Period: 17th century - YCBA Collections Search Search Results

801. St. Charles Borromeo

Creator:: Print made by Jan Thomas of Ypres, 1617–1678
Date:: between 1650 and 1660
Materials & Techniques:: Mezzotint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 6 1/8 inches (23.5 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

802. Christopher Walters Stockdale Esqire

Creator:: Print made by John Smith, 1652–1743
Date:: ca. 1693
Materials & Techniques:: Mezzotint and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

803. Navis Ecclesiae Cathedralis B. Baria Virginis Lincolniae, Prosp. Interior

Creator:: Print made by Wenceslaus Hollar, 1607–1677
Date:: 1672
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

804. Ecclesiae Cathedralis Lincolniensis

Date:: 1672
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

805. A Prospect of the Hospital called Bedlam

Creator:: Robert White, 1645–1703
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

806. An Artist Sketching Classical Ruins

Creator:: Robert Robinson, active 1674–1706
Date:: 1680-1689
Materials & Techniques:: Mezzotint
Dimensions:: Plate: 7 11/16 x 6 1/16in. (19.5 x 15.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

807. Serenifsimus Princens Jacobos dux Eboracenfis

Creator:: David Loggan, 1633–1692
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

808. Elizabeth I

Creator:: Print made by Francis Delaram, c.1590–1627
Date:: 1618
Materials & Techniques:: Line engraving and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 13/16 x 6 3/16 inches (22.4 x 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

809. Elizabeth I

Creator:: Print made by Francis Delaram, c.1590–1627
Date:: 1618
Materials & Techniques:: Line engraving and etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/8 × 5 3/16 inches (18.8 × 13.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

810. Queen Elizabeth

Creator:: Print made by Francis Delaram, c.1590–1627
Date:: between 1616 and 1619
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 6 1/8 inches (21.9 × 15.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Hay Whitney

811. Madam Katharine Nevill

Creator:: Alexander Browne, active 1659–1706
Date:: 1681 to 1685
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

812. A Flower Piece

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: between 1683 and 1688
Materials & Techniques:: Mezzotint and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 6 1/8 inches (19.7 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

813. The Right Honorable Elizabeth Countess of Northumberland

Creator:: Alexander Browne, active 1659–1706
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

814. Winter

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680-1690s
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 6 3/8 inches (21.6 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

815. Susanna and the Elders

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1690s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/16 × 10 3/16 inches (34.1 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

816. General Ludlow; prefixed to first edition of Edmund Ludlow's Works

Creator:: Robert White, 1645–1703
Date:: 1698
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 5/16 x 4in. (16 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

817. Philosopher Holding a Mirror

Creator:: Print made by Bernard Vaillant, 1632–1698
Date:: 1664
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 13 1/2 inches (42.5 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

818. Garden Perspective

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680-1690s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/16 × 6 inches (10.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

819. Couple Strolling in an Italianate Garden

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: 1680s
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 9 5/8 inches (18.4 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

820. Still Life with Lobster and Game

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: ca. 1688
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 9/16 × 6 9/16 inches (21.7 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

821. Frances Stuart Countess of Portland

Creator:: Alexander Browne, active 1659–1706
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

822. The Countess of Salisbury

Creator:: John Smith, 1652–1743
Date:: 1699
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/16 x 9 3/16in. (34.1 x 23.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

823. Mrs. Turnor

Creator:: Print made by Isaac Beckett, 1652/3–1719
Date:: between 1683 and 1688
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 10in. (34.3 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

824. Mrs. Yarborough

Creator:: Isaac Beckett, 1652/3–1719
Date:: between 1683 and 1688
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 x 9 13/16in. (32.7 x 24.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

825. Richmont (with coat of arms and "Thames Flud")

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

826. Autumnus

Creator:: Print made by Pieter Schenck I, 1660–1719
Date:: 1680s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

827. Maria Beatrice Principessa di Modana, Duchessa di York

Creator:: Print made by Abraham Blooteling, 1640–1690
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

828. Lady Ann Montagu

Creator:: Richard Tompson, died 1693
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

829. The Right Honorable Elizabeth Countess of Northumberland

Creator:: Alexander Browne, active 1659–1706
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

830. Madam Philadelphia Saunders

Creator:: Alexander Browne, active 1659–1706
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 x 10 3/8in. (35.9 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

831. Madame Jane Skeffington

Creator:: John Smith, 1652–1743
Date:: 1687
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/16 x 9 15/16in. (33.8 x 25.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

832. The Lord Villiers and Lady Mary Villiers his Sister

Creator:: John Smith, 1652–1743
Date:: 1700
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 x 10 1/2in. (43.2 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

833. Mrs. Ann Warner

Creator:: John Smith, 1652–1743
Date:: 1687
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 9 3/4in. (33.7 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

834. Windsor Castle, Richard II, Act V, Scene III; page 102 (Volume Three)

Creator:: A. Birrell, ca.1770–ca. 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

835. John Maitland, 1st Duke of Lauderdale, 2nd Earl of Lauderdale, 3rd Lord Thirlestane

Creator:: Isaac Beckett, 1652/3–1719
Date:: 1682
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/2 × 9 7/8 inches (34.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

836. John Maitland, 1st Duke of Lauderdale and His Wife, Elizabeth Maitland (née Murray, Duchess of Lauderdale

Creator:: Robert Williams, active 1680–1704
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 13 × 16 3/16 inches (33 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

837. Pietro Martyr Vermigli

Creator:: after Adriaan van der Werff, 1659–1722
Date:: 1697
Materials & Techniques:: Etching and line engraving on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 12 1/16 × 7 5/16 inches (30.6 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

838. Couple of Herders by a Cascade

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: between 1683 and 1695
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 5 1/2 inches (14.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

839. Children's Bacchanal

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680-1690s
Materials & Techniques:: Mezzotint, proof before inscriptions on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 7 3/4 inches (28.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

840. Woman Seated in a Landscape with a Bridge

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: between 1683 and 1695
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 7 3/4 inches (14.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

841. Italianate Garden Terrace

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680-1690s
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 7 15/16 inches (27 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

842. An Indian Queen

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: between 1680 and 1690s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 3 3/8 inches (12.1 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

843. An Indian King

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680-1690s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 13/16 × 3 7/16 inches (12.2 × 8.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

844. Pomona

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680-1690s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 10 1/16 inches (34.6 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

845. The Tomb of Mary Magdalene

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1690s
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 × 11 7/16 inches (22.9 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

846. The Judgement of Paris

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680s to 1690s
Materials & Techniques:: Mezzotint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

847. Frederico Henrico D.G.

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: between 1630 and 1645
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 1/8 inches (50.8 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

848. Coronation of Charles II, 1661

Creator:: Wenceslaus Hollar, 1607–1677
Date:: 1662
Materials & Techniques:: Etching and engraving
Dimensions:: Plate: 14 7/8 x 19 1/4in. (37.8 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

849. The Large Chalice

Creator:: Wenceslaus Hollar, 1607–1677
Materials & Techniques:: Etching
Dimensions:: Sheet: 19 × 10 inches (48.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

850. Cattle grazing on left river bank. Men walking towards houses on right river bank.

Creator:: Willem van de Velde the Elder, ca. 1611–1693
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

851. Travellers walking towards cottage with a fence. Two men fishing in a pond on right.

Creator:: Willem van de Velde the Elder, ca. 1611–1693
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

852. Horseman approaching cross or signpost by a ruined building. Track leads to house in distance.

Creator:: Willem van de Velde the Elder, ca. 1611–1693
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

853. Boats being loaded at jetty beside walled house.

Creator:: Willem van de Velde the Elder, ca. 1611–1693
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

854. Woman carrying two pails with aid of a yoke and walking between two hayfields. Cottages in the right hay field.

Creator:: Willem van de Velde the Elder, ca. 1611–1693
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

855. Traveller approaching thatched cottages. Stake and bound fence on left.

Creator:: Willem van de Velde the Elder, ca. 1611–1693
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

856. S. Julian d'Arba

Creator:: Wenceslaus Hollar, 1607–1677
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

857. Bey Genoa

Creator:: Wenceslaus Hollar, 1607–1677
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

858. Bey Genoa

Creator:: Wenceslaus Hollar, 1607–1677
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

859. Bey Genoa

Creator:: Wenceslaus Hollar, 1607–1677
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

860. S. Juliano d'Arba

Creator:: Wenceslaus Hollar, 1607–1677
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

861. Near View of timbered houses.

Creator:: Wenceslaus Hollar, 1607–1677
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

862. Besagno

Creator:: Wenceslaus Hollar, 1607–1677
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

863. Plate 1 for: A Book of Sheep and Goats (from the Original of Berghem)

Creator:: Claes Berghem, 1620–1683
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

864. Plate 3 for: A Book of Sheep and Goats (from the Original of Berghem)

Creator:: Claes Berghem, 1620–1683
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

865. Plate ?, Two Goats and Two Kinds, from: A Book of Sheep and Goats (from the Original of Berghem)

Creator:: Claes Berghem, 1620–1683
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

866. Plate ? (Three Sheep and One Lamb) from: A Book of Sheep and Goats from the Original of Bergham

Creator:: Claes Berghem, 1620–1683
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

867. Portrait of a Nobleman

Creator:: Edmund Ashfield, active 1669–1690?
Date:: between 1670 and 1675
Materials & Techniques:: Pastel and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 8 7/8 inches (27.3 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

868. Portrait of a Nobleman's Wife

Creator:: Edmund Ashfield, active 1669–1690?
Date:: between 1670 and 1675
Materials & Techniques:: Pastel and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 8 3/4in. (27.3 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

869. Petrus Stevens

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving, and etching on medium, slightly textured, cream laid paper
Dimensions:: Mount: 11 7/8 × 10 1/8 inches (30.2 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

870. Adam de Coster

Creator:: Print made by Pieter de Jode II, ca. 1606–1674
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching (1st state) on medium, slightly textured, cream laid paper
Dimensions:: Mount: 10 7/8 × 7 1/8 inches (27.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

871. Adam de Coster

Creator:: Print made by Pieter de Jode II, ca. 1606–1674
Date:: ca. 1635
Materials & Techniques:: Stipple engraving and line engraving (2nd state) on medium, slightly textured, cream laid paper
Dimensions:: Mount: 10 7/8 × 7 7/8 inches (27.6 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

872. Horatius Gentilescius

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 × 11 3/16 inches (38.1 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

873. Cornelius Schut

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 6 3/8 inches (24.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

874. Wenceslaus Coeberger

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 13 9/16 × 11 1/16 inches (34.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

875. Petrus Stevens

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Mount: 13 9/16 × 10 15/16 inches (34.4 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

876. On St. Paul's Cathedral Represented by Mr. Daniel King

Creator:: David Loggan, 1633–1692
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

877. Plate 2 for: A Book of Sheep and Goats (from the Original of Berghem)

Creator:: Claes Berghem, 1620–1683
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

878. Plate 4 for: A Book of Sheep and Goats (from the Original of Berghem)

Creator:: Claes Berghem, 1620–1683
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

879. Large gothic Monastry amongst Trees viewed across a Lake with Swans and a Crane

Creator:: Wenceslaus Hollar, 1607–1677
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

880. Momus

Creator:: Pieter Tempesta, ca. 1637–1701
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

881. Henry Fane (1669-1726), of Brymton, Somerset, great-grandson of the first Earl of Westmorland, and father of the eighth Earl, c. 1685-1690

Creator:: Edmund Ashfield, active 1669–1690?
Date:: between 1685 and 1690
Materials & Techniques:: Pastel on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 1/16 x 7 3/16in. (23 x 18.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

882. Ointment pot.

Date:: between 1650 and 1700
Physical Description:: 1 jar : polychrome Italian albarello delftware ; 8 cm high x 6 cm in diameter
Collection:: Rare Books and Manuscripts
Credit Line:: Yale Center for British Art, Gift of James N. Spencer and Kathleen Moretto Spencer

883. Mr. Ogilby's Pocket book of roads : with computed and measured distances and the distinction of market and post townes.

Creator:: Ogilby, John, 1600–1676
Date:: 1679
Physical Description:: [13], 27 p., [1] folded leaf of plates : map ; 20 cm.
Collection:: Rare Books and Manuscripts

884. Dialogo di Galileo Galilei Linceo, matematico sopraordinario dello studio di Pisa : e filosofo, e matematico primario del Serenissimo Gr. Duca di Toscana : doue ne i congressi di quattro giornate si discorre sopra i due massimi sistemi del mondo Tolemaico, e Copernicano : proponendo indeterminatamente le ragioni filosofiche, e naturali tanto per l'vna, quanto per l'altra parte.

Dialogo di Galileo Galilei Linceo, matematico sopraordinario dello studio di Pisa : e filosofo, e matematico primario del Serenissimo Gr. Duca di Toscana : doue ne i congressi di quattro giornate si discorre sopra i due massimi sistemi del mondo Tolemaico, e Copernicano : proponendo indeterminatamente le ragioni filosofiche, e naturali tanto per l'vna, quanto per l'altra parte.

Creator:: Galilei, Galileo, 1564–1642
Date:: MDCXXXII [1632]
Physical Description:: [8], 458, [32] pages, [1] leaf of plates : illustrations ; 21 cm (4to)
Collection:: Rare Books and Manuscripts

885. A genealogical history of the kings of England and monarchs of Great Britain, &C. from the conquest anno 1066 to the year, 1677. In seven parts or books. Containing a discourse of their several lives, marriages, and issues ... all engraven in copper plates ... By Francis Sandford, esq., Lancaster herald at arms.

A genealogical history of the kings of England and monarchs of Great Britain, &C. from the conquest anno 1066 to the year, 1677. In seven parts or books. Containing a discourse of their several lives, marriages, and issues ... all engraven in copper plates ... By Francis Sandford, esq., Lancaster herald at arms.

Creator:: Sandford, Francis, 1630–1694
Date:: 1683
Physical Description:: 6 p. l., 578 (i.e. 588), [10] p., 1 l. : illus., plates (part double) 37 cm.
Collection:: Rare Books and Manuscripts

886. Des principes de l'architecture, de la sculpture, de la peinture, et des autres arts qui en dependent : avec un dictionnaire des termes propres à chacun de ces arts.

Des principes de l'architecture, de la sculpture, de la peinture, et des autres arts qui en dependent : avec un dictionnaire des termes propres à chacun de ces arts.

Creator:: Félibien, André, sieur des Avaux et de Javercy, 1619–1695
Date:: MDCLXXVI [1676]
Physical Description:: [24], 795, [1] p. : ill. ; 28 cm.
Collection:: Rare Books and Manuscripts

887. A parallel of the antient architecture with the modern : in a collection of ten principal authors who have written upon the five orders, viz. Palladio and Scamozzi, Serlio and Vignola, D. Barbaro and Cataneo, L.B. Alberti and Viola, Bullant and De Lorme, compared with one another : the three Greek orders, Dorique, Ionique, and Corinthian, comprise the first part of this treatise, and the two Latine, Tuscan and Composita, the latter / written in French by Roland Freart, sieur de Chambray ; made English for the benefit of builders ; to which is added An account of architects and architecture, in an historical and etymological explanation of certain tearms particularly affected by architects ; with Leon Baptista Alberti's treatise of statues ; by John Evelyn, Esq. fellow of the Royal Society.

A parallel of the antient architecture with the modern : in a collection of ten principal authors who have written upon the five orders, viz. Palladio and Scamozzi, Serlio and Vignola, D. Barbaro and Cataneo, L.B. Alberti and Viola, Bullant and De Lorme, compared with one another : the three Greek orders, Dorique, Ionique, and Corinthian, comprise the first part of this treatise, and the two Latine, Tuscan and Composita, the latter / written in French by Roland Freart, sieur de Chambray ; made English for the benefit of builders ; to which is added An account of architects and architecture, in an historical and etymological explanation of certain tearms particularly affected by architects ; with Leon Baptista Alberti's treatise of statues ; by John Evelyn, Esq. fellow of the Royal Society.

Creator:: Fréart, Roland, sieur de Chambray, 1606–1676
Date:: MDCLXIV [1664]
Physical Description:: [24], 159, [1] pages : illustrations ; 36 cm
Collection:: Rare Books and Manuscripts

888. Map of North America.

Date:: not before 1634
Physical Description:: 1 map : pen and ink and watercolor, on parchment ; 21.9 x 42.8 cm, on sheet 23.5 x 45.8 cm
Collection:: Rare Books and Manuscripts

889. Oxonia illustrata, sive, Omnium celeberrimae istius universitatis collegiorum, aularum, Bibliothecae Bodleianae, scholarum publicarum, Theatri Sheldoniani : nec non urbis totius scenographia / delineavit & sculpsit Dav. Loggan Univ. Oxon. chalcographus.

Oxonia illustrata, sive, Omnium celeberrimae istius universitatis collegiorum, aularum, Bibliothecae Bodleianae, scholarum publicarum, Theatri Sheldoniani : nec non urbis totius scenographia / delineavit & sculpsit Dav. Loggan Univ. Oxon. chalcographus.

Creator:: Loggan, David, 1635–1700?
Date:: ano. Dni. MDCLXXV [1675]
Physical Description:: [85] leaves (1 folded) : illustrations, maps ; 43 cm
Collection:: Rare Books and Manuscripts

890. Affidavit certifying the burial in wool of Mary Harvey of Gamlingay, Cambridgeshire.

Date:: 1680 April 1
Physical Description:: 1 sheet (1 page) ; 31 x 22 cm
Collection:: Rare Books and Manuscripts

891. The mariner's magazine, or, Sturmy's mathematical and practical arts : containing, the description and use of the scale of scales, it being a mathematical ruler that resolves most mathematical conclusions : and likewise the making and use of the crostaff, quadrant, and the quadrat, nocturnals and other most useful instruments for all artists and navigators : the art of navigation ... with new tables of the longitude and latitude of the most eminent places round the world ... : together with a discourse of the practick part of navigation, in working a ship in all weathers and conditions at sea : a new way of surveying of land, by the mariners azimuth or amplitude compass ... : the art of gauging all sorts of vessels, and the measuring of timber, glass, board, stone, walls, cielings, and tylings : the art of gunnery ... astronomy, geometrical, instrumental, and by calculation : the art of dialling by a gnomonical scale ... : whereunto is annexed an abridgment of the penalties and forfeitures, by acts of parliaments appointed relating to the customs and navigation : also a compen / by Capt. Samuel Sturmy.

The mariner's magazine, or, Sturmy's mathematical and practical arts : containing, the description and use of the scale of scales, it being a mathematical ruler that resolves most mathematical conclusions : and likewise the making and use of the crostaff, quadrant, and the quadrat, nocturnals and other most useful instruments for all artists and navigators : the art of navigation ... with new tables of the longitude and latitude of the most eminent places round the world ... : together with a discourse of the practick part of navigation, in working a ship in all weathers and conditions at sea : a new way of surveying of land, by the mariners azimuth or amplitude compass ... : the art of gauging all sorts of vessels, and the measuring of timber, glass, board, stone, walls, cielings, and tylings : the art of gunnery ... astronomy, geometrical, instrumental, and by calculation : the art of dialling by a gnomonical scale ... : whereunto is annexed an abridgment of the penalties and forfeitures, by acts of parliaments appointed relating to the customs and navigation : also a compen / by Capt. Samuel Sturmy.

Creator:: Sturmy, Samuel, 1633–1669
Date:: 1669
Physical Description:: [34], 219 [i.e. 223], [7], 132, [6], 52, [52], 11, [3], 13 p., [12] leaves of plates (some folded) : port, ill. ; 30 cm
Collection:: Rare Books and Manuscripts

892. Africa : being accurate description of the regions of AEgypt, Barbary, Lybia, and Billendulgerid, the land of Negroes, Guinee, AEthiopia, and the Abyssines : with all the adjacent islands, either in the Mediterranean, Atlantick, Southern, or Oriental Sea, belonging thereunto : with the several denominations of their coasts, harbors, creeks, rivers, lakes, cities, towns, castles, and villages : their customs, modes, and manners, languages, religions, and inexhaustible treasure, with their governments and policy, variety of trade and barter, and also of their wonderful plants, beasts, birds, and serpents / collected and translated from most authentick authors, and augmented with later observations ; illustrated with notes, and adorn'd with peculiar maps, and proper sculptures, by John Ogilby Esq. master of His Majesties revels in the Kingdom of Ireland.

Africa : being accurate description of the regions of AEgypt, Barbary, Lybia, and Billendulgerid, the land of Negroes, Guinee, AEthiopia, and the Abyssines : with all the adjacent islands, either in the Mediterranean, Atlantick, Southern, or Oriental Sea, belonging thereunto : with the several denominations of their coasts, harbors, creeks, rivers, lakes, cities, towns, castles, and villages : their customs, modes, and manners, languages, religions, and inexhaustible treasure, with their governments and policy, variety of trade and barter, and also of their wonderful plants, beasts, birds, and serpents / collected and translated from most authentick authors, and augmented with later observations ; illustrated with notes, and adorn'd with peculiar maps, and proper sculptures, by John Ogilby Esq. master of His Majesties revels in the Kingdom of Ireland.

Creator:: Ogilby, John, 1600–1676
Date:: MDC LXX [1670]
Physical Description:: [18], 38, [2], 39-146, [2], 147-281, [3], 283-304, [2], 305-314, [2], 315-488, [2], 489-632, [2], 633-658, [2], 659-767, [1] pages, [98] leaves of plates : illustrations, maps, plans ; 41 cm (folio)
Collection:: Rare Books and Manuscripts

893. [The travellers guide : being the best mapp of the kingdom of England and principalaty [sic] of Wales. Wherein are delineated 3000 towns and villages more than in any mapp yet extent besides ye notations of bridges & rivers &c. To which is added ye direct and cross roads according to Mr. Ogilby's late survey. / Described by C: Saxton and now carefully corrected with new additions by Phillip Lea].

[The travellers guide : being the best mapp of the kingdom of England and principalaty [sic] of Wales. Wherein are delineated 3000 towns and villages more than in any mapp yet extent besides ye notations of bridges & rivers &c. To which is added ye direct and cross roads according to Mr. Ogilby's late survey. / Described by C: Saxton and now carefully corrected with new additions by Phillip Lea].

Creator:: Saxton, Christopher, 1542?-
Date:: [1686?]
Physical Description:: 1 atlas ([10] sheets) : hand colored maps ; sheets 28 x 69 cm, and smaller
Collection:: Rare Books and Manuscripts

894. The history of four-footed beasts and serpents : describing at large their true and lively figure, their several names, conditions, kinds, virtues (both natural and medicinal) countries of their breed, their love and hatred to mankind, and the wonderful work of God in their creation, preservation, and destruction. Interwoven with curious variety of historical narrations out of Scriptures, fathers, philosophers, physicians, and poets: illustrated with divers hieroglyphicks and emblems, &c. both pleasant and profitable for students in all faculties and professions / Collected out of the writings of Conradus Gesner and other authors, by Edward Topsel. Whereunto is now added, The theater of insects; or, lesser living creatures: as bees, flies, caterpillars, spiders, worms, &c. A most elaborate work: by T. Muffet, Dr. of Physick. The whole revised, corrected, and inlarged with the addition of two useful physical tables by J[ohn]. R[owland]. M.D.

The history of four-footed beasts and serpents : describing at large their true and lively figure, their several names, conditions, kinds, virtues (both natural and medicinal) countries of their breed, their love and hatred to mankind, and the wonderful work of God in their creation, preservation, and destruction. Interwoven with curious variety of historical narrations out of Scriptures, fathers, philosophers, physicians, and poets: illustrated with divers hieroglyphicks and emblems, &c. both pleasant and profitable for students in all faculties and professions / Collected out of the writings of Conradus Gesner and other authors, by Edward Topsel. Whereunto is now added, The theater of insects; or, lesser living creatures: as bees, flies, caterpillars, spiders, worms, &c. A most elaborate work: by T. Muffet, Dr. of Physick. The whole revised, corrected, and inlarged with the addition of two useful physical tables by J[ohn]. R[owland]. M.D.

Creator:: Topsell, Edward, 1572–1625?
Date:: MDCLVIII [1658]
Physical Description:: [16], 818, [18], 889-1130, [6] p. : ill. ; 33 cm. (fol.)
Collection:: Rare Books and Manuscripts

895. Survey of Hertford Castle.

Creator:: Basil, Simon, -1615
Date:: 1608
Physical Description:: 1 volume (3 leaves) : on parchment ; 38 x 28 cm
Collection:: Rare Books and Manuscripts

896. Wet drug jar.

Date:: between 1675 and 1680
Physical Description:: 1 jar : white delftware ; 16 cm high (including handle) x 14 cm in diameter (18 cm including handle)
Collection:: Rare Books and Manuscripts
Credit Line:: Yale Center for British Art, Gift of James N. Spencer and Kathleen Moretto Spencer

897. The first[-fift] booke of architecture / made by Sebastian Serly ... Translated out of Italian into Dutch, and out of Dutch into English.

Creator:: Serlio, Sebastiano, 1475–1554
Date:: 1611
Physical Description:: 5 v. in 1. ill., plans, diagrs. 36 cm.
Collection:: Rare Books and Manuscripts

898. Insulae Americanae in Oceano Septentrionali ac regiones adiacentes : a C. de May usque ad Lineam Aequinoctialem / per Nicolaum Visscher.

Creator:: Visscher, Nicolaes, 1649–1702
Date:: ca. 1682]
Physical Description:: 1 map : hand col. ; 44.8 x 55.1 cm.
Collection:: Rare Books and Manuscripts

899. Kyngeston vpon Hvll.

Creator:: Hollar, Wenceslaus, 1607–1677
Date:: circa 1642
Physical Description:: 1 view : illustrations ; 31 x 30 cm
Collection:: Rare Books and Manuscripts

900. Pompa funebris optimi potentissimiq[ue] principis Alberti Pii, Archiducis Austriae, ducis Burg. Bra. &c. / veris imaginibus expressa a Iacobo Francquart archit. reg. ; eiusdem principis morientis vita, scriptore E. Puteano, consil. et historiogr. reg.

Pompa funebris optimi potentissimiq[ue] principis Alberti Pii, Archiducis Austriae, ducis Burg. Bra. &c. / veris imaginibus expressa a Iacobo Francquart archit. reg. ; eiusdem principis morientis vita, scriptore E. Puteano, consil. et historiogr. reg.

Creator:: Francquart, Jacques, 1577–1651
Date:: MDCXXIII [1623]
Physical Description:: A-M p., [130] leaves of plates ([2] folded) ; ill., ports. ; 36 cm.
Collection:: Rare Books and Manuscripts

YCBA Collections Search

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Period 17th century

Search Results

801. St. Charles Borromeo

802. Christopher Walters Stockdale Esqire

803. Navis Ecclesiae Cathedralis B. Baria Virginis Lincolniae, Prosp. Interior

804. Ecclesiae Cathedralis Lincolniensis

805. A Prospect of the Hospital called Bedlam

806. An Artist Sketching Classical Ruins

807. Serenifsimus Princens Jacobos dux Eboracenfis

808. Elizabeth I

809. Elizabeth I

810. Queen Elizabeth

811. Madam Katharine Nevill

812. A Flower Piece

813. The Right Honorable Elizabeth Countess of Northumberland

814. Winter

815. Susanna and the Elders

816. General Ludlow; prefixed to first edition of Edmund Ludlow's Works

817. Philosopher Holding a Mirror

818. Garden Perspective

819. Couple Strolling in an Italianate Garden

820. Still Life with Lobster and Game

821. Frances Stuart Countess of Portland

822. The Countess of Salisbury

823. Mrs. Turnor

824. Mrs. Yarborough

825. Richmont (with coat of arms and "Thames Flud")

826. Autumnus

827. Maria Beatrice Principessa di Modana, Duchessa di York

828. Lady Ann Montagu

829. The Right Honorable Elizabeth Countess of Northumberland

830. Madam Philadelphia Saunders

831. Madame Jane Skeffington

832. The Lord Villiers and Lady Mary Villiers his Sister

833. Mrs. Ann Warner

834. Windsor Castle, Richard II, Act V, Scene III; page 102 (Volume Three)

835. John Maitland, 1st Duke of Lauderdale, 2nd Earl of Lauderdale, 3rd Lord Thirlestane

836. John Maitland, 1st Duke of Lauderdale and His Wife, Elizabeth Maitland (née Murray, Duchess of Lauderdale

837. Pietro Martyr Vermigli

838. Couple of Herders by a Cascade

839. Children's Bacchanal

840. Woman Seated in a Landscape with a Bridge

841. Italianate Garden Terrace

842. An Indian Queen

843. An Indian King

844. Pomona

845. The Tomb of Mary Magdalene

846. The Judgement of Paris

847. Frederico Henrico D.G.

848. Coronation of Charles II, 1661

849. The Large Chalice

850. Cattle grazing on left river bank. Men walking towards houses on right river bank.

851. Travellers walking towards cottage with a fence. Two men fishing in a pond on right.

852. Horseman approaching cross or signpost by a ruined building. Track leads to house in distance.

853. Boats being loaded at jetty beside walled house.

854. Woman carrying two pails with aid of a yoke and walking between two hayfields. Cottages in the right hay field.

855. Traveller approaching thatched cottages. Stake and bound fence on left.

856. S. Julian d'Arba

857. Bey Genoa

858. Bey Genoa

859. Bey Genoa

860. S. Juliano d'Arba

861. Near View of timbered houses.

862. Besagno

863. Plate 1 for: A Book of Sheep and Goats (from the Original of Berghem)

864. Plate 3 for: A Book of Sheep and Goats (from the Original of Berghem)

865. Plate ?, Two Goats and Two Kinds, from: A Book of Sheep and Goats (from the Original of Berghem)

866. Plate ? (Three Sheep and One Lamb) from: A Book of Sheep and Goats from the Original of Bergham

867. Portrait of a Nobleman

868. Portrait of a Nobleman's Wife

869. Petrus Stevens

870. Adam de Coster

871. Adam de Coster

872. Horatius Gentilescius

873. Cornelius Schut

874. Wenceslaus Coeberger

875. Petrus Stevens