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Period 18th century
Remove constraint Period: 18th centuryGenre literary theme
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1
- Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
- 1790
- Not on view
2
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
3
- Gulliver Taking His Final Leave of the Land of the Houyhnhnms
- 1769
- Not on view
4
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
5
- Songs of Experience, Frontispiece (Plate 32)
- 1794
6
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
7
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
8
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
9
- The First Book of Urizen, Title Page (Plate 1)
- 1794
10
- Chapter II, "Muster around the bleak desarts..." (Plate 4)
- 1794
11
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
12
- My Son! My Son! (Plate 10)
- 1793
13
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
14
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
15
- Songs of Innocence, Title Page (Plate 2)
- 1789
16
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
17
- Chapter II, "Muster around the bleak desarts..." (Plate 6)
- 1794
18
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
19
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
20
- The First Book of Urizen; Title Page (Plate 1)
- 1794
21
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
22
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
23
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
24
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
25
- The Divine Image (Plate 12)
- 1789
26
- Infant Joy (Plate 14)
- 1789
27
- The Little Boy Lost (Plate 20)
- 1789
28
- Nurse's Song (Plate 22)
- 1789
29
- On Anothers Sorrow (Plate 24)
- 1789
30
- Spring (Plate 26)
- 1789
31
- Laughing Song (Plate 28)
- 1789
32
- Introduction (Plate 3)
- 1789
33
- A Dream (Plate 4)
- 1789
34
- The Lamb (Plate 8)
- 1789
35
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
36
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
37
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
38
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
39
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
40
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
41
- There Is No Natural Religion; Frontispiece (Plate 1)
- ca. 1788
42
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
43
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
44
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
45
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
46
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
47
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
48
- Elegy Written in a Country Church-Yard; Title Page
- between 1797 and 1798
49
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
50
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
51
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
52
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
53
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
54
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
55
- "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
- between 1797 and 1798
56
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
57
- Ode on the Spring; Title Page
- between 1797 and 1798
58
- Ode to Adversity; Title Page
- between 1797 and 1798
59
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
60
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
61
- The Bard, A Pindaric Ode; Title Page
- between 1797 and 1798
62
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
63
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
64
- The Shepherd, from Songs of Innocence
- ca. 1795
65
- Spring, from Songs of Innocence
- ca. 1795
66
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
67
- The Little Black Boy (Plate 30)
- 1789
68
- Miss Crockatt as Julia de Roubigné
- 1786
69
- Rinaldo and Armida
- 1775
70
- Here Nature List'ning Stood
- 1795
71
- Tom Jones Assisting Molly Seagrim
- 1782
72
- Shakespeare Illustration: "Measure for Measure"
- undated
73
- Ticket: Anacreontic Society Meeting
- 1779
74
- Thomas King and Sophia Baddely in "The Clandestine Marriage"
- 1772
75
- Mrs. Abington as Thalia
- ca. 1783
76
- Tancred and Clorinda
- 1785
77
- Celadon and Amelia
- 1782
78
- Dido and Aeneas
- 1787
79
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
80
- The Duel: 'Twelfth Night,' Act III, Scene IV
- ca. 1790
81
- Gulliver Bound by the Lilliputians
- undated
82
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
83
- Ticket: Anacreontic Society Meeting
- 1773
84
- Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
- 1745
85
- Mrs. Abington as Thalia
- 1783
86
- Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
- 1788
87
- Shakespearean Scene (?): A Pilgrim
- 1796
88
- Ophelia's Death
- ca. 1781
89
- Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
- 1780