<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Period 18th century

Remove constraint Period: 18th century

Associated Places Europe

Remove constraint Associated Places: Europe

Height [cm] 22

Remove constraint Height [cm]: 22

Search Results

1. The Hurries: Coal Boats Loading, Whitehaven

The Hurries: Coal Boats Loading, Whitehaven
Creator:
attributed to Joseph Mallord William Turner, 1775–1851
Date:
ca. 1795
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 14 inches (21.9 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Painter-Stainers’ Hall

Painter-Stainers’ Hall
Creator:
Charles Tomkins, 1757–1823
Date:
1799
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 5 3/8 inches (22.1 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Hamlet in Scotland

Hamlet in Scotland
Creator:
Print made by Robert Dighton, 1752–1814
Date:
1794
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/4 x 9 3/8 inches (28.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. London Cries: A Milkmaid

London Cries: A Milkmaid
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 5 7/8 inches (22.2 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Obelisk in the Garden at Versailles

The Obelisk in the Garden at Versailles
Creator:
Print made by unknown artist
Date:
between 1740 and 1757
Materials & Techniques:
Etching and engraving hand-coloured in watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"

Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 12 7/16 inches (22.7 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Creator:
Print made by William Angus, 1752–1821
Date:
1793
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. On the Rhone

On the Rhone
Creator:
Mary Harcourt, 1750–1833
Date:
ca. 1780
Materials & Techniques:
Brushed brown ink, brown wash, gray wash, graphite, brown ground and varnish on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 x 11 5/8 inches (17.8 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Lake Morat from Avenches

Lake Morat from Avenches
Creator:
Mary Harcourt, 1750–1833
Date:
ca. 1780
Materials & Techniques:
Brushed brown ink, brown wash, graphite and brown ground on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 10 7/8 inches (21.6 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Landing Place at Pallanza

Landing Place at Pallanza
Creator:
Charles Gore, 1729–1807
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 36 5/8 inches (23 × 93 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Unloading Pit Props at Coalbrookdale

Unloading Pit Props at Coalbrookdale
Creator:
Thomas Hearne, 1744–1817
Date:
after 1790
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 7 1/2 inches (21.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Treasury, Whitehall, London: Alternate Elevations of the Facade

The Treasury, Whitehall, London: Alternate Elevations of the Facade
Creator:
William Kent, ca.1686–1748
Date:
ca. 1733
Materials & Techniques:
Graphite, pen and black ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 17 1/4 inches (21.6 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Lyme Regis, Dorset

Lyme Regis, Dorset
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 11/16 x 17 1/16 inches (22.1 x 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Pluscardine Abbey, Elgin

Pluscardine Abbey, Elgin
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor, pen and ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 6 5/8 inches (21.7 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Tolleshunt-Beckingham, Essex

Tolleshunt-Beckingham, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 7 5/8 inches (21.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Glasgow Cathedral

Glasgow Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
between 1794 and 1795
Materials & Techniques:
Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Ruins of Savoy Palace

Ruins of Savoy Palace
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 x 11 3/4 inches (21.7 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Embarkation at Southampton, June 20th 1794 (Version A)

Embarkation at Southampton, June 20th 1794 (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Pen and brown ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 9/16 x 11 3/16 inches (21.7 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. View looking towards St. Margaret's, Rochester, Kent

View looking towards St. Margaret's, Rochester, Kent
Creator:
John Cleveley the younger, 1747–1786
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 10 5/8 inches (21.9 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The End of the Ruin'd Bridge at Rouen

The End of the Ruin'd Bridge at Rouen
Creator:
Samuel Davis, 1760–1819
Date:
1778
Materials & Techniques:
Watercolor and pen and black ink and graphite on medium, slighltly textured, cream laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 x 7 3/4in. (14.3 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection