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1. Water (Plate 4)

Water (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. I Found Him Beneath a Tree (Plate 3)

I Found Him Beneath a Tree (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. My Son! My Son! (Plate 10)

My Son! My Son! (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Alas! (Plate 9)

Alas! (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Aged Ignorance (Plate 13)

Aged Ignorance (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. III. "From a perception of only 3 senses..." (Plate 5)

III. "From a perception of only 3 senses..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. "Therefore God becomes as we are..." (Plate 9)

"Therefore God becomes as we are..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. There Is No Natural Religion; Frontispiece (Plate 1)

There Is No Natural Religion; Frontispiece (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Argument. "Man has no notion of moral fitness..." (Plate 2"

The Argument. "Man has no notion of moral fitness..." (Plate 2"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. I. "Man cannot naturally Percieve..."(Plate 3)

I. "Man cannot naturally Percieve..."(Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. II. "Man by his reasoning power can only compare..." (Plate 4)

II. "Man by his reasoning power can only compare..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. IV. "None could have other than natural or organic thoughts..." (Plate 6)

IV. "None could have other than natural or organic thoughts..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. V. "Mans desires are limited by his perceptions..." (Plate 7)

V. "Mans desires are limited by his perceptions..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. VI. "The desires & perceptions of man untaught..." (Plate 8)

VI. "The desires & perceptions of man untaught..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Lot and His Family

Lot and His Family
Creator:
Print made by John Alexander, 1686–before 1768
Date:
ca. 1718
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 15 1/16 inches (28.8 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen

Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen
Creator:
John Warwick Smith, 1749–1831
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 8 3/4 inches (13.3 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. A Temple Perched on a Rocky Outcrop Seen Across a Lake

A Temple Perched on a Rocky Outcrop Seen Across a Lake
Creator:
Alexander Runciman, 1736–1785
Date:
ca. 1767
Materials & Techniques:
Watercolor, gray wash, blue wash and pen and black ink; verso: red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18. Monmeliant

Monmeliant
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 7 1/4 inches (13.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Bridge of Augustus near Narni

The Bridge of Augustus near Narni
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 x 9 inches (14.3 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Sirolo

Sirolo
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 5 1/2 x 10 1/4 inches (14 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Monaco

Monaco
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 9 7/8 inches (13.7 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Landscape with Castle, River and Mountain

Landscape with Castle, River and Mountain
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 7 13/16 inches (13.7 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

23. Temple of Janus

Temple of Janus
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 6 1/2 inches (13.7 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. View of a Villa

View of a Villa
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. In the Valley near Vietri, 20 September

In the Valley near Vietri, 20 September
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 x 9 1/2 inches (14.3 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Part of the Walls of Naples near Ponte Nuovo, 17 October

Part of the Walls of Naples near Ponte Nuovo, 17 October
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 x 9 5/8 inches (14.3 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Near Aiguebelle

Near Aiguebelle
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 7 1/4 inches (14 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Bridge at Narni

Bridge at Narni
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 x 8 3/4 inches (14.3 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. A Castle on a River

A Castle on a River
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 8 1/8 inches (13.7 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)

Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
Creator:
unknown artist
Date:
between 1713 and 1718
Materials & Techniques:
Gouache, watercolor, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 13 inches (14.4 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Man Chopping Wood

Man Chopping Wood
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1737
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 9/16 x 8 3/4 inches (14.1 x 22.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Cephalus and Procris

Cephalus and Procris
Creator:
Print made by Thomas Burke, 1749–1815
Date:
1783
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 11/16 x 11 inches (19.6 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master

A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1737
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 11/16 x 8 11/16 inches (14.4 x 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Opposite Eouilgunge, Sep. 11. 1788

Opposite Eouilgunge, Sep. 11. 1788
Creator:
Thomas Daniell, 1749–1840
Date:
1788
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 × 6 15/16 inches (10.2 × 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

35. Adelaide

Adelaide
Creator:
Francis Wheatley, 1747–1801
Date:
between 1785 and 1786
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, smooth, cream laid paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/2 inches (8.9 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. A Park Landscape with Shepherd and Sheep

A Park Landscape with Shepherd and Sheep
Creator:
Samuel Howitt, 1756–1822
Date:
1793
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 8 1/4 inches (14.3 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Lambeth Palace from Across the River

Lambeth Palace from Across the River
Creator:
Thomas Priest, active 1738–1750
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 10 5/8 inches (13.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Nottingham Castle

Nottingham Castle
Creator:
Paul Sandby, 1731–1809
Date:
1759
Materials & Techniques:
Graphite and gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 14 3/8 inches (14 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Harrow-on-the-Hill, Middlesex

Harrow-on-the-Hill, Middlesex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1794
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Flint Castle

Flint Castle
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 3/8 x 8 1/8 inches (13.7 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Boat Building

Boat Building
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/16 x 8 1/4 inches (13.5 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Ticket: Anacreontic Society Meeting

