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Period 18th century

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Work Type watercolor

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1. Lord Salisbury, Standing by a Pillar

Lord Salisbury, Standing by a Pillar
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink with brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/4 x 13 1/4 inches (50.2 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

2. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Poems of Thomas Gray, Design 27, "A Long Story."

The Poems of Thomas Gray, Design 27, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Europe. A Prophecy, Plate 13 (Bentley 10)

Europe. A Prophecy, Plate 13 (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A Fisherwoman, Hands under Apron

A Fisherwoman, Hands under Apron
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Pen and black ink, and watercolor on medium, slightly textured, beige laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 5 inches (16.5 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Man Asleep in a Long Blue Coat

Man Asleep in a Long Blue Coat
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, beige laid paper mounted to medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 1/2 x 5in. (19.1 x 12.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Country Scene: Figures by a Cottage Door and Cattle in a Stream

Country Scene: Figures by a Cottage Door and Cattle in a Stream
Creator:
Francis Wheatley, 1747–1801
Date:
1795
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 7/8 x 10 3/4 inches (25.1 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Soldiers and Country Women

Soldiers and Country Women
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 x 7 3/8 inches (12.7 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Beggar with Staff Holding Tricorn Hat

Beggar with Staff Holding Tricorn Hat
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 × 4 inches (17.8 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. London Cries: Last Dying Speech and Confession

London Cries: Last Dying Speech and Confession
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Adelaide

Adelaide
Creator:
Francis Wheatley, 1747–1801
Date:
between 1785 and 1786
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, smooth, cream laid paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/2 inches (8.9 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance

St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream laid paper
Dimensions:
Contemporary drawn border: 12 1/2 x 16 5/8 inches (31.8 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Lismore Castle, Ireland

Lismore Castle, Ireland
Creator:
Francis Wheatley, 1747–1801
Date:
1783
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. An Old Fisherwoman with Two Women Digging for Bait

An Old Fisherwoman with Two Women Digging for Bait
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Black ink with watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 3/8 x 5 7/8 inches (8.6 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Two Girls Carrying a Basket

Two Girls Carrying a Basket
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Graphite, watercolor, gouache, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 4 3/8 inches (15.6 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Portrait of a Lady

Portrait of a Lady
Creator:
Bernard Lens III, 1682–1740
Date:
undated
Materials & Techniques:
Gouache and watercolor with scraping out on ivory
Dimensions:
Image: 5 x 4 7/8 inches (12.7 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. London Cries: A Milkmaid

London Cries: A Milkmaid
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 5 7/8 inches (22.2 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Rustic Lover

The Rustic Lover
Creator:
Francis Wheatley, 1747–1801
Date:
1786
Materials & Techniques:
Watercolor with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 x 13 3/4 inches (43.2 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. George Morland

George Morland
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1780 and 1799
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 6 3/16 inches (25.7 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Love Letter

The Love Letter
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 x 7 9/16 inches (27.9 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. A Chinese Girl

A Chinese Girl
Creator:
attributed to William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 7/8 x 5 7/8 inches (20 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Man Carrying a Basket, from Behind

Man Carrying a Basket, from Behind
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured beige wove paper mounted to card
Dimensions:
Sheet: 10 × 6 inches (25.4 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. A Young Lady Seated Wearing a White Dress

A Young Lady Seated Wearing a White Dress
Creator:
Edward Edwards, 1738–1806
Date:
1788
Materials & Techniques:
Watercolor, pen, brown ink, and graphite on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Runaway Coach

The Runaway Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1791
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 9 3/4 inches (20 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Man in a Smock

Man in a Smock
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 5 5/8in. (29.2 x 14.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Manning the Navy

Manning the Navy
Creator:
Samuel Collings, active 1784–1795
Date:
undated
Materials & Techniques:
Pen and black ink with gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. P. Wilkinson Esq. Sitting Under the Shade of an Oak Learning to Whistle

P. Wilkinson Esq. Sitting Under the Shade of an Oak Learning to Whistle
Creator:
Samuel Alken, 1756–1815
Date:
ca. 1785
Materials & Techniques:
Pen and black ink. watercolor and graphite on moderately thick, cream laid paper
Dimensions:
Sheet: 7 × 5 1/2 inches (17.8 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"

John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
Creator:
John Downman, 1750–1824
Date:
1787
Materials & Techniques:
Watercolor with gouache, black chalk and stumping on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 12 5/8 inches (41.4 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Portrait of a Lady, Facing Left

Portrait of a Lady, Facing Left
Creator:
John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black and red chalk with watercolor and stumping on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 7/8 x 6 3/8 inches (20 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. A Lady of Fashion with Black Shawl and Black Shoes

A Lady of Fashion with Black Shawl and Black Shoes
Creator:
Attributed to John Collet, ca. 1725–1780
Date:
1778
Materials & Techniques:
Watercolor, pen and black ink on medium, moderately textured, cream laid paper mounted to card
Dimensions:
Sheet: 4 7/8 × 3 1/8 inches (12.4 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. A Jew

A Jew
Creator:
unknown artist
Date:
ca. 1760
Materials & Techniques:
Watercolor and pen and black ink on thin, slightly textured, cream laid paper on contemporary mount
Dimensions:
Sheet: 12 3/8 × 5 7/8 inches (31.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Fishing near a Waterfall

Fishing near a Waterfall
Creator:
unknown artist
Date:
1790
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 7 5/16 inches (16.2 x 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

42. A Groom on Horseback, Drinking

A Groom on Horseback, Drinking
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 4 inches (15.6 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Warren Hastings on his Arabian Horse

Warren Hastings on his Arabian Horse
Creator:
George Townly Stubbs, 1748–1815
Date:
ca. 1796
Materials & Techniques:
Graphite and watercolor; extensive retouching of design on moderately thick, slightly textured, cream wove paper; previously all over mounted to canvas and wood strainer with black and gold residual accretion around edges from eglomise glass
Dimensions:
Sheet: 24 x 19 1/4 inches (61 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection