The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
3
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
4
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
5
Print made by William Blake, 1757–1827
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
6
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
7
Print made by William Blake, 1757–1827
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
8
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
9
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
10
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
11
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
12
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
13
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
14
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
15
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
16
James Bruce, 1730–1794
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
17
Luigi Balugani, 1737–1770
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruiting branch
undated
18
Luigi Balugani, 1737–1770
Avicennia marina (Forssk.) Vierh. (White Mangrove): finished drawing of flowering shoot with details of flowers
undated
19
James Bruce, 1730–1794
Treron waalia (Bruce's Green Pigeon)
undated
20
Luigi Balugani, 1737–1770
Binney: number one (a fish)
undated
21
James Bruce, 1730–1794
The Ruins of Carthage
ca. 1769
22
James Bruce, 1730–1794
Gypaetus barbatus (Bearded Vulture)
ca. 1768
23
Joseph Wright of Derby, 1734–1797
Landscape with Rainbow, View near Chesterfield
undated
24
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
25
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
26
James Bruce, 1730–1794
Coracias abyssinicus (Abyssinian Roller)
undated
27
James Bruce, 1730–1794
Unidentified Fish
undated
28
William Taverner, 1703–1772
Landscape, Trees and a Distant View of Rome
undated
29
Gavin Hamilton, 1723–1798
Classical Composition
undated
30
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
31
Gangaram Chintaman Tambat, active 1790s
Temple Entrance, Ellora
undated
32
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
33
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for Windows
ca. 1790
34
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
35
Roger Morris, 1695–1749
Whitton House, Middlesex: Ground Floor Plan
between 1732 and 1739
36
John Malchair, 1730–1812
Broad Street, Oxford
ca. 1790
37
Edward Penny, 1714–1791
The Generosity of Johnny Permain
undated
38
George Barret, ca. 1728/32–1784
Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
ca. 1775
39
Luigi Balugani, 1737–1770
Pterolobium stellatum (Forssk): finished drawing
undated
40
James Bruce, 1730–1794
Bocorvus abyssinicus (Abyssinian Ground Hornbill)
undated
41
James Bruce, 1730–1794
Tomb de la Chretienne/ Juba and Cleopatra
ca. 1769
42
James Bruce, 1730–1794
Temple of Jupiter and Minerva
undated
43
James Bruce, 1730–1794
Unidentified Fish
undated
44
James Bruce, 1730–1794
Ionic Temple Ptolmeta
ca. 1769
45
James Bruce, 1730–1794
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves
ca. 1768
46
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
47
James Bruce, 1730–1794
Obelisk at Axum Erected As Is Supposed by Ptolemy Evergetes
undated
48
James Bruce, 1730–1794
Plan and Section of the Mikeas or Kiosc with the Pillar Where on Is Measured the Daily Increase of the Nile During Inundation
undated
49
James Bruce, 1730–1794
Noble Arab of the Tribe Beni-Koreish of the Family Harb at Beder-Hunein
undated
50
Roger Morris, 1695–1749
Whitton House, Middlesex: Elevation of the East Front
between 1732 and 1739
51
Roger Morris, 1695–1749
Whitton Place, Middlesex: Elevation of the Garden Front
between 1732 and 1739
52
Roger Morris, 1695–1749
Whitton House, Middlesex: Elevation of the Court Front
between 1732 and 1739
53
Robert Adam, 1728–1792
Headfort House, Ireland: Ceiling of the Eating Parlor
between 1771 and 1775
54
Robert Price, 1717–1761
A Bridge in a Landscape
undated
55
Sir George Howland Beaumont seventh Baronet, 1753–1827
Vatican from the road to Ponte Mola
1783
56
Sir George Howland Beaumont seventh Baronet, 1753–1827
Temple of Venus Monday, March 18th, 1782
1782
57
William Taverner, 1703–1772
Nymphs Bathing in a Wooded Glade
ca. 1765-1770
58
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
59
Colen Campbell, 1676–1729
Unidentified Town House: Front Elevation
undated
60
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
61
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
62
Luigi Balugani, 1737–1770
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
63
G. W. Gent, active 1804–1822
Boldre Church and Bridge
1800
64
Gangaram Chintaman Tambat, active 1790s
The Upper Story of Jagannatha Sabha
undated
65
Gangaram Chintaman Tambat, active 1790s
View of a Rock-Carved Temple, Ellora
1793 or 1795
66
Gangaram Chintaman Tambat, active 1790s
Inside View of Indur Subba
between 1793 and 1795
67
Thomas Girtin, 1775–1802
Classical Composition
1798 to 1799
68
Thomas Rowlandson, 1756–1827
The Recruiting Sargeant
ca. 1790
69
Thomas Rowlandson, 1756–1827
Distress
1790 to 1795
70
John Warwick Smith, 1749–1831
Isola Madre, Lago Maggiore
ca. 1781
71
Francis Towne, 1740–1816
View on Lake Maggiore at Evening
1781
72
Thomas Girtin, 1775–1802
Ripon Minster, Yorkshire
1800
73
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
74
Thomas Rowlandson, 1756–1827
A Worn Out Debauchée
between 1790 and 1795
75
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
76
Daniel Gardner, 1750–1805
Mrs. Thomas Pownall, née Kennett
1784
77
unknown artist
Design for a Candlestick
between 1770 and 1779
78
unknown artist
Tattersall's Training School
1771
79
Thomas Rowlandson, 1756–1827
Four O'Clock in the Country
between 1788 and 1790
80
Print made by Paul Angier, active 1749
A View of Paris
81
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
82
Print made by unknown artist
The Obelisk in the Garden at Versailles
83
James Seymour, 1702–1752
Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In
undated
84
Thomas Rowlandson, 1756–1827
Female Dancer with a Tambourine
between 1790 and 1795
85
Dominic Serres, 1722–1793
Warships Passing in the Channel
undated
86
unknown artist
A Country Woman
undated
87
John Collet, ca. 1725–1780
In Place
1769
88
John Warwick Smith, 1749–1831
Llyn Geirionedd not Far from Trefriew, on the River Conway, Carnarvonshire
undated
89
John Warwick Smith, 1749–1831
The Pass of Killiecrankie
1788
90
John Warwick Smith, 1749–1831
The Junction of Lyon and Tay
1788
91
Thomas Rowlandson, 1756–1827
The Recruiter
undated
92
James Adam, 1732–1794
Landscape with River and Figures
undated
93
William Burgess, 1749–1812
Pont Aber Glaslyn
1785
94
Sir William Chambers, 1723–1796
The Hoo, Kimpton, Hertfordshire: Elevations and Details of a Gateway