Ticket: Anacreontic Society Meeting
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Etching, stipple engraving and line engraving in red ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 inches (14 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Mr. Drummond's Cottage, East Cowes, Isle of Wight

Mr. Drummond's Cottage, East Cowes, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1797 and 1800
Materials & Techniques:
Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Carnarvon Castle, North Wales

Carnarvon Castle, North Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/2 x 16 1/8 inches (14 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Entrance to Festiniog, Wales

Entrance to Festiniog, Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/8 x 16 3/8 inches (14.3 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Classical Composition

Classical Composition
Creator:
Jonathan Skelton, active 1754, died 1758
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 8 1/2 inches (14.3 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Ruins of Cymer Abbey on the Mawddach River

The Ruins of Cymer Abbey on the Mawddach River
Creator:
John Warwick Smith, 1749–1831
Date:
1790
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 x 8 3/4 inches (12.4 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Classical Landscape with Ruin on Left, Two Figures on Right

Classical Landscape with Ruin on Left, Two Figures on Right
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown wash, gray wash, pen and brown ink, and graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 5/16 x 7 1/2in. (13.5 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Classical Landscape with Two Figures on Horseback at Right

Classical Landscape with Two Figures on Horseback at Right
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 3/8 x 7 3/8 inches (13.7 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Landscape with Two Horsemen on a Road

Landscape with Two Horsemen on a Road
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 5/16 x 7 1/2 inches (13.5 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Two Figures on Shore with Mountain Rising Behind

Two Figures on Shore with Mountain Rising Behind
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 7/16 x 7 1/2in. (13.8 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Landscape with a Ruined Castle

Landscape with a Ruined Castle
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash, gray ink, and graphite on moderately thick, moderately textured, cream wove paper, prepared with orange wash
Dimensions:
Sheet: 5 3/8 x 7 1/4 inches (13.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Landscape with a Ruined Castle on the Right

Landscape with a Ruined Castle on the Right
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash, black ink, and graphite on moderately thick, moderately textured, beige laid paper, prepared with pink wash
Dimensions:
Sheet: 5 1/2 x 7 3/8in. (14 x 18.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Landscape with Road in Foreground

Landscape with Road in Foreground
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and black ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 7 inches (13.7 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Landscape with Castle on a Hill at Left

Landscape with Castle on a Hill at Left
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and black ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 7 1/8 inches (13.7 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Rocky Landscape with Two Figures on a Path in the Center

Rocky Landscape with Two Figures on a Path in the Center
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash, brown wash, gray ink, and graphite on moderately thick, moderately textured, cream wove paper, prepared with yellow wash
Dimensions:
Sheet: 5 3/8 x 8 1/8in. (13.7 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Landscape with a Castle and a Bridge

Landscape with a Castle and a Bridge
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash over graphite on moderately thick, moderately textured, cream wove paper, prepared with yellow wash
Dimensions:
Sheet: 5 7/16 x 7 5/16 inches (13.8 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Landscape with a Castle on a Hill in Center Distance

Landscape with a Castle on a Hill in Center Distance
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray and brown wash with pen and black ink, over graphite on moderately thick, moderately textured, cream wove paper, prepared with yellow wash
Dimensions:
Sheet: 5 5/16 x 7 3/8 inches (13.5 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Mountainous Landscape with a Lake

Mountainous Landscape with a Lake
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and black ink over graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 5 3/8 x 7 1/4 inches (13.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. An Orchard by a Stream

An Orchard by a Stream
Creator:
Jonathan Skelton, active 1754, died 1758
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 8 7/16 inches (14.3 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Methley Park, Leeds: View of John Carr Entrance Front

Methley Park, Leeds: View of John Carr Entrance Front
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 13 1/2 inches (13.7 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland.

The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland.
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1789
Materials & Techniques:
Wood-engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 9 1/16 inches (18.6 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Bernard Quaritch Ltd.

63. A Sarcophagus Behind a Domed Building

A Sarcophagus Behind a Domed Building
Creator:
John Robert Cozens, 1752–1797
Date:
between 1782 and 1783
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 6 3/8 inches (14 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. The Glade

The Glade
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1750
Materials & Techniques:
Brushed black ink and orange-brown ground on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, wove paper
Dimensions:
Sheet: 5 5/8 x 7 7/8 inches (14.3 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Part of the Wall of Rome Near the Villa Medici

Part of the Wall of Rome Near the Villa Medici
Creator:
John Robert Cozens, 1752–1797
Date:
between 1782 and 1783
Materials & Techniques:
Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 5 7/16 x 6 3/8 inches (13.8 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. The Temple of Diana near Baia

The Temple of Diana near Baia
Creator:
John Robert Cozens, 1752–1797
Date:
between 1782 and 1783
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 6 1/2 inches (14 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Maurienne's

The Maurienne's
Creator:
John Robert Cozens, 1752–1797
Date:
between 1782 and 1783
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 5 3/8 × 7 3/8 inches (13.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection