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Period 18th century

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Associated Places Spithead

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A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Town & Harbour of Portsmouth, with a View of His Majesty's Fleet Spitthead, (a)Portsmouth, (b)Gosport, (c)Portchester Castle, (d)Isle of Wight
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Naval Squadron Lying at Spithead
Creator:
Francis Swaine, 1730–1782
Date:
between 1745 and 1783
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
Creator:
John William Edy, 1760–1820
Date:
1797
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 18 11/16 inches (35.9 × 47.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection