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Period 18th century

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William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
Joseph Mallord William Turner View of Ely Cathedral
Joseph Mallord William Turner, 1775–1851
View of Ely Cathedral
ca. 1796
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
Joseph Mallord William Turner Evening Landscape with Castle and Bridge in Yorkshire
Joseph Mallord William Turner, 1775–1851
Evening Landscape with Castle and Bridge in Yorkshire
between 1798 and 1799
Joseph Mallord William Turner Near Grindelwald
Joseph Mallord William Turner, 1775–1851
Near Grindelwald
ca. 1796
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
Joseph Mallord William Turner Windsor
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
Joseph Mallord William Turner In the Valley Near Vietri
Joseph Mallord William Turner, 1775–1851
In the Valley Near Vietri
ca. 1794
Joseph Mallord William Turner Landscape with Trees and Figures
Joseph Mallord William Turner, 1775–1851
Landscape with Trees and Figures
ca. 1796
Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
George Romney Shepherdess Cutting an Inscription on a Tree
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney Aerial Group: The Tempest
George Romney, 1734–1802
Aerial Group: The Tempest
undated
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
William Blake America. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
William Blake America. A Prophecy, Plate 10, "The Terror Answered...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake America. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
William Blake America. A Prophecy, Plate 8, "The Morning Comes...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
Giovanni Battista Borra Monte delle Beatitudini
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
Giovanni Battista Borra View of the Valley of Laodicea
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
Mary Harcourt On the Rhone
Mary Harcourt, 1750–1833
On the Rhone
ca. 1780
Sir James Thornhill Design for a portrait of an architect or a painter
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
Sir James Thornhill A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
Sir James Thornhill, 1675–1734
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
Joseph Wright of Derby The Campagna
Joseph Wright of Derby, 1734–1797
The Campagna
undated
Paul Sandby Roslin Castle, Midlothian
Paul Sandby, 1731–1809
Roslin Castle, Midlothian
ca. 1780
Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767
unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
Sir James Thornhill Design for a Ceiling
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
Francis Wheatley Traveling Potter Outside a Cottage
Francis Wheatley, 1747–1801
Traveling Potter Outside a Cottage
1798
Nicholas Pocock The River Avon: with Passing Vessels
Nicholas Pocock, 1740–1821
The River Avon: with Passing Vessels
1785
Nicholas Pocock The Ranger, Private Ship of War, with her Prizes
Nicholas Pocock, 1740–1821
The Ranger, Private Ship of War, with her Prizes
1780
Dominic Serres Shipping in Southampton Water, off Calshott Castle
Dominic Serres, 1722–1793
Shipping in Southampton Water, off Calshott Castle
undated
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
Jacob More A View at Terracina
Jacob More, 1740–1793
A View at Terracina
1778
Sir James Thornhill Design for a Ceiling at Addiscombe: Bacchus and Ariadne
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
Thomas Carwitham Design for a Ceiling Decoration
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
Thomas Carwitham Illustration to Homer's Iliad
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
John Nixon Eastbourne from Lord G.: Cavendish's Seat in the Park
John Nixon, ca. 1760–1818
Eastbourne from Lord G.: Cavendish's Seat in the Park
1787
unknown artist Illustration to Tonson's Ovid Metamorphosis (three of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (three of four)
ca. 1710
unknown artist Illustration to Tonson's Ovid Metamorphosis (one of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
Dominic Serres Firing a Salute
Dominic Serres, 1722–1793
Firing a Salute
1770
Sir James Thornhill The Birth of Venus
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
Richard Bentley A Prospect of Vapourland
Richard Bentley, 1708–1782
A Prospect of Vapourland
1759
John Warwick Smith The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
John Warwick Smith Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen
John Warwick Smith, 1749–1831
Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen
undated
Thomas Girtin View of Rochester
Thomas Girtin, 1775–1802
View of Rochester
1791
Thomas Girtin Harrow-on-the-Hill, Middlesex
Thomas Girtin, 1775–1802
Harrow-on-the-Hill, Middlesex
ca. 1794
Thomas Girtin Rochester, Kent: from the North
Thomas Girtin, 1775–1802
Rochester, Kent: from the North
ca. 1790
Thomas Girtin Classical Composition
Thomas Girtin, 1775–1802
Classical Composition
1798 to 1799
Thomas Girtin Eton College from Datchet Road
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
Thomas Girtin Kirkstall Abbey from the N.W.
Thomas Girtin, 1775–1802
Kirkstall Abbey from the N.W
ca. 1792
Thomas Girtin Tynemouth Priory, Northumberland
Thomas Girtin, 1775–1802
Tynemouth Priory, Northumberland
ca. 1793
Henry Tresham The Ascent of Vesuvius
Henry Tresham, 1751–1814
The Ascent of Vesuvius
1785 to 1790
Sir Thomas Lawrence Drawing after The Transfiguration
Sir Thomas Lawrence, 1769–1830
Drawing after The Transfiguration
1782
John Michael Rysbrack A Scene on Mount Olympus
John Michael Rysbrack, 1694–1770
A Scene on Mount Olympus
undated
John Warwick Smith Isola Madre, Lago Maggiore
John Warwick Smith, 1749–1831
Isola Madre, Lago Maggiore
ca. 1781
John Robert Cozens The Bay of Naples from Capodimonte, Italy
John Robert Cozens, 1752–1797
The Bay of Naples from Capodimonte, Italy
ca. 1790
Thomas Girtin Carlisle Cathedral, Cumberland, from the South-west
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
Thomas Girtin Country House
Thomas Girtin, 1775–1802
Country House
ca. 1797
Thomas Girtin The New Walk, York
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
Thomas Girtin Valle Crucis Abbey, near Llangollen
imitator of Thomas Girtin, 1775–1802
Valle Crucis Abbey, near Llangollen
between 1798 and 1801
Thomas Girtin Guisborough Priory
follower of Thomas Girtin, 1775–1802
Guisborough Priory
undated
Francis Towne Modern Bridge at Narni
Francis Towne, 1740–1816
Modern Bridge at Narni
1795
Paul Sandby A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
Paul Sandby, 1731–1809
A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
1794
John Warwick Smith Craig y Ladron - The Thieves Precipice
John Warwick Smith, 1749–1831
Craig y Ladron - The Thieves Precipice
1797
Sir William Chambers Royal Botanic Gardens, Kew: Design for Interior of a Mosque
Sir William Chambers, 1723–1796
Royal Botanic Gardens, Kew: Design for Interior of a Mosque
ca. 1761
unknown artist Cumberland Landscape
unknown artist
Cumberland Landscape
undated
Alexander Cozens Mountain Tops (A Mountain Study)
Alexander Cozens, 1717–1786
Mountain Tops (A Mountain Study)
ca. 1780
Samuel Hieronymus Grimm Haverfordwest, Pembrokeshire
Samuel Hieronymus Grimm, 1733–1794
Haverfordwest, Pembrokeshire
1791
Thomas Gainsborough Cattle Watering by a Stream
imitator of Thomas Gainsborough, 1727–1788
Cattle Watering by a Stream
undated
Hubert-François Gravelot Drawing for a Frontispiece: "The Toast"
Hubert-François Gravelot, 1699–1773
Drawing for a Frontispiece: "The Toast"
1735