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Period 18th century

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Work Type watercolor

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Subject Terms sculpture

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River God
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 x 20 1/4 inches (40 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Classical Male Nude
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite; verso: gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 x 8 1/4 inches (50.8 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
The Ruins of the College of Lincluden, Near Dumfries
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1778
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Underground Shrine with Two Figures Kneeling before a Pieta
Creator:
Richard Wilson, 1713/4–1782
Date:
undated
Materials & Techniques:
Graphite and watercolor white gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 5 9/16 inches (16.5 x 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for the Plasterwork Decoration of a Circular Rotunda
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 7/16 x 14 15/16 inches (54.5 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Blickling Hall, Norwich
Creator:
unknown artist
Date:
ca. 1770
Materials & Techniques:
Watercolor with pen and brown ink on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 x 24 5/8 inches (47.9 x 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Place des Victoires, Paris
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1783
Materials & Techniques:
Watercolor in pen and black ink over graphite on medium, moderately textured, cream antique laid paper
Dimensions:
Sheet: 13 3/4 x 21 inches (34.9 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome
Creator:
Sir William Chambers, 1723–1796
Date:
between 1750 and 1755
Materials & Techniques:
Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 9 5/8in. (35.2 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monument to Shakespeare
Creator:
Sir William Chambers, 1723–1796
Date:
ca. 1763
Materials & Techniques:
Graphite, watercolor, and pen and black ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 9/16 inches (39.1 x 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: The Pump Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
In the Farnese Gardens, Rome
Creator:
attributed to Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 x 11 1/16 inches (39.1 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection