Period: 18th century / Work Type: intaglio print / Subject Terms: genre subject

George Stubbs, 1724–1806

The Farmer's Wife and the Raven

1788

Print made by William Hogarth, 1697–1764

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

Print made by William Hogarth, 1697–1764

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

Print made by William Hogarth, 1697–1764

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

Print made by William Hogarth, 1697–1764

The Fourth Stage of Cruelty: The Reward of Cruelty

1751, printed 1790

Print made by William Hogarth, 1697–1764

A Midnight Modern Conversation

1733

Print made by William Hogarth, 1697–1764

Southwark Fair

1733

Print made by William Hogarth, 1697–1764

The Sleeping Congregation

1736

William Hogarth, 1697–1764

Beer Street

1751

Charles Grignion, 1717–1810

A Macarony at a Sale of Pictures

1771

Print made by James Caldwall, 1739–1819

Now Sir, You're a Complete Macaroni

1772

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Print made by James Bretherton, ca. 1730–1806

The Damnation of Obadiah

1773

Print made by James Bretherton, ca. 1730–1806

Every Sous Begad!

1799

Print made by James Bretherton, ca. 1730–1806

The Fish-Street Macaroni

1772

Print made by James Bretherton, ca. 1730–1806

Inimitable Mr. James Moss

1773

Print made by Charles Bretherton, ca. 1760–1783

Lady Pointing with a Stick

1782

Print made by James Bretherton, ca. 1730–1806

A Maid

1774

L. Truchy, 1721–1764

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

1762

Print made by James Bretherton, ca. 1730–1806

The Full Blown Macaroni

1772

Print made by James Bretherton, ca. 1730–1806

A Modern Spread Eagle

1782

Print made by Henry William Bunbury, 1750–1811

Paysan des Alpes

1769-1770

Print made by James Bretherton, ca. 1730–1806

Monsieur Le Fouet, La Francia

1772

Print made by James Bretherton, ca. 1730–1806

Man with a Walking Stick in a Landscape

1773

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Inglese

1772

Print made by unknown artist

The Hen Peckt Husband

1768

Etched by Thomas Gainsborough, 1727–1788

The Gipsies

1764

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

1797

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

between 1785 and 1788

Print made by John Goldar, 1729–1795

Captain Conquest and His Baggage Wagon

1772

Print made by James Caldwall, 1739–1819

A Macarony Alderman and His Rib

1772

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by unknown artist

A View of Several Palaces at Naples at Sun Rise

undated

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Print made by Jean B. C. Chatelain, 1710–1771

Classical Landscape with Travellers, a Dog and House on the left

1741

Print made by Francesco Bartolozzi, 1728–1815

A Lecture on Gadding

1789

Engraved by John Raphael Smith, 1752–1812

A Lady and Her Children Relieving a Cottager

1784

John Goldar, 1729–1795

The Sacrifice

1767

John Goldar, 1729–1795

The Refusal

1768

Print made by W. Pyott, active late 18th century

The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

1792

Print made by John Faber the Younger, ca. 1695–1756

The Swain's Amusement

between 1748 and 1756

Print made by John Faber the Younger, ca. 1695–1756

The Housewife's Employment

undated

Print made by John Faber the Younger, ca. 1695–1756

Young Male Shearing a Sheep

undated

Print made by John Faber the Younger, ca. 1695–1756

A Girl Spinning Thread

undated

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by William Nelson Gardiner, 1766–1814

November

1788

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

James Fittler, 1758–1835

Mail Coach

ca. 1787

Print made by Thomas Ryder, 1746–1810

The Captive

1786

unknown artist

Man Walking Using a Long Staff

1755

Alexander Bannerman, ca. 1730–1780

Boit. Baker

undated

Print made by unknown artist

A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

undated

Print made by unknown artist

A View of Campo Vaccino at Rome

undated

Print made by unknown artist

A View of the Salfatara, a Remarkable Mountain Near Naples

undated

Print made by unknown artist

A View of the Mole and the New Castle at Naples

undated

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Print made by unknown artist

The Palace of Mont Alto at Naples

undated

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

Print made by unknown artist

The Wife's Fortune Told

ca. 1768

Print made by Paul Angier, active 1749

A View of Paris

Print made by unknown artist

A View of the Piazza Navona in the City of Rome

undated

Print made by unknown artist

A View of the Piazza del Popolo in the City of Rome

undated

Print made by unknown artist

Spanish Palace at Naples

undated

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Print made by unknown artist

A View of the Sea from the Palace of the Vice Roy at Naples

undated

Print made by Richard Cosway, 1742–1821

Richard and Maria Cosway, and Ottobah Cugoano

1784

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745