Period: 18th century / Work Type: watercolor / Height [cm]: 17

1. Sir William Hamilton's Villa

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick wove paper
Dimensions:: Sheet: 6 3/4 x 9 1/4 inches (17.1 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The First Book of Urizen, Plate 18 (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Visions of the Daughters of Albion, Plate 2, Title Page

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Visions of the Daughters of Albion, Plate 1, Frontispiece

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The First Book of Urizen, Plate 25 (Bentley 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. View from Klein Zicker, Thiessow, Germany

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Woman with a Blue Smock

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Graphite, watercolor, and pen and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 5 inches (16.8 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. A Fisherwoman, Hands under Apron

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Pen and black ink, and watercolor on medium, slightly textured, beige laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 inches (16.5 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Heveningham Hall, Suffolk

Creator:: unknown artist
Date:: between 1782 and 1790
Materials & Techniques:: Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 10 inches (17.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Preparing to lay eel traps

Creator:: J. Tobin, active 1776
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 9 3/16 inches (17 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink with brown wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 14 3/8 inches (17.1 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Herstmonceux Castle, Sussex

Creator:: Samuel Buck, 1696–1779
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 13/16 x 14 3/4 inches (17.3 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Murder in the Carriage (Probably a Design for The Tyburn Chronicle)

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Andromache Mourning the Death of Hector

Creator:: Gavin Hamilton, 1723–1798
Date:: between 1760 and 1763
Materials & Techniques:: Pen and brown ink with gray wash and brown wash on medium, slightly textured, cream wove paper mounted to medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Travellers in Turkey

Creator:: William Hamilton, 1751–1801
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 20 3/8 inches (16.5 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Edinburgh

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Gray wash and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Two Women holding a Basket

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 x 4 7/8 inches (16.8 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A Hindu Devotee

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 5 1/8 inches (17.1 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Two Jeyties Fighting

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: ca. 1792
Materials & Techniques:: Watercolor, graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. An Underground Shrine with Two Figures Kneeling before a Pieta

Creator:: Richard Wilson, 1713/4–1782
Date:: undated
Materials & Techniques:: Graphite and watercolor white gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 5 9/16 inches (16.5 x 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Shipping in Southampton Water, off Calshott Castle

Creator:: Dominic Serres, 1722–1793
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 9 3/16 inches (16.5 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Design for a Fan

Creator:: Angelica Kauffmann, 1741–1807
Date:: 1775
Materials & Techniques:: Watercolor, gouache and gold over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 21 inches (17.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Pevensey Castle, Sussex

Creator:: James Moore, 1762–1799
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 9/16 inches (16.5 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. View from Ashton Meadows, Bristol

Creator:: Nicholas Pocock, 1740–1821
Date:: 1791
Materials & Techniques:: Watercolor with pen and black ink; verso: graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Farningham, Kent

Creator:: Benjamin Thomas Pouncey, active 1772–1799
Date:: 1784
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 6 15/16 inches (12.4 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Seamstresses, St. Kitts, Carribean

Creator:: William Hay, active 1776–1797
Date:: 1798
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 4 7/8 inches (16.8 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Abbey Church at St. Albans

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1781
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 9 5/8 inches (17.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. A Youth in a Farmyard with Pigs and Poultry

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Catherine Parr, Henry VIII and Bishop Gardner

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 4 inches (16.8 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Scenery, Haymarket Theatre

Creator:: attributed to Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 15 1/2 inches (17.1 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Misses Van and Lady Salisbury

Creator:: Lady Salesbury, active 1791
Date:: 1791
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 8 1/4 inches (16.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A Fool Named Gungarum [Gangaram]

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: ca. 1790
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/8 inches (17.1 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Indian Guard Room

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/2 × 2 7/8 inches (6.4 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground

Creator:: Thomas Bradshaw, Born 1767
Date:: undated
Materials & Techniques:: Watercolor and graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 9 1/4 inches (16.8 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Magnetic Dispensary

Creator:: Samuel Collings, active 1784–1795
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 11/16 inches (16.7 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Waterman with his Ox or Bullock

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 4 7/16 inches (16.8 × 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Near Sterzing, Tyrol

Creator:: Monro School
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 9 1/8 inches (16.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Kirkstall Abbey from the N.W.

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1792
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Tynemouth Priory, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Salisbury Cathedral

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Gray wash, yellow wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Jedburgh Abbey, Roxburghshire

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor and graphite and pen and black ink on medium, slightly textured, cream wove paper mounted to medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Kelso Abbey, Rosburghshire

Creator:: Edward Dayes, 1763–1804
Date:: ca. 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Melrose Abbey, Roxburghshire

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor and graphite and pen and black ink on medium slightly textured, cream wove paper, mounted to medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Elgin Cathedral, Moray

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor, graphite, pen, gray ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. View of Taplow and Maidenhead from Cliveden

Creator:: Joseph Farington, 1747–1821
Date:: 1792
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 7/8 inches (16.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Northwest View of Castle Church, Hexham, Northumberland

Creator:: Attributed to Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 9 1/8 inches (16.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Racehorse at Exercise, Ridden by a Training-Groom

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Gouache, pen and ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/16 × 6 5/8 inches (13.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721

Creator:: James Seymour, 1702–1752
Date:: 1721
Materials & Techniques:: Gouache, graphite, pen andn black ink, and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Image: 6 3/16 × 10 9/16 inches (15.7 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Sporting Lady

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gouache, and graphite, with squared lines on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 9/16 x 8 7/16 inches (16.7 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A View of Hall-head Sugar Plantation, Jamaica

Creator:: Edward Kennion, 1743–1809
Date:: ca. 1780
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 9 5/8 inches (17.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. Chapel of the Holy Ghost, Basingstoke, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Stonehenge

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Cerne Abbey

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Ludlow Castle, Shropshire

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 1/4 inches (16.8 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire

Creator:: John Warwick Smith, 1749–1831
Date:: 1764-1831
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Mount: 11 5/8 × 17 9/16 inches (29.5 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. A Chestnut Horse at Exercise

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Gouache, graphite, and pen and black ink on medium, slightly textured, laid paper
Dimensions:: Contemporary drawn border: 6 11/16 × 8 inches (17 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Embarkation at Southampton, June 20th 1794

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1794
Materials & Techniques:: Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Lago Maggiore and the Borromean Islands

Creator:: Charles Gore, 1729–1807
Date:: ca. 1776
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 21 3/8 inches (16.5 x 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Manning the Navy

Creator:: Samuel Collings, active 1784–1795
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. An Ampitheatrical Version of the Fall of Bastille

Creator:: Samuel Collings, active 1784–1795
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Rise of the Stocks (One of a Set of Three)

Creator:: John Sell Cotman, 1782–1842
Date:: 1799
Materials & Techniques:: Watercolor and brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 5/8 x 8 3/4 inches (16.8 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. At Chinsurah [Chinsura]

Creator:: Samuel Davis, 1760–1819
Date:: 1785
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A Two Master in Sail

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1789
Materials & Techniques:: Gray ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 8 1/4 inches (16.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Findlater Castle, Banff

Creator:: Thomas Girtin, 1775–1802
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and scratching out over graphite on medium, slightly textured, cream wove paper, pasted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 3/4 x 11 11/16 inches (24.8 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Dumbarton Rock and Castle

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor with pen and black ink and scraping over graphite on medium, slightly textured, cream wove paper, pasted on thick, slightly textured, beige wove paper
Dimensions:: Mount: 8 13/16 x 11 3/4 inches (22.4 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Denbigh Castle

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, moderately textured, beige wove paper
Dimensions:: Mount: 9 3/4 × 11 5/8 inches (24.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Rocca del Papa, with Monte Cavo

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 9 1/4 inches (16.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Jedburgh Abbey, Roxburghshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor over graphite, and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 x 8 9/16 inches (16.8 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Lincoln Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, white gouache, pen and black ink and graphite on moerately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 11 5/8 inches (16.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Pevensey Castle, Sussex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 7 5/8 x 9 7/8 inches (19.4 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Maniac

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 7 13/16 x 8 13/16 inches (19.8 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Chapel of the Holy Ghost, Basingstoke, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Abbotsbury Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Abbotsbury Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Gray wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Abbotsbury Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite, gray wash, and yellow wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. St. Catherine's Chapel, Abbotsbury, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Bindon Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Exeter Cathedral, Devon, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Netley Abbey, Hampshire, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Flint Castle, Wales

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 8 5/16 inches (17 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Cymer Abbey, Wales

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Gray wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 5/16 inches (16.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Amsbury Abbey, Wiltshsire, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Buckfast Abbey, Devon, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Two Tigers

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1760
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 7/8 x 5 7/8in. (17.5 x 14.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

95. Landscape with a Dwelling in Ruin

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1760
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 9/16 × 9 3/8 inches (16.7 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

96. A Cottage

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1760
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 3/4 × 9 7/16 inches (17.1 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

97. Landscape with Fisherman

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, yellow wash, graphite, pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 9/16 × 9 5/16 inches (16.7 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

98. View of Castle Ruin

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, blue wash, graphite, pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 9 3/8 inches (16.8 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

99. Landscape with Two Men on a Hill and a Castle in the Distance

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 9/16 × 9 3/8 inches (16.7 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

100. Two Men Looking Into Landscape with Castle, River and Mountain Scene

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, graphite, pen and black ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 1/2 x 10 3/8in. (16.5 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

YCBA Collections Search

Refine your search

Search Constraints

Period 18th century

Work Type watercolor

Height [cm] 17

Search Results

1. Sir William Hamilton's Villa

2. The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

3. The First Book of Urizen, Plate 18 (Bentley 21)

4. The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

5. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

6. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

7. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

8. Visions of the Daughters of Albion, Plate 2, Title Page

9. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

10. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

11. Visions of the Daughters of Albion, Plate 1, Frontispiece

12. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

13. The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

14. The First Book of Urizen, Plate 25 (Bentley 26)

15. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

16. View from Klein Zicker, Thiessow, Germany

17. Woman with a Blue Smock

18. A Fisherwoman, Hands under Apron

19. Heveningham Hall, Suffolk

20. Preparing to lay eel traps

21. Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion

22. Herstmonceux Castle, Sussex

23. Murder in the Carriage (Probably a Design for The Tyburn Chronicle)

24. Andromache Mourning the Death of Hector

25. Travellers in Turkey

26. Edinburgh

27. Two Women holding a Basket

28. A Hindu Devotee

29. Two Jeyties Fighting

30. An Underground Shrine with Two Figures Kneeling before a Pieta

31. Shipping in Southampton Water, off Calshott Castle

32. Design for a Fan

33. Pevensey Castle, Sussex

34. View from Ashton Meadows, Bristol

35. Farningham, Kent

36. Seamstresses, St. Kitts, Carribean

37. Abbey Church at St. Albans

38. A Youth in a Farmyard with Pigs and Poultry

39. Catherine Parr, Henry VIII and Bishop Gardner

40. Scenery, Haymarket Theatre

41. The Misses Van and Lady Salisbury

42. A Fool Named Gungarum [Gangaram]

43. Indian Guard Room

44. Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground

45. Magnetic Dispensary

46. A Waterman with his Ox or Bullock

47. Near Sterzing, Tyrol

48. Kirkstall Abbey from the N.W.

49. Tynemouth Priory, Northumberland

50. Salisbury Cathedral

51. Jedburgh Abbey, Roxburghshire

52. Kelso Abbey, Rosburghshire

53. Melrose Abbey, Roxburghshire

54. Elgin Cathedral, Moray

55. View of Taplow and Maidenhead from Cliveden

56. Northwest View of Castle Church, Hexham, Northumberland

57. Racehorse at Exercise, Ridden by a Training-Groom

58. George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721

59. The Sporting Lady

60. A View of Hall-head Sugar Plantation, Jamaica

61. Chapel of the Holy Ghost, Basingstoke, England

62. Stonehenge

63. Cerne Abbey

64. Ludlow Castle, Shropshire

65. View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire

66. A Chestnut Horse at Exercise

67. Embarkation at Southampton, June 20th 1794

68. Lago Maggiore and the Borromean Islands

69. Manning the Navy

70. An Ampitheatrical Version of the Fall of Bastille

71. The Rise of the Stocks (One of a Set of Three)

72. At Chinsurah [Chinsura]

73. A Two Master in Sail