Period: 18th century / Genre: literary theme / Creator: Bunbury, Henry William, 1750–1811 - YCBA Collections Search Search Results

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Period 18th century

Genre literary theme

Creator Bunbury, Henry William, 1750–1811

1. Prospero Disarming Ferdinand, Act I, Scene II

Prospero Disarming Ferdinand, Act I, Scene II

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Taming the Shrew, Act III, Scene II

Taming the Shrew, Act III, Scene II

Creator:: William S. Leney, 1769–1831
Date:: 1793
Materials & Techniques:: Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 9/16 × 19 1/8 inches (42.1 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

Creator:: Robert Mitchell Meadows, Died before 1812
Date:: 1794
Materials & Techniques:: Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Fallstaff Playing the Prince, The Prince Playing the King

Fallstaff Playing the Prince, The Prince Playing the King

Creator:: Print made by Thomas Macklin, active 1779–1793
Date:: 1796
Materials & Techniques:: Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 11/16 × 19 3/8 inches (42.4 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1792
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Falstaff Reproved by King Henry

Falstaff Reproved by King Henry

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 13 7/8 x 17 9/16in. (35.2 x 44.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. Falstaff reproved by King Henry

Falstaff reproved by King Henry

Creator:: unknown artist
Date:: 1792
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

8. Jacques discovered by the Duke

Jacques discovered by the Duke

Creator:: John Chapman, active ca. 1792–1823
Date:: 1795
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

9. The Duel: 'Twelfth Night,' Act III, Scene IV

The Duel: 'Twelfth Night,' Act III, Scene IV

Creator:: Henry William Bunbury, 1750–1811
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and gray ink, red ink, black ink, brown ink, gum arabic, graphite, and white gouache on moderately thick, slightly textured, beige wove paper, mounted on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 22 1/8 × 16 13/16 inches (56.2 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. Pospero Disarming Ferdinand from The Tempest, Act I, Scene II

No cover image available

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/4 × 17 7/8 inches (40 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund