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Period 18th century

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Genre literary theme

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Subject Terms horses (animals)

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Sawrey Gilpin Gulliver Addressing the Houyhnhnms
Sawrey Gilpin, 1733–1807
Gulliver Addressing the Houyhnhnms
1769
Not on view
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
William Woollett Macbeth and the Witches
William Woollett, 1735–1785
Macbeth and the Witches
1770
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Francesco Bartolozzi Gualtherus and Griselda
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
unknown artist Illustration to Tonson's Ovid Metamorphosis (one of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (two of four)
ca. 1710
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745