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1. Study for the Foundlings

Study for the Foundlings
Creator:
William Hogarth, 1697–1764
Date:
ca. 1739
Materials & Techniques:
Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Accusation of Susanna

The Accusation of Susanna
Creator:
George Romney, 1734–1802
Date:
ca. 1773
Materials & Techniques:
Graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 18 1/8 inches (30.5 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. A Procession of the Damned: Study for the Damned in Dante's "Inferno"

A Procession of the Damned: Study for the Damned in Dante's "Inferno"
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown wash with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 10 3/8 inches (15.9 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Moses Receiving the Law

Moses Receiving the Law
Creator:
William Blake, 1757–1827
Date:
ca. 1780
Materials & Techniques:
Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 27, "O treacherous conscience!"

Young's Night Thoughts, Page 27, "O treacherous conscience!"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Three Marys

The Three Marys
Creator:
Benjamin West, 1738–1820
Date:
1783
Materials & Techniques:
Watercolor with pen in brown ink.; verso: graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 3/16 x 8 1/4 inches (41.1 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Classical Composition

Classical Composition
Creator:
Gavin Hamilton, 1723–1798
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 1/8 × 17 5/8 inches (33.3 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Study for a Portrait of a Woman

Study for a Portrait of a Woman
Creator:
Allan Ramsay, 1713–1784
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 7 1/4 x 6 1/4 inches (18.4 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. St Agnes (after Domenichino)

St Agnes (after Domenichino)
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 8 5/8 inches (28.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Studies of Academics

Studies of Academics
Creator:
John Hamilton Mortimer, 1740–1779
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 7 5/8 inches (29.5 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Saint Paul Preaching to the Britons

Saint Paul Preaching to the Britons
Creator:
John Hamilton Mortimer, 1740–1779
Date:
between 1775 and 1778
Materials & Techniques:
Pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 x 11 inches (20.3 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Study for the Portrait of a Woman

Study for the Portrait of a Woman
Creator:
Allan Ramsay, 1713–1784
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 8 5/8 x 7 1/4 inches (21.9 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Cleric in Powdered Wig and Black Robes

Cleric in Powdered Wig and Black Robes
Creator:
James Scouler, 1741–1812
Date:
1777
Materials & Techniques:
Watercolor and gouache on ivory
Dimensions:
Overall: 1 7/16 × 1 1/4 inches (3.7 × 3.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport

16. Illustration to Pilgrim's Progress

Illustration to Pilgrim's Progress
Creator:
John Flaxman, 1755–1826
Date:
1792
Materials & Techniques:
Black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 10 3/4 inches (22.2 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Design for a Frontispiece: A Bishop Conferring an Honor, Scene Within a Cartouche

Design for a Frontispiece: A Bishop Conferring an Honor, Scene Within a Cartouche
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and black ink, red chalk, and graphite, incised for transfer on medium, slightly textured, beige laid paper
Dimensions:
Mount: 15 1/2 × 11 inches (39.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice

Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
Creator:
Hubert-François Gravelot, 1699–1773
Date:
1762
Materials & Techniques:
Graphite and red chalk, incised and squared for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, beige 19th century laid paper, with gold leaf, watercolor, pen in black and red ink border lines
Dimensions:
Mount: 12 x 11 1/16 inches (30.5 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Study of a Draped Classical Torso

Study of a Draped Classical Torso
Creator:
John Opie, 1761–1807
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 13 1/8 × 9 1/8 inches (33.3 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert B. Simon

20. Mourning at a Tomb

Mourning at a Tomb
Creator:
William Alexander, 1767–1816
Date:
between 1792 and 1794
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 6 1/2 inches (21.6 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Measured Drawing of Sculpture in Gymnasium at Ephesus

Measured Drawing of Sculpture in Gymnasium at Ephesus
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 12 7/8 × 6 7/16 inches (32.7 × 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Figures with a Bull From Parthenon Frieze

Figures with a Bull From Parthenon Frieze
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Graphite and pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 10 1/16 inches (19.4 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection