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Period 18th century

Remove constraint Period: 18th century

Creator Watson, Thomas, 1743–1781

Remove constraint Creator: Watson, Thomas, 1743–1781

Width [cm] 28

Remove constraint Width [cm]: 28

Search Results

Francis Bartolozzi, R.A.
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1785
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/4 × 17 1/4 inches (55.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor
Creator:
Print made by William Dickinson, 1746–1823
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/16 × 11 5/16 inches (31.2 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Elizabeth Stephenson, later Elizabeth Savile, Countess of Mexborough
Creator:
Print made by William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Margaret Georgiana Spencer (née Poyntz), Countess Spencer
Creator:
Thomas Watson, 1743–1781
Date:
1772
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/16 × 11 1/4 inches (38.6 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Andrew Stuart Esq.
Creator:
Thomas Watson, 1743–1781
Date:
1778
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 × 10 15/16 inches (37.1 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Janet, Lady Erskine
Creator:
Thomas Watson, 1743–1781
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 13 3/16 x 11 1/16in. (33.5 x 28.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Georgiana Lady Viscountess Spencer
Creator:
Thomas Watson, 1743–1781
Date:
1772
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/8 × 11 inches (37.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Dickinson, 1746–1823
Date:
1779
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 16 5/8 x 12 11/16 inches (42.3 x 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1779
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 16 1/2 × 12 1/2 inches (41.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Thomas Watson, 1743–1781
Date:
1772
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 7/8 x 11 1/16in. (37.8 x 28.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1772
Materials & Techniques:
Mezzotint (Ham.II) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/16 × 11 1/2 inches (39.2 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1774
Materials & Techniques:
Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/16 × 12 7/8 inches (40.8 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund