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Period 18th century

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The Poems of Thomas Gray, Design 29, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 27, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for an Ornamental Cartouche: Samuel Garth
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Brown wash over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 2 11/16 x 2 15/16 inches (6.8 x 7.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Artist Sketching Mlle. de St. Legier as a Shepherdess
Creator:
James Moore, 1762–1799
Date:
1787
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Mother and Two Children
Creator:
Benjamin West, 1738–1820
Date:
1786
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 5/8 × 10 5/8 inches (29.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Traveling Potter Outside a Cottage
Creator:
Francis Wheatley, 1747–1801
Date:
1798
Materials & Techniques:
Watercolor over graphite with gouache on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 x 19 1/8 inches (38.7 x 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Cries: "Any Kitchen Stuff"
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor and black chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 5 3/4 inches (19.1 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rustic Lover
Creator:
Francis Wheatley, 1747–1801
Date:
1786
Materials & Techniques:
Watercolor with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 x 13 3/4 inches (43.2 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Recruiting Officer
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Robert, Duke of Normandy
Creator:
John Downman, 1750–1824
Date:
1779
Materials & Techniques:
Black chalk with stumping and graphite on thin, smooth, beige wove paper
Dimensions:
Sheet: 9 x 7 5/8 inches (22.9 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 x 8 11/16 inches (35.6 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tattersall's Training School
Creator:
unknown artist
Date:
1771
Materials & Techniques:
Pen and gray ink, brown ink, graphite, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 12 3/8 × 14 7/16 inches (31.4 × 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Four O'Clock in the Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1788 and 1790
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[One of] Five Designs for a Church
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Pen and black, brown and pink ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/8 x 13 inches (53.7 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Details of the Screen of Entrance Porch, St Stephen's Chapel
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Window, Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cottage near Newcastle, Northumberland
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 5/8 × 8 1/8 inches (11.7 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chapel Church, Surrey
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor, gouache and scraping over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/4 x 16 inches (31.1 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Exeter Cathedral, Devon, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Pen and black ink, gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man at Window
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/8 x 7 1/2in. (23.2 x 19cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and brown and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 10 7/8 × 14 7/8 inches (27.6 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection