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1. Study for the Portrait of George Spencer, Fourth Duke of Marlborough

Study for the Portrait of George Spencer, Fourth Duke of Marlborough
Creator:
George Romney, 1734–1802
Date:
1778–1783
Materials & Techniques:
Brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/2 x 13 5/8 inches (52.1 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
On View:
On view at YUAG

2. Study for the Portrait of George Spencer, Fourth Duke of Marlborough

Study for the Portrait of George Spencer, Fourth Duke of Marlborough
Creator:
George Romney, 1734–1802
Date:
1770s–80s
Materials & Techniques:
Brown ink with brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/4 x 13 1/4 inches (50.2 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
On View:
On view at YUAG

3. Study for the Self-portrait in Enamel

Study for the Self-portrait in Enamel
Creator:
George Stubbs, 1724–1806
Date:
ca. 1781
Materials & Techniques:
Graphite on medium, smooth, cream wove paper; squared in graphite for transfer
Dimensions:
Sheet: 12 x 9 1/8 inches (30.5 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Hymen

Hymen
Creator:
William Hogarth, 1697–1764
Date:
ca. 1748
Materials & Techniques:
Black chalk on medium, slightly textured, brown paper
Dimensions:
Sheet: 19 1/2 x 14 1/2 inches (49.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Man with Horse and Cart Entering a Quarry

Man with Horse and Cart Entering a Quarry
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1797
Materials & Techniques:
Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Great Tree

A Great Tree
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1794
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 15 1/4 inches (25.4 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. "Him the dog of darkness spied..." (Design 79)

"Him the dog of darkness spied..." (Design 79)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "Hie thee hence, and boast at home..." (Design 85)

"Hie thee hence, and boast at home..." (Design 85)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Songs of Innocence, Frontispiece (Plate 1)

Songs of Innocence, Frontispiece (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Poems by Mr. Gray; Title Page

Poems by Mr. Gray; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Sigtryg with the Silken Beard (Design 69)

Sigtryg with the Silken Beard (Design 69)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "Nor fear the rocks, nor seek the shore..." (Design 101)

"Nor fear the rocks, nor seek the shore..." (Design 101)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Epitaph on Mrs. Clarke; Title Page

Epitaph on Mrs. Clarke; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Elegy Written in a Country Church-Yard; Title Page

Elegy Written in a Country Church-Yard; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. "Oft did the harvest to their sickle yield..." (Design 109)

"Oft did the harvest to their sickle yield..." (Design 109)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. A Shepherd Reading the Epitaph (Design 115)

A Shepherd Reading the Epitaph (Design 115)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Ode on a Distant Prospect of Eton College; Title Page

Ode on a Distant Prospect of Eton College; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. "Her Henry's holy shade..." (Design 15)

"Her Henry's holy shade..." (Design 15)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. "A brace of warriors... rustling in their silks and tissues..."(Design 27)

"A brace of warriors... rustling in their silks and tissues..."(Design 27)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Ode on the Spring; Title Page

Ode on the Spring; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)

"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. "And purple tyrants vainly groan..." (Design 37)

"And purple tyrants vainly groan..." (Design 37)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Ode to Adversity; Title Page

Ode to Adversity; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Progress of Poesy, A Pindaric Ode; Title Page

The Progress of Poesy, A Pindaric Ode; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. "Cytherea's Day..." (Design 45)

"Cytherea's Day..." (Design 45)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. "Where shaggy forms o'er ice-built mountains roam..." (Design 47)

"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Bard, A Pindaric Ode; Title Page

The Bard, A Pindaric Ode; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Bard Weaving Edwards Fate (Design 55)

The Bard Weaving Edwards Fate (Design 55)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Moses Receiving the Law

Moses Receiving the Law
Creator:
William Blake, 1757–1827
Date:
ca. 1780
Materials & Techniques:
Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Study of a Male Figure

Study of a Male Figure
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 7 inches (14 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. Bolingbroke and Head of a Fiend

Bolingbroke and Head of a Fiend
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 x 15 inches (51.4 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

36. Prospero and Miranda

Prospero and Miranda
Creator:
George Romney, 1734–1802
Date:
ca. 1787
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 20 5/16 x 13 5/8 inches (51.6 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

37. Two Lovers (Man Awakening from a Dream)

Two Lovers (Man Awakening from a Dream)
Creator:
George Romney, 1734–1802
Date:
mid- to late 1770s
Materials & Techniques:
Brown wash and graphite with pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/4 x 19 3/4 inches (32.4 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

38. Man and Horse

Man and Horse
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Pen and brown ink; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 3 1/4 inches (15.6 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

39. Man (Unidentified Subject)

Man (Unidentified Subject)
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 5 1/4 inches (11.4 x 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

40. The Bath of Bath-sheba

The Bath of Bath-sheba
Creator:
George Romney, 1734–1802
Date:
early 1770s
Materials & Techniques:
Graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 x 9 inches (27.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames

A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 19 1/2 x 16 inches (49.5 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Back View of a Standing Classical Male Figure

Back View of a Standing Classical Male Figure
Creator:
George Romney, 1734–1802
Date:
1773-1775
Materials & Techniques:
Graphite; verso: pen and brownk ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 x 10 3/8 inches (50.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

43. Classical Male Nude

Classical Male Nude
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite; verso: gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 x 8 1/4 inches (50.8 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

44. Classical Male Nude with a Rearing Horse

Classical Male Nude with a Rearing Horse
Creator:
George Romney, 1734–1802
Date:
1773-1774
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 7/8 x 13 7/8 inches (45.4 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

45. John Henderson as Falstaff

John Henderson as Falstaff
Creator:
George Romney, 1734–1802
Date:
1780
Materials & Techniques:
Gray ink and gray wash with pen and black ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/2 x 12 1/2 inches (39.3 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

46. Ladies in Waiting

Ladies in Waiting
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 5 x 6 1/2 inches (12.7 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

47. Lear Awakened by Cordelia

Lear Awakened by Cordelia
Creator:
George Romney, 1734–1802
Date:
between 1774 and 1775
Materials & Techniques:
Brown ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 19 5/16 inches (30.7 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

48. Laocoön

Laocoön
Creator:
George Romney, 1734–1802
Date:
ca. 1773
Materials & Techniques:
Graphite; verso: pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/4 x 12 inches (43.8 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

49. River God

River God
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 x 20 1/4 inches (40 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

50. Borghese Gladiator

Borghese Gladiator
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink over graphite, verso: graphite, black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/2 x 15 1/4 inches (41.9 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

51. Horseman of Montecavallo

Horseman of Montecavallo
Creator:
George Romney, 1734–1802
Date:
between 1773 and 1774
Materials & Techniques:
Brown ink and gray wash over graphite on moderately thick moderately textured cream laid paper
Dimensions:
Sheet: 17 3/8 x 15 1/4 inches (44.1 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

52. Lear Awakened by Cordelia

Lear Awakened by Cordelia
Creator:
George Romney, 1734–1802
Date:
ca. 1774
Materials & Techniques:
Brown ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 19 5/16 inches (38 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

53. A Farm near Windsor

A Farm near Windsor
Creator:
Benjamin West, 1738–1820
Date:
1789
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 11 × 17 1/2 inches (27.9 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire

The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
Creator:
John Warwick Smith, 1749–1831
Date:
July 14, 1792
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/8 x 8 1/2 inches (13 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Man at Window

Man at Window
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/8 x 7 1/2in. (23.2 x 19cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

56. Portrait of a Man

Portrait of a Man
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Black chalk and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

57. Jeytie Lifting Weights

Jeytie Lifting Weights
Creator:
Gangaram Chintaman Navgire Tambat, active 1790s
Date:
between 1790 and 1796
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 7 1/4 inches (20.3 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Devotee in a Green Turban

Devotee in a Green Turban
Creator:
Gangaram Chintaman Navgire Tambat, active 1790s
Date:
between 1790 and 1796
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Man with a Blue Cloth over his Legs

Man with a Blue Cloth over his Legs
Creator:
Gangaram Chintaman Navgire Tambat, active 1790s
Date:
between 1790 and 1796
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 5 7/8 inches (11.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Standing Dignitary

Standing Dignitary
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 6 inches (24.4 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. George Stubbs

George Stubbs
Creator:
Pierre-Etienne Falconet, 1741–1791
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 inches (21 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and gray ink , black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 6 3/8 inches (19.7 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. London Cries: Shoe Cleaner

London Cries: Shoe Cleaner
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Gray, pink, and blue wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 6 inches (19.7 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. London Cries: "Do You Want any Spoons..."

London Cries: "Do You Want any Spoons..."
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 x 6 1/4 inches (20 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. London Cries: A Man with a Basket (Man Selling Pots and Pans)

London Cries: A Man with a Basket (Man Selling Pots and Pans)
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Gray and brown wash, graphite and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 5 7/8 inches (19.1 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)

London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
Creator:
Paul Sandby, 1731–1809
Date:
1760
Materials & Techniques:
Watercolor, pen and gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 6 1/8 inches (19.7 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. London Cries: Small Coal or Brushes

London Cries: Small Coal or Brushes
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Gray wash, brown wash, and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 x 5 3/8 inches (20.3 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. London Cries: A Man with a Bundle, Old Clothes

London Cries: A Man with a Bundle, Old Clothes
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 5 1/8 inches (18.7 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. London Cries: Fun upon Fun

London Cries: Fun upon Fun
Creator:
Paul Sandby, 1731–1809
Date:
1759
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 5 7/8 inches (18.1 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. London Cries: All Fire and No Smoke

London Cries: All Fire and No Smoke
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Gray wash, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 5 5/8 inches (19.7 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. London Cries: A Man with a Bottle

London Cries: A Man with a Bottle
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Brown wash and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 5 5/8 inches (19.7 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. London Cries: A Man Swaggering

London Cries: A Man Swaggering
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Brown wash, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 5 3/4 inches (19.7 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. A Raree Show

A Raree Show
Creator:
William Alexander, 1767–1816
Date:
between 1792 and 1793
Materials & Techniques:
Watercolor and pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Man Asleep with his Mouth Wide Open and Hands Crossed

Man Asleep with his Mouth Wide Open and Hands Crossed
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream laid paper mounted to medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 3/8 × 4 3/4 inches (18.7 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. A Man Asleep with Hands Crossed in a Chair

A Man Asleep with Hands Crossed in a Chair
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, beige laid paper mounted to medium, slightly textured cream laid paper
Dimensions:
Sheet: 7 1/2 × 4 3/4 inches (19.1 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Man Asleep in a Long Blue Coat

Man Asleep in a Long Blue Coat
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, beige laid paper mounted to medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 1/2 x 5in. (19.1 x 12.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Richard Cooper the Elder

Richard Cooper the Elder
Creator:
John Donaldson, 1737–1801
Date:
undated
Materials & Techniques:
Graphite on vellum
Dimensions:
Sheet: 10 1/4 x 8 3/8 inches (26 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

78. A Young Man with a Horse, with Studies of Hounds and Dead Hare

A Young Man with a Horse, with Studies of Hounds and Dead Hare
Creator:
John Hoppner, 1758–1810
Date:
ca. 1785
Materials & Techniques:
Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. The Sporting Undergraduate

The Sporting Undergraduate
Creator:
Henry William Bunbury, 1750–1811
Date:
1772
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 3 1/8 inches (9.5 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. An English Postilion

An English Postilion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Man Leading a Trotting Stallion to Right

Man Leading a Trotting Stallion to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and black chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/16 × 9/16 inches (18.3 × 1.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Rider in Armour

Rider in Armour
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 × 5 7/8 inches (17.8 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. 'The Danish Horse' in Training: Standing, with Trainer Holding a Whip

'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 7 9/16 × 9 3/8 inches (19.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Studies of a Jockey Whipping-On

Studies of a Jockey Whipping-On
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 5/16 × 6 1/2 inches (23.7 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Rider on a Horse, Rearing to Left

Rider on a Horse, Rearing to Left
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 3/4 × 9 3/8 inches (24.8 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Rider With a Draw-Rein, Walking to Left

Rider With a Draw-Rein, Walking to Left
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 1/8 × 10 1/4 inches (23.2 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Kindly, with Jockey Up

Kindly, with Jockey Up
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/16 × 8 1/16 inches (16 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Victorious, with Jockey Up

Victorious, with Jockey Up
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 7/16 × 7 1/2 inches (13.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Coursing - After the Kill

Coursing - After the Kill
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, red chalk, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On

'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Foxhunter, with Jockey Up

Foxhunter, with Jockey Up
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 7/16 × 8 5/16 inches (13.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth

Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Mount: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch

Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 10 1/8 × 11 3/4 inches (25.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Conqueror Going to Start

Conqueror Going to Start
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
Creator:
John Vanderbank, 1694–1739
Date:
1729
Materials & Techniques:
Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 6 inches (15.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. "The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."

"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
Creator:
John Vanderbank, 1694–1739
Date:
1729
Materials & Techniques:
Pen and brown ink on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 6 5/8 × 5 15/16 inches (16.8 × 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder

Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
Creator:
Possibly James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 13 3/16 × 13 9/16 inches (33.5 × 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Foxhunting

Foxhunting
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/16 × 6 3/4 inches (13.8 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Racehorse at Exercise, Ridden by a Training-Groom

Racehorse at Exercise, Ridden by a Training-Groom
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/16 × 6 13/16 inches (13.8 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Racehorse at Exercise, Ridden by a Training-Groom

Racehorse at Exercise, Ridden by a Training-Groom
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/16 × 6 15/16 inches (12.9 × 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection