Period: 18th century / Height [cm]: 25 / Classification: Prints

1. A Horse Affrighted by a Lion

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Etching with roulette work, third state
Dimensions:: Plate: 9 7/8 x 13 inches (25.1 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1791
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. A Tiger and a Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Subscription Ticket for: 'Four Prints of an Election'

Creator:: William Hogarth, 1697–1764
Date:: 1754
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 10 x 7 3/4in. (25.4 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

5. The [First] Book of Urizen

Creator:: William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: 28 color-printed relief etchings, with watercolor, on 28 leaves
Dimensions:: Sheet: 10 x 7 1/8in. (25.4 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The First Book of Urizen, Plate 4 (Bentley 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The First Book of Urizen, Plate 18 (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The First Book of Urizen, Plate 28 (Bentley 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The First Book of Urizen, Plate 15 (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The First Book of Urizen, Plate 25 (Bentley 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The First Book of Urizen, Plate 11 (Bentley 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The First Book of Urizen, Plate 21 (Bentley 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The First Book of Urizen, Plate 23 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The First Book of Urizen, Plate 3 (Bentley 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The First Book of Urizen, Plate 7 (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Inimitable Mr. James Moss

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1773
Materials & Techniques:: Etching on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 11/16 x 7 1/4 inches (24.6 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. A Maid

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1774
Materials & Techniques:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 10 15/16 x 7 1/8 inches (27.8 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A Windy Day

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: ca. 1776
Materials & Techniques:: Aquatint, red ink
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Semiramis

Creator:: William Smith, active 1775–1776
Date:: ca. 1776
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 6 7/8in. (25.1 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Full Blown Macaroni

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1772
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.8 x 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Paysan des Alpes

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: 1769-1770
Materials & Techniques:: Drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 7 15/16 inches (24.7 x 20.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A New Drawing Book of Variety of Landskips

Creator:: Print made by J. Carwitham, active 1720–1740
Date:: ca. 1730
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 13/16 x 8 1/8 inches (32.5 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A View of the Fire in Covent Garden

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1769
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. Shylock turn'd MacBeth...

Creator:: unknown artist
Date:: 1773
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 9 3/4 x 7in. (24.8 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

43. Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving, line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 15/16 × 13 1/8 inches (25.2 × 33.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A Coat of Arms for a Stamp on Income

Creator:: unknown artist
Materials & Techniques:: Etching, hand-colored
Dimensions:: Plate: 10 x 14in. (25.4 x 35.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. A View of Westminster Bridge from Labeth

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 7/8 x 16 1/8in. (25.1 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Imports of Great Britain from France

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: 1757
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Wandsworth Reach

Creator:: Thomas Preist, active 1740-1750
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 14 1/8in. (25.4 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Battersea

Creator:: Thomas Preist, active 1740-1750
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 7/8 x 14 1/2in. (25.1 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Putney

Creator:: Thomas Preist, active 1740-1750
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 14 1/8in. (25.4 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Fulham

Creator:: Thomas Preist, active 1740-1750
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Mortlack

Creator:: Thomas Preist, active 1740-1750
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 3/4 x 14 1/2in. (24.8 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Northeast Prospect of the Church of St. Martin, Outwich

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 3/4 x 12 1/8in. (24.8 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. George Villiers, first Duke of Buckingham

Creator:: Imitator of Renold Elstrack, 1570–1625(?)
Date:: between 1700 and 1720
Materials & Techniques:: Line engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 7/8 × 6 13/16 inches (25.1 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George A. Douglass

54. A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

Creator:: Print made by unknown artist
Date:: 1755
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 18 inches (33.7 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Chelsea

Creator:: Thomas Preist, active 1740-1750
Date:: 1738
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Chiswick

Creator:: Thomas Preist, active 1740-1750
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 14 1/8in. (25.4 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. A Perspective View of the Northwest Front of ye Parish Church of St. Brides

Creator:: Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 10 x 15 1/4in. (25.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

Creator:: Print made by Henry Hulsberg, active 1700s–died 1729
Date:: 1715 to 1725
Materials & Techniques:: Etching on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 × 15 1/4 inches (25.4 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Alum Bay, Isle of Wight

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A View of Several Palaces at Naples at Sun Rise

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 5/8 x 12 1/8 inches (24.5 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Orchard Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Orchard Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Emma Hart as Bacchante

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1784
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 3/4 × 12 15/16 inches (42.5 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Lady Hamilton as 'Nature'

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1784
Materials & Techniques:: Mezzotint, with border in aquatint (first state, Horne.IIa) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 13/16 × 11 5/16 inches (37.6 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Creator:: Print made by workshop of Mark Catesby, 1682–1749
Date:: 1754
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 20 1/4 inches (35.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

68. Coming-In at the Death

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Hounds in Finding

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Hounds Throwing-Off

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Hunting, Shooting, etc. [set of six]: "3. Throw the broad ditch behind you"

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Hunting, Shooting, etc. [set of six]: 5. "And o'er the lawn"

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Aquatint, hand-coloreds with aquatinted borders
Dimensions:: Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Hunting, Shooting, etc. [set of six]: 3. "Throw the board ditch behind you"

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Aquatint, hand-coloreds with aquatinted border
Dimensions:: Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Hunting, Shooting, etc. [set of six]: 2. "Him from his craggy winding haunts unearth'd"

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Hunting, Shooting, etc. [set of six]: 4. "Into the perilous flood"

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Hunting [two of a set of twelve]: 9. [A rider clearing a gate]

Creator:: Thomas Burford, ca. 1710–after 1774
Date:: 1752
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 9 7/8 x 13 3/4in. (25.1 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Hunting [set of four]: 2. The Chace (titles are also inscribed in French)

Creator:: Thomas Burford, ca. 1710–after 1774
Date:: 1766
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 10 x 13 7/8in. (25.4 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Hunting [set of four]: 3. Making a Cast at a Fault (titles are also inscribed in French).

Creator:: Thomas Burford, ca. 1710–after 1774
Date:: 1766
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 10 x 13 7/8in. (25.4 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Hunting [set of four]: 4. The Death of the Fox (titles are also inscribed in French)

Creator:: Thomas Burford, ca. 1710–after 1774
Date:: 1766
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 10 x 13 7/8in. (25.4 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Hunting, Shooting, etc. [set of six]: 6. "For happy he who tops the wheeling chace"

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Hunting, Shooting, etc. [set of six]: 5. "And o'er the lawn"

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Hunting, Shooting, etc. [set of six]: 4. "Into the perilous flood"

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Aquatint, hand-coloreds with aquatinted border
Dimensions:: Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Hunting, Shooting, etc. [set of six]: 2. "Him from his craggy winding haunts unearth'd"

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Aquatint, hand-coloreds with aquatinted border
Dimensions:: Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Hunting, Shooting, etc. [set of six]: 6. "For happy he who tops the wheeling chace"

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Aquatint, hand-coloreds with aquatinted borders
Dimensions:: Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Hunting, Shooting, etc. [set of four]: 4. Pheasant Shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1793
Materials & Techniques:: Aquatint, hand-colored with aquatint border
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Hunting, Shooting, etc. [set of four]: 3. Partridge Shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1793
Materials & Techniques:: Aquatint, hand-colored with aquatint border
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Hunting, Shooting, etc. [set of four]: 2. Woodcock Shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1793
Materials & Techniques:: Aquatint, hand-colored with aquatint border
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Mail Coach

Creator:: James Fittler, 1758–1835
Date:: ca. 1787
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 × 11 5/16 inches (25 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Zebra

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: 1799
Materials & Techniques:: Wood-engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 11/16 x 14 5/8 inches (24.6 x 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Ryskamp in honor of Mr. and Mrs. Paul Mellon

90. [ untitled ]

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching
Dimensions:: Image: 9 5/8 x 7 1/16 inches (24.5 x 18 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.

Creator:: Print made by John Maurer, active 1713–1761
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 × 16 1/2 inches (25.4 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Hounds in Full-Cry

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Hare Hunting

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 9 11/16 x 13 5/8in. (24.6 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Hunting [two of a set of twelve]: 7. [A rider putting horse to a gate]

Creator:: Thomas Burford, ca. 1710–after 1774
Date:: 1752
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 13 3/4in. (25.1 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Hunting [two of a set of twelve]: 7. [A rider putting horse to a gate]

Creator:: Thomas Burford, ca. 1710–after 1774
Date:: 1752
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 9 7/8 x 13 3/4in. (25.1 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Hunting [set of four]: 1.Going to Cover (titles are also inscribed in French)

Creator:: Thomas Burford, ca. 1710–after 1774
Date:: 1766
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 10 x 13 7/8in. (25.4 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Buonaparte in Egypt - A Terrible Turk Preparing a Mummy, For a Present - To the Great Nation (from: Caricature, vol. 3)

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 16 5/8in. (24.8 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. A Prospect of the Parliament House, in College Green, Dublin

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 9 3/4 × 15 1/2 inches (24.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Racing: Preparing to Start

Creator:: William Mason, 1724–1797
Date:: 1796
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Racing: Preparing to Start

Creator:: William Mason, 1724–1797
Date:: 1796
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 18th century

Height [cm] 25

Classification Prints

Search Results

1. A Horse Affrighted by a Lion

2. A Sleeping Leopard

3. A Tiger and a Sleeping Leopard

4. Subscription Ticket for: 'Four Prints of an Election'

5. The [First] Book of Urizen

6. The First Book of Urizen, Plate 4 (Bentley 24)

7. The First Book of Urizen, Plate 18 (Bentley 21)

8. The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

9. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

10. The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

11. The First Book of Urizen, Plate 28 (Bentley 27)

12. The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)

13. The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

14. The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

15. The First Book of Urizen, Plate 15 (Bentley 14)

16. The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

17. The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

18. The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

19. The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

20. The First Book of Urizen, Plate 25 (Bentley 26)

21. The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)

22. The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

23. The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

24. The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

25. The First Book of Urizen, Plate 11 (Bentley 17)

26. The First Book of Urizen, Plate 21 (Bentley 16)

27. The First Book of Urizen, Plate 23 (Bentley 9)

28. The First Book of Urizen, Plate 3 (Bentley 22)

29. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

30. The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

31. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

32. The First Book of Urizen, Plate 7 (Bentley 12)

33. The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

34. Inimitable Mr. James Moss

35. A Maid

36. A Windy Day

37. Semiramis

38. The Full Blown Macaroni

39. Paysan des Alpes

40. A New Drawing Book of Variety of Landskips

41. A View of the Fire in Covent Garden

42. Shylock turn'd MacBeth...

43. Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

44. A Coat of Arms for a Stamp on Income

45. A View of Westminster Bridge from Labeth

46. The Imports of Great Britain from France

47. Wandsworth Reach

48. Battersea

49. Putney

50. Fulham

51. Mortlack

52. The Northeast Prospect of the Church of St. Martin, Outwich

53. George Villiers, first Duke of Buckingham

54. A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

55. Chelsea

56. Chiswick

57. A Perspective View of the Northwest Front of ye Parish Church of St. Brides

58. Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

59. Alum Bay, Isle of Wight

60. A View of Several Palaces at Naples at Sun Rise

61. Orchard Bay

62. Orchard Bay

63. Alum Bay and the Needles

64. Alum Bay and the Needles

65. Emma Hart as Bacchante

66. Lady Hamilton as 'Nature'

67. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

68. Coming-In at the Death

69. Hounds in Finding

70. Hounds Throwing-Off

71. Hunting, Shooting, etc. [set of six]: "3. Throw the broad ditch behind you"

72. Hunting, Shooting, etc. [set of six]: 5. "And o'er the lawn"

73. Hunting, Shooting, etc. [set of six]: 3. "Throw the board ditch behind you"