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Period 18th century

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Work Type watercolor

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Subject Terms man

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George Romney Study for the Portrait of George Spencer, Fourth Duke of Marlborough
George Romney, 1734–1802
Study for the Portrait of George Spencer, Fourth Duke of Marlborough
1778–1783
On view at YUAG
George Romney Study for the Portrait of George Spencer, Fourth Duke of Marlborough
George Romney, 1734–1802
Study for the Portrait of George Spencer, Fourth Duke of Marlborough
1770s–80s
On view at YUAG
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1794
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake Poems by Mr. Gray; Title Page
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake Epitaph on Mrs. Clarke; Title Page
William Blake, 1757–1827
Epitaph on Mrs. Clarke; Title Page
between 1797 and 1798
William Blake Elegy Written in a Country Church-Yard; Title Page
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Ode on a Distant Prospect of Eton College; Title Page
William Blake, 1757–1827
Ode on a Distant Prospect of Eton College; Title Page
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake Ode on the Spring; Title Page
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake Ode to Adversity; Title Page
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
William Blake The Progress of Poesy, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake The Bard, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
George Romney Two Lovers (Man Awakening from a Dream)
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
mid- to late 1770s
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney Classical Male Nude
George Romney, 1734–1802
Classical Male Nude
undated
George Romney Ladies in Waiting
George Romney, 1734–1802
Ladies in Waiting
undated
George Romney River God
George Romney, 1734–1802
River God
undated
John Warwick Smith The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
William Nelson Gardiner Mr. Kemble, of the Theatre Royal, Drury Lane
Print made by William Nelson Gardiner, 1766–1814
Mr. Kemble, of the Theatre Royal, Drury Lane
1797
Gangaram Chintaman Navgire Tambat Jeytie Lifting Weights
Gangaram Chintaman Navgire Tambat, active 1790s
Jeytie Lifting Weights
between 1790 and 1796
Gangaram Chintaman Navgire Tambat Devotee in a Green Turban
Gangaram Chintaman Navgire Tambat, active 1790s
Devotee in a Green Turban
between 1790 and 1796
Gangaram Chintaman Navgire Tambat Man with a Blue Cloth over his Legs
Gangaram Chintaman Navgire Tambat, active 1790s
Man with a Blue Cloth over his Legs
between 1790 and 1796
Robert Mabon Standing Dignitary
Robert Mabon, died 1798
Standing Dignitary
undated
Pierre-Etienne Falconet George Stubbs
Pierre-Etienne Falconet, 1741–1791
George Stubbs
undated
Paul Sandby My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
Paul Sandby London Cries: Shoe Cleaner
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
Paul Sandby London Cries: "Do You Want any Spoons..."
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
Paul Sandby London Cries: A Man with a Basket (Man Selling Pots and Pans)
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
Paul Sandby London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
Paul Sandby London Cries: Small Coal or Brushes
Paul Sandby, 1731–1809
London Cries: Small Coal or Brushes
ca. 1759
Paul Sandby London Cries: A Man with a Bundle, Old Clothes
Paul Sandby, 1731–1809
London Cries: A Man with a Bundle, Old Clothes
undated
Paul Sandby London Cries: Fun upon Fun
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
Paul Sandby London Cries: All Fire and No Smoke
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
Paul Sandby London Cries: A Man with a Bottle
Paul Sandby, 1731–1809
London Cries: A Man with a Bottle
ca. 1759
Paul Sandby London Cries: A Man Swaggering
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
William Alexander A Raree Show
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
Louis Philippe Boitard Man Asleep with his Mouth Wide Open and Hands Crossed
Louis Philippe Boitard, active 1734–1760
Man Asleep with his Mouth Wide Open and Hands Crossed
undated
Louis Philippe Boitard A Man Asleep with Hands Crossed in a Chair
Louis Philippe Boitard, active 1734–1760
A Man Asleep with Hands Crossed in a Chair
undated
Louis Philippe Boitard Man Asleep in a Long Blue Coat
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Long Blue Coat
undated
Horace Hone Gentleman in a Blue Coat
Horace Hone, 1756–1825
Gentleman in a Blue Coat
1781
unknown artist Gentleman in a Plum-Colored Coat
unknown artist
Gentleman in a Plum-Colored Coat
ca. 1760
Samuel Finney Portrait of a Gentleman
Samuel Finney, 1718–1798
Portrait of a Gentleman
undated
John Hoppner A Young Man with a Horse, with Studies of Hounds and Dead Hare
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
Henry William Bunbury The Sporting Undergraduate
Henry William Bunbury, 1750–1811
The Sporting Undergraduate
1772
Thomas Rowlandson An English Postilion
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
James Seymour Foxhunting
James Seymour, 1702–1752
Foxhunting
undated
James Seymour Racehorse at Exercise, Ridden by a Training-Groom
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
James Seymour Racehorse at Exercise, Ridden by a Training-Groom
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
James Seymour A Lady and a Gentleman Riding Out
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
James Seymour A Gentleman on a Managed Horse Riding Out With a Lady
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
James Seymour Racehorse at Exercise, Ridden by a Training-Groom
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
James Seymour Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
James Seymour Victorious
James Seymour, 1702–1752
Victorious
undated
Paul Sandby Two-wheeled Tip-cart with Horses
Paul Sandby, 1731–1809
Two-wheeled Tip-cart with Horses
undated
Paul Sandby Stout Man on a Bucking Horse
Paul Sandby, 1731–1809
Stout Man on a Bucking Horse
undated
Paul Sandby A Carriage and Pair, with Coachman
Paul Sandby, 1731–1809
A Carriage and Pair, with Coachman
1774
Thomas Rowlandson Four O'Clock in the Country
Thomas Rowlandson, 1756–1827
Four O'Clock in the Country
between 1788 and 1790
Thomas Rowlandson The Runaway Coach
Thomas Rowlandson, 1756–1827
The Runaway Coach
ca. 1791
Capt. Francis Grose Nun Mill, Northamptonshire
Capt. Francis Grose, 1731–1791
Nun Mill, Northamptonshire
1762
unknown artist Views in the Levant: Study of Man with Long-stemmed Pipe
unknown artist
Views in the Levant: Study of Man with Long-stemmed Pipe
ca. 1785
unknown artist Views in the Levant: Man on Horseback Approaching Gateway to a Town
unknown artist
Views in the Levant: Man on Horseback Approaching Gateway to a Town
ca. 1785
Charles Wilson Peale Portrait of a Gentleman
Charles Wilson Peale, 1741–1827
Portrait of a Gentleman
ca. 1785
unknown artist Sam Adams
unknown artist
Sam Adams
ca. 1790
Richard Westall Rosebud, or the Judgment of Paris
Richard Westall, 1765–1836
Rosebud, or the Judgment of Paris
1791
Paul Sandby Couple in a Farmyard
Paul Sandby, 1731–1809
Couple in a Farmyard
1782
Francis Wheatley The Rustic Lover
Francis Wheatley, 1747–1801
The Rustic Lover
1786
James Bruce Man Playing a Harp
James Bruce, 1730–1794
Man Playing a Harp
undated