Period: 18th century / Work Type: intaglio print / Height [cm]: 30

Print made by William Hogarth, 1697–1764

The Five Orders of Periwigs

1761

Print made by John Boydell, 1720–1804

Evening

1755

Print made by James Bretherton, ca. 1730–1806

The Fish-Street Macaroni

1772

L. Truchy, 1721–1764

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

1762

Paul Sandby, 1731–1809

Views in the Levant: The Sacred Cave of Archidamus

ca. 1785

Print made by James Bretherton, ca. 1730–1806

The Full Blown Macaroni

1772

Print made by Charles Catton the elder RA, 1728–1798

The Margate Hoy

1785

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

between 1785 and 1788

Print made by Joseph Farington, 1747–1821

Windsor Bridge

1792

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

Print made by Samuel Rawle, 1771–1860

North East View of Dunster Castle, Somersetshire

1800

Print made by James Basire the younger, 1769–1822

Ancient Crosses at Whalley

1800

Print made by Elizabeth Blackwell, died 1774

Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by Elizabeth Blackwell, died 1774

Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by Georg Dionysius Ehret, 1708–1770

The Banana Tree, Plate 16

1750

Alexander Bannerman, ca. 1730–1780

Dobson

undated

Print made by James Bretherton, ca. 1730–1806

P. Monamy

undated

Alexander Bannerman, ca. 1730–1780

Edward Pierce, Senior & Junior

undated

Print made by Thomas Chambars, ca. 1724–1789

Cornelius Polenburg

undated

Alexander Bannerman, ca. 1730–1780

Warner Vailliant, Vandrebanc, Francis Place, & William Lodge

undated

Alexander Bannerman, ca. 1730–1780

Talman, Sir Ralph Cole, and Marco Ricci

undated

Print made by Thomas Chambars, ca. 1724–1789

John Sybrecht

undated

Print made by Thomas Chambars, ca. 1724–1789

Michael Rysbrack

undated

Print made by Thomas Chambars, ca. 1724–1789

Enoch Seeman

undated

Print made by Thomas Chambars, ca. 1724–1789

Godfrey Schalcken

undated

John Faber the Younger, ca. 1695–1756

George I

1722

John Faber the Younger, ca. 1695–1756

Sir James Thornhill

1732

Print made by Thomas Chambars, ca. 1724–1789

Peter Tillemans

undated

Alexander Bannerman, ca. 1730–1780

John van Belcamp and Geldorp

undated

Print made by Thomas Chambars, ca. 1724–1789

Paul Van Somer

undated

Alexander Bannerman, ca. 1730–1780

William Kent

1762

Alexander Bannerman, ca. 1730–1780

James Gibbs

undated

John Faber the Younger, ca. 1695–1756

Sir Godfrey Kneller

1735

Alexander Bannerman, ca. 1730–1780

Major General Lambert

undated

Alexander Bannerman, ca. 1730–1780

Marc Garrard

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir Balthazar Gerbier

undated

Print made by William Nelson Gardiner, 1766–1814

November

1788

Print made by William Henry Toms, ca. 1700–ca. 1750

The South-East Prospect of King Henry The VII's Chapel at Westminster

1739

Print made by Thomas Chambars, ca. 1724–1789

Grinling Gibbons

undated

Print made by Benjamin Green, ca. 1736–ca. 1800

A Flower Piece

1779

Alexander Bannerman, ca. 1730–1780

Boit. Baker

undated

Print made by Alexander Bannerman, ca. 1730–1780

Cibber

undated

Alexander Bannerman, ca. 1730–1780

John Greenhill

undated

Alexander Bannerman, ca. 1730–1780

Robert Streater

undated

Print made by Thomas Chambars, ca. 1724–1789

Henry Tilson

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir John Vanbrugh

undated

Print made by Thomas Chambars, ca. 1724–1789

Abraham Vanderdort

undated

Alexander Bannerman, ca. 1730–1780

Peter Vander Meulen

undated

Alexander Bannerman, ca. 1730–1780

La Soeur

undated

Alexander Bannerman, ca. 1730–1780

George Lambert

undated

Print made by James Bretherton, ca. 1730–1806

Henry Herbert Earl of Pembroke

1762

Print made by Thomas Chambars, ca. 1724–1789

Nicholas Hilliard

undated

Print made by Thomas Chambars, ca. 1724–1789

Gerard Honthorst

undated

Alexander Bannerman, ca. 1730–1780

Inigo Jones

1762

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

Alexander Bannerman, ca. 1730–1780

Daniel Mytens

1762

Alexander Bannerman, ca. 1730–1780

Murray

undated

Alexander Bannerman, ca. 1730–1780

John Riley and Egbert Hemskirt

1762

Print made by Charles Bretherton, ca. 1760–1783

Jonathan Richardson

undated

Alexander Bannerman, ca. 1730–1780

Peter Roestraten

undated

Print made by Thomas Chambars, ca. 1724–1789

Lewis Francis Roubiliac

undated

Alexander Bannerman, ca. 1730–1780

Henry Steenwyck

undated

Print made by Thomas Chambars, ca. 1724–1789

Nicholas Laniere

undated

Alexander Bannerman, ca. 1730–1780

Louis Laguerre, Bernard Lens and Charles Jervas

Between 1750 and 1775

Alexander Bannerman, ca. 1730–1780

George Lambert

undated

Alexander Bannerman, ca. 1730–1780

John Mabuse

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir John Medina

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir John Medina

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir Antonio More

undated

Print made by Thomas Chambars, ca. 1724–1789

John Baptiste Monnoyer

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir Antonio More

undated

Print made by Thomas Chambars, ca. 1724–1789

Claude la Fevre and Mr. John Hayls

undated

Alexander Bannerman, ca. 1730–1780

Adrian Hanneman

undated

Alexander Bannerman, ca. 1730–1780

George Jamesone

undated

Print made by Thomas Chambars, ca. 1724–1789

Francesco Cleyn

undated

Print made by Thomas Chambars, ca. 1724–1789

Horatio Gentileschi and Edward Mascall

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

ca. 1793

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Beale and her Son Charles

1762

Print made by Thomas Chambars, ca. 1724–1789

Sir Balthazar Gerbier

undated

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745