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1. Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan:

Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan:
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 3/8 × 21 1/8 inches (39.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

2. Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan

Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/8 × 20 13/16 inches (38.4 × 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

3. Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan

Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink, red ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 14 11/16 × 20 11/16 inches (37.3 × 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

4. Le Port de Rochefort: Vu Du Point A Marque sur le Plan:

Le Port de Rochefort: Vu Du Point A Marque sur le Plan:
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 14 5/16 × 21 9/16 inches (36.4 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

5. Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan

Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 15 × 20 1/2 inches (38.1 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

6. The South Sea House

The South Sea House
Creator:
Print made by unknown artist
Date:
between 1720 and 1728
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Admiralty Office

The Admiralty Office
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
1731
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Gierusalemme

Gierusalemme
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 5/16 x 21 1/2 inches (36.4 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens
Creator:
Print made by unknown artist
Date:
1755
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 18 inches (33.7 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A View of Exeter College back gate (a), the Museum (b), the Theatre (c), the Printing House (d), & c. in the University of Oxford

A View of Exeter College back gate (a), the Museum (b), the Theatre (c), the Printing House (d), & c. in the University of Oxford
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. A View of the Conduit (a), part of Carfax Church (b), the Piazza called the Butter Market (c), the Town Hall (d), the west Front of Christ Church College (e), & c. in the University of Oxford

A View of the Conduit (a), part of Carfax Church (b), the Piazza called the Butter Market (c), the Town Hall (d), the west Front of Christ Church College (e), & c. in the University of Oxford
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Rome in it's Original Splendor

Rome in it's Original Splendor
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A View of Paris

A View of Paris
Creator:
Print made by Paul Angier, active 1749
Materials & Techniques:
Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A View of the Bastille at Paris, the Gate of St. Anthony , & the adjacent Suburbs

A View of the Bastille at Paris, the Gate of St. Anthony , & the adjacent Suburbs
Creator:
Print made by John Couse, active 1753–1764
Date:
1789
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge

A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge
Creator:
John Couse, active 1753–1764
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Inside View of the Royal Exchange at London

The Inside View of the Royal Exchange at London
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Lord Mayor's Mansion House, shewing the Front of the House & the West Side

The Lord Mayor's Mansion House, shewing the Front of the House & the West Side
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.

A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.
Creator:
Print made by John Maurer, active 1713–1761
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 × 16 1/2 inches (25.4 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. A Prospect of the Parliament House, in College Green, Dublin

A Prospect of the Parliament House, in College Green, Dublin
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 9 3/4 × 15 1/2 inches (24.8 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. A General View of the City of Dantzick

A General View of the City of Dantzick
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 7 × 10 3/4 inches (17.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The City of Ratisbon

The City of Ratisbon
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 × 15 1/4 inches (26 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...
Creator:
Print made by John Couse, active 1753–1764
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. A View of St. Petersburg on either side the River Neva, between ye Admiralty & the Academy of Sciences

A View of St. Petersburg on either side the River Neva, between ye Admiralty & the Academy of Sciences
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
Creator:
Print made by Remi Parr, 1743–after 1750
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
Creator:
Print made by Nathaniel Parr, active 1742–1751
Date:
between 1780-1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. A Prospect from the Sea of little St. Mark's Place with the Publick Buildings on either side...

A Prospect from the Sea of little St. Mark's Place with the Publick Buildings on either side...
Creator:
Print made by Remi Parr, 1743–after 1750
Date:
undated
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The City of Breslau

The City of Breslau
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.

The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 3/4 × 16 3/4 inches (29.8 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women.

The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women.
Creator:
Print made by Nathaniel Parr, active 1742–1751
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. tms:4641

Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...
Creator:
Print made by J. Carwitham, active 1720–1740
Date:
1778
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour

The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
undated
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Rome in it's Original Splendor; 1. the Temple of Vesta 2. Virgins going to Sacrifice 3. The Imperial Palace 4. A Fountain of Medicinal Water 5. The Arch of Trajan 6. The Tomb of Cestus

Rome in it's Original Splendor; 1. the Temple of Vesta 2. Virgins going to Sacrifice 3. The Imperial Palace 4. A Fountain of Medicinal Water 5. The Arch of Trajan 6. The Tomb of Cestus
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory

The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford

A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 1/2 × 17 1/8 inches (26.7 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford

A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 3/4 × 16 3/4 inches (29.8 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Ruins in Rome

Ruins in Rome
Creator:
William Hamilton, 1751–1801
Date:
between 1768 and 1775
Materials & Techniques:
Gray wash, pen and black and brown ink, white gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 3/8 x 18 3/16in. (34 x 46.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Konigstein

Konigstein
Creator:
Charles Gore, 1729–1807
Date:
1789
Materials & Techniques:
Watercolor and gouache with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 18 1/4 inches (26.4 x 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. View of Bath from Spring Gardens

View of Bath from Spring Gardens
Creator:
Thomas Hearne, 1744–1817
Date:
1790
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 18 1/8 inches (30.8 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Maidstone, Kent

Maidstone, Kent
Creator:
William Jefferys, 1730–ca. 1805
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 18 1/4 inches (20.3 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Rochester, Kent: from the North

Rochester, Kent: from the North
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Foundling Hospital

The Foundling Hospital
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection