Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
3
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
4
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
5
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
6
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
7
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
8
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
9
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
10
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
11
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
12
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
13
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
14
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
15
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
16
George Romney, 1734–1802
The Banquet Scene
ca. 1792
17
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
18
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
19
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
20
George Romney, 1734–1802
Daphnis and Chloe
undated
21
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
22
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
23
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
24
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
25
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
26
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
27
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
28
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
29
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
30
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
31
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
32
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
33
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
34
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
35
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
36
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
37
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
38
Sawrey Gilpin, 1733–1807
Study for the Figure of Gulliver
ca. 1769
39
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"