Flagship in light airs and similar view of another

Starboard-quarter view of a Flagship in light airs and similar view of another
Creator:
Willem van de Velde the Younger, 1633–1707
Date:
between 1675 and 1685
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 13/16 × 11 9/16 inches (17.3 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. Regiae Anglicae Maiestatis Pictura Coloniae

Regiae Anglicae Maiestatis Pictura Coloniae
Creator:
Crispyn de Passe the Elder, ca. 1565–1637
Date:
1604
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 7/8 x 5 5/16in. (17.5 x 13.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. Studies of Hands

Studies of Hands
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, black chalk and white chalk on moderately thick, rough wove paper
Dimensions:
Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. Cavalry Battle with a Distant view of a Town

Cavalry Battle with a Distant view of a Town
Creator:
Jan Wyck, ca. 1645–1700
Date:
undated
Materials & Techniques:
Pen and brown ink with black, brown & gray washes on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 11 1/2 inches (21.6 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Rutgers Barclay, Yale BA 1957

222. Study for the Portrait of a Lady

Study for the Portrait of a Lady
Creator:
Attributed to Sir Peter Lely, 1618–1680
Date:
undated
Materials & Techniques:
Black chalk, white chalk, red chalk and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 × 6 7/8 inches (22.9 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. Magnae Britanniae et Hiberniae Tabula

Magnae Britanniae et Hiberniae Tabula
Creator:
Print made by Willem Janszoon Blaeu, 1571–1638
Date:
1634
Materials & Techniques:
Line engraving; verso: Letterpress on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 23 1/4 inches (50.5 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Helen Chillman

224. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. Drawings of Hands

Drawings of Hands
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 14 × 11 3/8 inches (35.6 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

238. Drawing of Hands

Drawing of Hands
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 9 1/8 × 10 1/2 inches (23.2 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

239. Drawings of Hands

Drawings of Hands
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 11 × 10 inches (27.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

240. Drawings of Hands

Drawings of Hands
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 13 5/8 × 10 5/8 inches (34.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

241. Drawings of Hands

Drawings of Hands
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 12 3/4 × 10 1/4 inches (32.4 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

242. Drawings of Hands

Drawings of Hands
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 12 × 9 3/8 inches (30.5 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

243. Drawing of a Hand

Drawing of a Hand
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 5 3/8 × 6 3/8 inches (13.7 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

244. Drawing of a Hand

Drawing of a Hand
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on thin, moderately textured, brown laid paper
Dimensions:
Sheet: 4 × 3 3/4 inches (10.2 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

245. Collegium Sancti Iohannis Evangelista Cantabrigia illustrata

Collegium Sancti Iohannis Evangelista Cantabrigia illustrata
Creator:
Print made by David Loggan, 1633–1692
Date:
1690
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 × 17 inches (55.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Helen Chillman

246. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. Frontispiece: Hercules Fighting the Hydra

Frontispiece: Hercules Fighting the Hydra
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

263. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

266. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. Studies for the Instruction of Painters, two suites. Rome

Studies for the Instruction of Painters, two suites. Rome
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. Anne Killigrew

Anne Killigrew
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
ca. 1680
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 7 3/8 inches (26.3 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. Peter Paul Rubens

Peter Paul Rubens
Creator:
Frans van den Wyngaerde, 1614–1679
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

274. Catherine of Braganza

Catherine of Braganza
Creator:
Print made by Edward Le Davis, active 1671–1691
Date:
1682
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 7/8 × 10 13/16 inches (47.9 × 27.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

275. Man and Woman Drinking

Man and Woman Drinking
Creator:
Print made by Paul van Somer, ca. 1649–ca. 1694
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 9 13/16 inches (32.1 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

276. Portrait of Inigo Jones

Portrait of Inigo Jones
Creator:
Wenceslaus Hollar, 1607–1677
Date:
1655
Materials & Techniques:
Etching
Dimensions:
Sheet: 8 1/16 x 5 3/8in. (20.5 x 13.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

277. An Elephant and a Camel

An Elephant and a Camel
Creator:
Wenceslaus Hollar, 1607–1677
Date:
1663
Materials & Techniques:
Etching
Dimensions:
Sheet: 5 7/8 x 8 3/8in. (14.9 x 21.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

278. Young Gentleman with a full Face and long, curled Wig

Young Gentleman with a full Face and long, curled Wig
Creator:
Edmund Ashfield, active 1669–1690?
Date:
ca. 1680
Materials & Techniques:
Colored chalk on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/8 × 9 1/2 inches (28.3 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport

279. A Race Meeting at Newmarket Heath

A Race Meeting at Newmarket Heath
Creator:
Jan Wyck, ca. 1645–1700
Date:
ca. 1671
Materials & Techniques:
Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

280. Stainborough Hall, Yorkshire: Three Floor Plans

Stainborough Hall, Yorkshire: Three Floor Plans
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/2 x 4 5/8 inches (24.1 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

281. Stainborough Hall, Yorkshire: Front and Back Elevations

Stainborough Hall, Yorkshire: Front and Back Elevations
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 9 3/8 × 4 5/8 inches (23.8 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

282. Dido and Aeneas Sheltering in a Cave

Dido and Aeneas Sheltering in a Cave
Creator:
Francis Cleyn, 1582–1658
Date:
undated
Materials & Techniques:
Gray wash and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 7 3/4 inches (26 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

283. Charles II when a Child

Charles II when a Child
Creator:
William Faithorne the Younger, ca. 1669–1703
Date:
between 1671 and 1686
Materials & Techniques:
Pen and gray wash on medium, moderately textured, blue green wove paper
Dimensions:
Sheet: 8 7/8 × 7 3/8 inches (22.5 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

284. A View of Chatham from the West

A View of Chatham from the West
Creator:
Jacob Esselens, 1626–1687
Date:
undated
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/8 × 12 1/4 inches (18.7 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

285. Italian Landscape (after Titian)

Italian Landscape (after Titian)
Creator:
John Evelyn, 1620–1706
Date:
1656
Materials & Techniques:
Pen and brown ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 11 7/8 inches (19.4 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

286. Portrait of a Man

Portrait of a Man
Creator:
Thomas Forster, ca. 1677–after 1712
Date:
1699
Materials & Techniques:
Graphite and gray wash on vellum
Dimensions:
Sheet: 5 x 3 inches (12.7 x 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

287. The Nymph Galatea

The Nymph Galatea
Creator:
Isaac Fuller, 1606/20–1672
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 4 3/8 × 6 7/8 inches (11.1 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

288. Guercino's Design Books

Guercino's Design Books
Creator:
Print made by Francesco Curti, 1610–1690
Date:
between 1633 and 1653
Materials & Techniques:
Line engravings bound in leather volume
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

289. Portrait of a Gentleman

Portrait of a Gentleman
Creator:
Samuel Cooper, 1609–1672
Date:
undated
Materials & Techniques:
Gouache on vellum
Dimensions:
Sheet: 2 7/16 x 2 1/8 inches (6.2 x 5.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

290. Charles Stuart, third Duke of Richmond and sixth Duke of Lennox

Charles Stuart, third Duke of Richmond and sixth Duke of Lennox
Creator:
Samuel Cooper, 1609–1672
Date:
between 1661 and 1667
Materials & Techniques:
Watercolor and gouache with gold on parchment laid down on card
Dimensions:
Sheet: 2 3/4 x 2 1/4 inches (7 x 5.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

291. Hare Hunting

Hare Hunting
Creator:
Francis Barlow, 1622–1704
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

292. Self Portrait as a Young Man

Self Portrait as a Young Man
Creator:
Wallerant Vaillant, 1623–1677
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

293. Stag Hunting

Stag Hunting
Creator:
Jan Wyck, ca. 1645–1700
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite, and brown wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 15/16 × 14 9/16 inches (22.7 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. A Hawking Party

A Hawking Party
Creator:
Jan Wyck, ca. 1645–1700
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 13 7/8 × 11 inches (35.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

295. View of the Higher House of Parliament in England

View of the Higher House of Parliament in England
Creator:
Print made by unknown artist
Date:
ca. 1695
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/2 × 15 1/8 inches (47 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. Portrait of Francis Moore

Portrait of Francis Moore
Creator:
Print made by William Faithorne, ca. 1620–1691
Date:
ca. 1663
Materials & Techniques:
Etching, stipple engraving and line engraving on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 11 1/16 x 6 11/16 inches (28.1 x 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

297. Dno. Johanni Evelino Gene.so Anglo, Artis Pictura

Dno. Johanni Evelino Gene.so Anglo, Artis Pictura
Creator:
Wenceslaus Hollar, 1607–1677
Date:
1644
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

298. Wenceslaus Hollar

Wenceslaus Hollar
Creator:
Wenceslaus Hollar, 1607–1677
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. Theodorus Rombouts

Theodorus Rombouts
Creator:
Print made by Paulus Pontius, 1603–1658
Date:
ca. 1635
Materials & Techniques:
Stipple engraving and line engraving (2nd state) on medium, slightly textured, cream laid paper
Dimensions:
Mount: 13 9/16 × 10 15/16 inches (34.4 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection