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Period 18th century
Remove constraint Period: 18th centuryWork Type drawing
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1
- Mother and Son
- late 1770s
- On view at YUAG
2
- Miranda, Prospero, and Caliban: The Tempest
- ca. 1786–90
- On view at YUAG
3
- Sketchbook Including Drawings Relating to John Milton’s Paradise Lost
- ca. 1793
- On view at YUAG
4
- Study of a Clouded Moonlit Sky
- undated
- On view at YUAG
5
- A Procession of the Damned: Study for Dante's "Inferno"
- 1780s
- On view at YUAG
6
- Howard Visiting a Prison
- ca. 1790–92
- On view at YUAG
7
- Viscountess Bulkeley as Hebe
- ca. 1776
- On view at YUAG
8
- Sketch for the Portrait of a Lady
- late 1770s
- On view at YUAG
9
- Howard Visiting a Prison
- ca. 1790–92
- On view at YUAG
10
- Howard Visiting a Prison
- ca. 1790–92
- On view at YUAG
11
- Howard Visiting a Prison
- ca. 1790–92
- On view at YUAG
12
- Study of Two Figures
- late 1770s
- On view at YUAG
13
- Study for the Portrait of George Spencer, Fourth Duke of Marlborough
- 1778–1783
- On view at YUAG
14
- Study for the Portrait of George Spencer, Fourth Duke of Marlborough
- 1770s–80s
- On view at YUAG
15
- Prison Scene
- ca. 1790–92
- On view at YUAG
16
- Prison Scene
- ca. 1790–92
- On view at YUAG
17
- Large Sketchbook
- ca. 1780s–early 1790s
- On view at YUAG
18
- A Prancing Horse, Facing Right
- ca. 1790
19
- A Foxhound on the Scent
- 1788
20
- Study for the Self-portrait in Enamel
- ca. 1781
21
- Get Thee Behind Me, Satan
- between 1783 and 1787
- On view at YUAG
22
- The Creation of the Heavens
- ca. 1790
- On view at YUAG
23
- Grotesque Female Head
- undated
24
- Grotesque Female Head
- undated
25
- Grotesque Male Head
- undated
26
- Grotesque Male Head
- undated
27
- Grotesque Female Head
- undated
28
- The First Stage of Cruelty
- ca. 1750
29
- Grotesque Male Head
- undated
30
- Grotesque Female Head
- undated
31
- Grotesque Male Head
- undated
32
- Grotesque Male Head
- undated
33
- Grotesque Male Head
- undated
34
- Grotesque Male Head
- undated
35
- Grotesque Female Head
- undated
36
- Grotesque Male Head
- undated
37
- Grotesque Male Head
- undated
38
- Grotesque Male Head
- undated
39
- Gabriel Hunt
- undated
40
- Hymen
- ca. 1748
41
- Study of a Female Nude
- undated
42
- Benjamin Read
- ca. 1757
43
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
44
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
45
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
46
- Study for the Foundlings
- ca. 1739
47
- View of Ely Cathedral
- ca. 1796
48
- Christ Church Gate, Canterbury
- ca. 1792–1794
49
- Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
- 1793
50
- Landscape with Barn
- ca. 1795
51
- A Three Storied Georgian House in a Park
- ca. 1795
52
- South Porch and Tower of an Unidentified Church
- between 1790 and 1795
53
- The Bridge over the River Rye at Helmsley, with the Castle Beyond
- between 1798 and 1799
54
- Villa in a Valley near Vietri sul Mare
- ca. 1794
55
- Villa Salviati on the Arno
- between 1796 and 1797
56
- Sir William Hamilton's Villa
- ca. 1795
57
- Santa Lucia, A Convent near Caserta
- ca. 1795
58
- A River View near Grindelwald, Looking towards the Wetterhorn
- ca. 1794–7
59
- From the Isola Borromena, Lago Maggiore
- ca. 1795
60
- Landscape with Waterfall
- ca. 1796
61
- Landscape with Trees and Figures
- ca. 1796
62
- Dent de Lion, near Margate
- ca. 1791
63
- Villa d'Este
- ca. 1796
64
- Fisherman's Cottage, Dover
- ca. 1790s
65
- Man with Horse and Cart Entering a Quarry
- ca. 1797
66
- Autumn Sowing of the Grain
- ca. 1794
67
- Newark-upon-Trent
- ca. 1794
68
- The Hurries: Coal Boats Loading, Whitehaven
- ca. 1795
69
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
70
- St. Augustine's Gate, Canterbury
- ca. 1793
71
- Interior of St. John's Palace, Eltham
- ca. 1793
72
- Tivoli with the Temple of the Sybil and the Cascades
- ca. 1794–97
73
- The Angler
- 1794
74
- North East View of Grantham Church, Lincolnshire
- ca. 1797
75
- Windsor
- ca. 1798
76
- A Great Tree
- ca. 1794
77
- Thel's Motto (Plate 1)
- 1789
78
- The Book of Thel, Title Page (Plate 2)
- 1789
79
- II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
- 1789
80
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
81
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
82
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
83
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
84
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
85
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
86
- Night the Third. Narcissa; Title Page
- ca. 1797
87
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
88
- The Divine Image (Plate 24)
- 1789
89
- The Little Girl Found (Plate 22)
- 1789
90
- Night (Plate 30)
- 1789
91
- Infant Joy (Plate 28)
- 1789
92
- A Cradle Song (Plate 26)
- 1789
93
- Introduction (Plate 34)
- 1794
94
- Songs of Experience, Frontispiece (Plate 32)
- 1794
95
- Songs of Experience, Title Page (Plate 33)
- 1794
96
- Nurses Song (Plate 37)
- 1794
97
- The Clod & the Pebble (Plate 36)
- 1794
98
- Visions of the Daughters of Albion; Frontispiece (Plate 1)
- 1793
99
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
100
- Visions of the Daughters of Albion; Title Page (Plate 2)
- 1793