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Period 18th century
Remove constraint Period: 18th centuryGenre literary theme
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1
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
2
- Gulliver Taking His Final Leave of the Land of the Houyhnhnms
- 1769
- Not on view
3
- Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
- 1790
- Not on view
4
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
5
- The Shepherd, from Songs of Innocence
- ca. 1795
6
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
7
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
8
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
9
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
12
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
13
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
14
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
15
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
16
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
17
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
18
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
19
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
20
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
21
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
22
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
23
- There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
- ca. 1788
24
- There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
- ca. 1788
25
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
26
- The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
27
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
28
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
29
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
30
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
31
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
32
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
33
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
34
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
35
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
36
- The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
- 1794
37
- Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
- ca. 1797
38
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
39
- Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
- ca. 1797
40
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
41
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
42
- My Son! My Son!; Plate 10
- 1793
43
- Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
- ca. 1797
44
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
45
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
46
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
47
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
48
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
- 1794
49
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
50
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
51
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
52
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
53
- Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
- 1789
54
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
55
- Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
- 1789
56
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
57
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
58
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798
59
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
60
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
61
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
62
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
- 1794
63
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
64
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
65
- Gulliver Bound by the Lilliputians
- undated
66
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
67
- The Duel: 'Twelfth Night,' Act III, Scene IV
- ca. 1790
68
- Tom Jones Assisting Molly Seagrim
- 1782
69
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
70
- Ticket: Anacreontic Society Meeting
- 1773
71
- Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
- 1780
72
- Shakespearean Scene (?): A Pilgrim
- 1796
73
- Ophelia's Death
- ca. 1781
74
- Mrs. Abington as Thalia
- 1783
75
- Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
- 1745
76
- Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
- 1788
77
- Here Nature List'ning Stood
- 1795
78
- Miss Crockatt as Julia de Roubigné
- 1786
79
- Rinaldo and Armida
- 1775
80
- Shakespeare Illustration: "Measure for Measure"
- undated
81
- Thomas King and Sophia Baddely in "The Clandestine Marriage"
- 1772
82
- Dido and Aeneas
- 1787
83
- Mrs. Abington as Thalia
- ca. 1783
84
- Tancred and Clorinda
- 1785
85
- Ticket: Anacreontic Society Meeting
- 1779
86
- Celadon and Amelia
- 1782