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1. Horse Attacked by a Lion (Episode C)

Horse Attacked by a Lion (Episode C)
Creator:
George Stubbs, 1724–1806
Date:
between 1768 and 1769
Materials & Techniques:
beeswax and oil on panel
Dimensions:
10 1/8 × 11 5/8 inches (25.7 × 29.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Chamonix, Mer de Glace

Chamonix, Mer de Glace
Creator:
Charles Gore, 1729–1807
Date:
between 1778 and 1779
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream laid paper, pasted on thick, rough, blue wove paper
Dimensions:
Sheet: 10 1/16 x 16 13/16in. (25.6 x 42.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Freshwater Bay

Freshwater Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
Creator:
John Webber, 1752–1793
Date:
1792
Materials & Techniques:
Graphite, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 16 7/8 inches (26 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A View from the Inn at Terracina

A View from the Inn at Terracina
Creator:
John Robert Cozens, 1752–1797
Date:
1783
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 14 5/8 inches (26.4 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Pont Aber Glaslyn

Pont Aber Glaslyn
Creator:
William Burgess, 1749–1812
Date:
1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 9/16 × 18 3/4 inches (37 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Position de la Garde de Tierce et le Coup de Seconde

Position de la Garde de Tierce et le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. De la Parade du Cavé sur le Coup de Flanconnade

De la Parade du Cavé sur le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Lancelot Brown Esq.

Lancelot Brown Esq.
Creator:
John Keyse Sherwin, c.1751–1790
Date:
ca. 1769
Materials & Techniques:
Line and stipple engraving on medium, slightly textured, beige laid paper
Dimensions:
Mount: 24 × 17 1/16 inches (61 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. A View taken near Battersea Church looking towards Chelsea

A View taken near Battersea Church looking towards Chelsea
Creator:
John Boydell, 1720–1804
Date:
1752
Materials & Techniques:
Engraving on moderately textured, moderately thick, white laid paper
Dimensions:
Sheet: 11 3/4 × 18 1/8 inches (29.8 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A View of Chelsea Water Works

A View of Chelsea Water Works
Creator:
John Boydell, 1720–1804
Date:
1752
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 1/4 x 16 7/8in. (26 x 42.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends

A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 3/8 x 16 3/4in. (26.4 x 42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. King Henry The Fourth's Last Scene

No cover image available
Creator:
James Gillray, 1756–1815
Date:
1788
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 16 7/8 inches (26 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection