Period: 18th century / Work Type: intaglio print / Subject Terms: heads - YCBA Collections Search Search Results

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Period 18th century

Work Type intaglio print

Subject Terms heads

1. The Enchantress

The Enchantress

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1786
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. The Enchantress

The Enchantress

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1786
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. At the Minerva at Rome

At the Minerva at Rome

Creator:: Print made by Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 11/16 x 5 13/16 inches (22.1 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. At the Vatican

Creator:: Print made by Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 13/16 x 5 13/16 inches (22.4 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Literary Characters Assembled around the Medallion of Shakespeare

Literary Characters Assembled around the Medallion of Shakespeare

Creator:: Print made by Lydia Bates, active 1784
Date:: ca. 1777
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 16 9/16 inches (28.5 x 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund