Period: 18th century / Work Type: intaglio print / Width [cm]: 31

Print made by George Stubbs, 1724–1806

A Tiger and a Sleeping Leopard

1788

William Hogarth, 1697–1764

The Bruiser

1763

Print made by William Hogarth, 1697–1764

The Stage-Coach, or the Country Inn Yard

1747

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

Print made by James Watson, 1740–1790

Miss Julia Bosville

1775

Print made by John Jones, ca. 1745–1797

James Boswell of Auchinleck, Esq

1786

Print made by William Dickinson, 1746–1823

Emilia, Duchess of Leinster

1796

Print made by John Young, 1755–1825

Catherine, Viscountess Hampden

1786

Print made by Charles Wilkin, 1750–1814

The Right Honourable Lady Charlotte Duncombe

1797

Print made by Henry Kingsbury, active 1750–1780

Girl and Pigeons

1784

Print made by Charles Knight, 1743–c.1826

Miss Farren

1791

Print made by Charles Knight, 1743–c.1826

Miss Farren

1791

Print made by Valentine Green, 1739–1813

Mrs. Le Maistre

1771

Print made by James Watson, 1740–1790

Lady Susan O'Brien

1772

Print made by Samuel Cousins, 1801–1887

La Surprise

1827

Print made by E. J. Dumée, active 1790

Connubial Happiness

1786

Print made by John Dixon, ca. 1740–1811

Lady Mary Catharine Bertie

1767

Print made by Robert Dunkarton, 1744–1811

Belinda

1777

Print made by Charles White, active 1784

Le Moment de la Reflexion

1784

Print made by unknown artist

The Striking Likeness or Harlequin Turn'd Painter

1770s to 1790s

Print made by unknown artist

The Promenade

1781

Johann Lorenz Haid Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis

Print made by Johann Lorenz Haid, 1702–1750

Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis

undated

Print made by Philip Dawe, ca.1750–ca.1790

Gadshill

1796

John Raphael Smith, 1752–1812

Lady Beauchamp

1780

Joseph Constantine Stadler, active 1780–1812

Battersea, Chelsea and London from Mr. Rucker's Villa

1795

James Watson, 1740–1790

Lady Almiria Carpenter

1768

John Finlayson, 1730–1776

Mr. Garrick in the Character of Kitely

1769

Edward Fisher, 1722–1785

Sir Thomas Harrison

1765

John Raphael Smith, 1752–1812

Theophelia Gwatkin (née Palmer)

1778

John Jones, ca. 1745–1797

Lady Caroline Price (née Carpenter)

1788

Print made by Caroline Kirkley, active 1796–1797

Sir Joshua Reynolds

1795

James Watson, 1740–1790

Sir George Brydges Rodney

1778

James McArdell, ca. 1729–1765

Thomas Secker, Lord Bishop of Oxford

1747

James Watson, 1740–1790

Caroline Curzon (née Colyear), Lady Scarsdale, and Her Son, Honourable John Curzon

1760

John Finlayson, 1730–1776

Lady Charles Spencer

1767

John Faber the Younger, ca. 1695–1756

Alexander Pope

ca. 1744

Print made by Henry Kingsbury, active 1750–1780

Girl and Pigeons

1784

Print made by Jan Stolker, 1724–1785

Dutch Interior Kitchen Scene

1762

Print made by Johann Jacobus Haid, 1704–1767

La resignation

undated

Print made by Johann Jacobus Haid, 1704–1767

La fille éveillée

undated

Print made by Frantz Gabriel Fiesinger, German, 1723–1807

The Right Honorable Samuel Lord Hood

1793

John Faber the Younger, ca. 1695–1756

Her Grace the duchess of Marlborough

Print made by Johann Jacobus Haid, 1704–1767

L'Amoureuse

undated

Print made by John Simon, 1675–1751

Her Royal Highness, the Princess Amelia

undated

Print made by John Simon, 1675–1751

Her Royal Higness the Princess Carolina

undated

Print made by John Raphael Smith, 1752–1812

The Calling of Samuel

1783

Print made by John Dean, 1754–1798

Cupid in the Character of a Link Boy

1777

Print made by Francis Haward, 1759–1797

The Infant Academy

1783

Print made by John Jones, ca. 1745–1797

The Girl Sleeping

1790

Print made by William Ward, 1766–1826

Elizabeth, Countess of Mexborough

1784

Print made by Charles Phillips, 1737– after 1783

Miss Hone

1771

unknown artist

North Front of the Bank

1797

unknown artist

South Front of the Bank

1798

Print made by Gottlieb Heiss, 1684–1740

Boy Seated at a Table

undated

Print made by Pieter van Bleeck, 1700–1764

Griffin and Johnson

1748

Print made by John Robert Cozens, 1752–1797

Willow

1789

Print made by John Robert Cozens, 1752–1797

Oak

1789

Print made by John Robert Cozens, 1752–1797

Spruce Fir

1789

George Bickham the Younger Architectural Designs incorporating Chinoiserie motifs: A Chinese Single Brac'd Railing. A Hedge. Double Pailing. Gate...

Print made by George Bickham the Younger, ca. 1706–1771

Architectural Designs incorporating Chinoiserie motifs: A Chinese Single Brac'd Railing. A Hedge. Double Pailing. Gate..

1751

Print made by George Bickham the Younger, ca. 1706–1771

Architectural Designs Incorporating Chinoiserie Motifs: Oblong Paling. A Door. Parallel railing

1751

Published by William Holland, 1757–1815

Good News from Madras

1791

Thomas Malton the Younger, 1748–1804

Newgate

1799

Print finished by John Dixon, ca. 1740–1811

Garrick as Abel Drugger in "The Alchemist"

1776

Francesco Bartolozzi, 1728–1815

Market of Love

1793

John Dixon, ca. 1740–1811

Mr. John Joshua Kirby

between 1765 and 1771

Print made by Thomas Gainsborough, 1727–1788

Travellers by a Clump of Trees in a Rocky Landscape with Stream

undated

Louisa Augusta Greville, 1743–active 1762

Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground

1759

Print made by unknown artist

Spanish Palace at Naples

undated

Print made by unknown artist

The Palace of Mont Alto at Naples

undated

unknown artist

Peter Oliver, A Celebrated Painter in the Reign of James I and Charles I

ca. 1765

John Faber the Younger, ca. 1695–1756

Hugh Howard, Esq

1737

Print made by Bartholomew Howlett, 1767–1827

Grantham Church

1797

Print made by Hugh Downman, d. 1789

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

ca. 1787

Print made by unknown artist

A View of Several Palaces at Naples at Sun Rise

undated

Print made by unknown artist

A Perspective View of Hatfield House, the Seat of the Right, Honorable the Lord Salisbury

1751

Print made by unknown artist

A Perspective View of Esher in Surry, the Seat of the Late Rt. Hon.able Henry Pelham Esq

undated

Print made by James Fittler, 1758–1835

Warwick Castle

1780

John Harris the elder Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797