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Period 18th century
Remove constraint Period: 18th centuryGenre religious and mythological subject
Remove constraint Genre: religious and mythological subjectSubject Terms clouds
Remove constraint Subject Terms: cloudsSearch Results
1
- The Rape of Proserpine, design for the staircase of Devonshire House, London
- ca. 1704
- Not on view
2
- A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
- between 1712 and 1713
- Not on view
3
- Jacob's Dream
- 1705
- Not on view
4
- The Angel Binding Satan
- ca. 1797
- Not on view
5
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
6
- Tail Piece, or the Bathos
- 1764
7
- Albion's Angel; Frontispiece (Plate 1)
- 1793
8
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
9
- Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
- 1793
10
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
11
- America, A Prophecy; Title Page (Plate 2)
- 1793
12
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
13
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
14
- "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
- 1794
15
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
16
- "The shrill winds wake!..." (Plate 6)
- 1794
17
- "Arise 'O Rintrah eldest born..." (Plate 9)
- 1794
18
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
- 1794
19
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
20
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
21
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
22
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
23
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
24
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
25
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
26
- The Christian Triumph; Title Page
- 1797
27
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
28
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
29
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
30
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
31
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
32
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
33
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
34
- Moses Receiving the Law
- ca. 1780
35
- Satan Approaching the Court of Chaos
- 1784 to 1785
36
- Sisters Contemplating on Mortality
- 1770
37
- Juno
- undated
38
- Mrs. Blake as Juno
- 1771
39
- Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
- between 1762 and 1764
40
- Mrs. Jordan in the Character of the Comic Muse
- 1787
41
- Miss Elliot
- undated
42
- Fortune
- 1796
43
- Barbara Palmer (née Villiers) Countess of Castlemaine
- undated
44
- West Window of the Chapel, New College Oxford: The Virtues - Hope
- 1781
45
- West Window of the Chapel, New College Oxford: The Virtues - Justice
- 1782
46
- Venus Childing Cupid
- 1784
47
- West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
- 1785
48
- Mrs. Sophia (née Heywood) Musters as Hebe
- 1785
49
- West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene
- 1785
50
- West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
- 1785
51
- West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
- 1785
52
- West Window of the Chapel, New College Oxford: The Virtues - Temperance
- 1782
53
- West Window of the Chapel, New College Oxford: The Virtues - Faith
- 1781
54
- The Triumph of Galatea
- 1701
55
- Hebe
- 1780
56
- Hebe
- 1785
57
- Hebe
- 1785
58
- Mrs. Sheridan as 'St. Cecilia'
- 1776
59
- The Calling of Samuel
- 1783
60
- The Infant Jupiter
- 1775
61
- Guardian Angels
- 1786
62
- The Virgin in the Clouds and Six Saints
- 1742
63
- Peter and John Going to the Sepulchre
- 1784
64
- The Three Marys Going to the Sepulchre
- 1784
65
- Death on a Pale Horse
- ca. 1775
66
- St. Cecilia
- 1784
67
- Niobe
- 1792
68
- Juvenis auscultans seni de divinis admonenti
- 1764
69
- Atalanta and Hippomanes
- 1763
70
- Hebe
- 1782
71
- Venus Chiding Cupid
- 1784
72
- Ticket to Westminster Abbey
- before 1791
73
- Design for a Ceiling
- undated
74
- Design for a Ceiling at Addiscombe: Bacchus and Ariadne
- undated
75
- Design for a Ceiling Decoration
- 1723
76
- Illustration to Homer's Iliad
- 1723
77
- Winchester Cross
- 1800
78
- Illustration to Tonson's Ovid Metamorphosis (three of four)
- ca. 1710
79
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
80
- A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
- ca. 1715
81
- The Birth of Venus
- undated
82
- Sketch for the Oil Painting "The Conversion of St. Paul"
- undated
83
- Drawing after The Transfiguration
- 1782
84
- A Scene on Mount Olympus
- undated
85
- Ticket to Westminster Abbey
- before 1791
86
- Georgiana, Duchess of Devonshire as 'Cynthia'
- 1783
87
- Moses Brought to Pharaoh's Daughter
- 1752