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Period 18th century

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Study for 'The Red Cross Knight'
Creator:
John Singleton Copley, 1738–1815
Date:
ca. 1793
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 21 inches (43.2 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Seven Bishops Going To Trial
Creator:
Richard Westall, 1765–1836
Date:
1790
Materials & Techniques:
Watercolor with gouache and black, brown, and gray ink on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 13 1/2 x 18 3/8 inches (34.3 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Soldiers and Country Women
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 x 7 3/8 inches (12.7 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rosebud, or the Judgement of Paris
Creator:
Richard Westall, 1765–1836
Date:
1791
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 15 inches (32.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Classical Scene: Minerva as the Goddess of Arts and Sciences
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash with black and red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 15 3/16 × 11 1/8 inches (38.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Apparition of the Armed Head: Macbeth
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:
Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Garrick Reading the Ode at the Shakespeare Jubilee
Creator:
Caroline Watson, 1760–1814
Date:
1784
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Alexander

10. Miss Eyre

Miss Eyre
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1778
Materials & Techniques:
Line engraving and stipple engraving, printed in brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 x 4 inches (15.2 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection