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Period 18th century

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Genre marine art

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Subject Terms bridge (built work)

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View on the Thames with Westminster Bridge
Creator:
Samuel Scott, 1701/2–1772
Date:
between 1743 and 1744
Materials & Techniques:
Oil on canvas
Dimensions:
25 x 30 inches (63.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
Creator:
Samuel Scott, 1701/2–1772
Date:
ca. 1745
Materials & Techniques:
Oil on canvas
Dimensions:
31 1/4 x 59 1/4 inches (79.4 x 150.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Westminster Bridge, with the Lord Mayor's Procession on the Thames
Creator:
Canaletto, 1697–1768
Date:
1747
Materials & Techniques:
Oil on canvas
Dimensions:
Frame: 43 5/8 x 56 x 3 inches (110.8 x 142.2 x 7.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Thames at Chelsea
Creator:
Thomas Whitcombe, 1763–after 1824
Date:
1784
Materials & Techniques:
Oil on canvas
Dimensions:
30 7/8 x 60 1/4 inches (78.4 x 153 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Port of London
Creator:
Thomas Luny, 1759–1837
Date:
1798
Materials & Techniques:
Oil on canvas
Dimensions:
21 3/4 x 33 7/8 inches (55.2 x 86 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Thames at Lambeth Palace
Creator:
unknown artist
Date:
after 1745
Materials & Techniques:
Oil on canvas
Dimensions:
24 1/2 × 44 1/8 inches (62.2 × 112.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Windsor Bridge
Creator:
Print made by Joseph Farington, 1747–1821
Date:
1792
Materials & Techniques:
Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bewdley Bridge, Worcester
Creator:
Attributed to Peter Rashleigh, active 1775
Date:
1775
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moonlight
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 21 3/8 inches (37.5 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bath: The New Bridge
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderatelty thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Moonlight

Moonlight
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 15 3/4 inches (30.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South View of Berwick Upon Tweed
Creator:
Samuel Buck, 1696–1779
Date:
ca. 1743-1745
Materials & Techniques:
Pen and black ink, with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 31 7/8 inches (31.1 x 81 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund