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Period 18th century
Remove constraint Period: 18th centuryWork Type drawing
Remove constraint Work Type: drawingSubject Terms grass
Remove constraint Subject Terms: grassSearch Results
1
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
2
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
3
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
4
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
5
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
6
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
7
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
8
- Spring (Plate 12)
- 1789
9
- The Lamb (Plate 18)
- 1789
10
- Spring (Plate 26)
- 1789
11
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
12
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
13
- Ode on the Spring; Title Page
- between 1797 and 1798
14
- The Progress of Poesy, A Pindaric Ode; Title Page
- between 1797 and 1798
15
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
16
- An Artist Sketching in Windsor Park
- 1789
17
- Donnybrook Fair, 1782
- 1782
18
- Unidentified Country House
- between 1700 and 1715
19
- Death on a Pale Horse
- ca. 1775
20
- The Sporting Lady
- undated
21
- Tree Study with Stags (Landscape)
- undated
22
- The Ruins of the College of Lincluden, Near Dumfries
- ca. 1778
23
- Eragrostis Tef
- 1775
24
- From Hampstead
- 1730
25
- Design for Wall Paper
- ca. 1760
26
- Nîmes from the Tour Magne
- ca. 1765
27
- Temple of Venus and Rome from the Colosseum
- 1781
28
- Landscape with Cottage and Figures on Horseback
- 1793
29
- Classical Composition
- 1798 to 1799
30
- Rochester, Kent: from the North
- ca. 1790
31
- View of Rochester
- 1791
32
- Kirkstall Abbey from the N.W
- ca. 1792
33
- Tynemouth Priory, Northumberland
- ca. 1793
34
- Jedburgh Abbey, Roxburghshire
- ca. 1793
35
- Pluscardine Abbey, Elgin
- ca. 1793
36
- Lichfield Cathedral, Staffordshire
- 1794
37
- Pevensey Castle, Sussex
- ca. 1795
38
- View of Winchelsea, Sussex
- ca. 1795
39
- Saltwood Castle, Kent
- ca. 1795
40
- Tolleshunt-Beckingham, Essex
- ca. 1795
41
- Carlisle Cathedral, Cumberland, from the South-west
- ca. 1795
42
- Melville Castle, Midlothian
- ca. 1796
43
- Rievaulx Abbey, Yorkshire
- ca. 1796
44
- Warkworth Castle, Northumberland
- ca. 1796
45
- A Village in a Wood
- ca. 1796
46
- A Devonshire Farm
- ca. 1798
47
- Tempio d' Antonio e Faustina
- between 1798 and 1799
48
- Chapel Church, Surrey
- ca. 1799
49
- Glasgow Cathedral
- between 1794 and 1795
50
- The New Walk, York
- ca. 1798
51
- London from Highgate Hill
- 1792
52
- Country House
- ca. 1797
53
- Guisborough Priory
- undated
54
- View with Figures in a Classical Landscape with Ruins
- undated
55
- The Meeting of the Rivers Severn and Wye, near Chepstow
- 1795
56
- Sirree
- July 1793
57
- Landscape with Cows
- undated
58
- A Woodland Pool with Rocks and Plants
- between 1765 and 1770
59
- Wooded Landscape with Shepherd and Sheep
- between 1765 and 1770
60
- Open Landscape with Horsemen and Covered Cart
- between 1780 and 1788
61
- Wooded Landscape with Herdsman and Cows
- undated
62
- Wooded Landscape with Country Cart and Figures Walking down a Lane
- ca. 1760
63
- Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
- 1780