Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
ca. 1765
Not on view
2
Balthazar Nebot, active 1730–1762
Fishmonger's stall
1737
Not on view
3
George Morland, 1763–1804
Portrait of a Girl in a Garden
between 1786 and 1788
Not on view
4
Agostino Brunias, 1728–1796
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
5
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
6
Agostino Brunias, 1728–1796
Planter and his Wife, with a Servant
ca. 1780
Not on view
7
Agostino Brunias, 1728–1796
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
8
Agostino Brunias, 1728–1796
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
9
Agostino Brunias, 1728–1796
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
10
Attributed to Philippe-Jacques de Loutherbourg, 1740–1812
Falstaff with the Body of Hotspur
ca. 1786
Not on view
11
unknown artist
A View of Lambeth
ca. 1770
Not on view
12
Joseph Francis Nollekens, 1702–1748
Portrait of Two Boys, probably Joseph and John Joseph Nollekens
ca. 1745
Not on view
13
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
14
James Seymour, 1702–1752
A Bay Racehorse with Jockey Up
ca. 1730
Not on view
15
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
ca. 1730
Not on view
16
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
17
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
18
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
19
Benjamin West, 1738–1820
Gentlemen Fishing
1794
Not on view
20
Peter Gaspar Scheemakers, 1691–1781
Cleopatra
ca. 1723
Not on view
21
George Stubbs, 1724–1806
Study for the Self-portrait in Enamel
ca. 1781
22
William Hogarth, 1697–1764
Lewis Theobald: Detail of the Poet
23
William Hogarth, 1697–1764
A Rake's Progress, Plate II: His Levee
1735
24
William Hogarth, 1697–1764
A Rake's Progress, Plate III: He Revels
1735
25
William Hogarth, 1697–1764
A Rake's Progress, Plate IV: Goes to Court
1735
26
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate VII: In Fleet Street Prison
1735
27
William Hogarth, 1697–1764
A Rake's Progress, Plate VI: He Gambles
1735
28
William Hogarth, 1697–1764
The Distrest(ed) Poet
1740
29
William Hogarth, 1697–1764
A Rake's Progress, Plate VIII: In Bedlam
1735
30
William Hogarth, 1697–1764
The Bench
1758
31
Joseph Mallord William Turner, 1775–1851
Newark - upon - Trent
ca. 1796
32
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 8
1735
33
Print made by William Hogarth, 1697–1764
Tail Piece, or the Bathos
1764
34
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 2
1732
35
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 4
1732
36
George Romney, 1734–1802
The Accusation of Susanna by the Elders
undated
37
George Romney, 1734–1802
The Accusation of Susanna
ca. 1773
38
George Romney, 1734–1802
Figures Mourning at the Bier of a Woman
undated
39
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
40
Print made by William Blake, 1757–1827
Romeo and Juliet, Act IV, Scene V
1799
41
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
42
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
43
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
44
Print made by William Blake, 1757–1827
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
45
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
46
Print made by William Blake, 1757–1827
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
47
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
48
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
49
William Blake, 1757–1827
The Book of Thel
1789
50
William Blake, 1757–1827
Pl. 12: `Psyche Disobeys.'
1796
51
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
52
William Blake, 1757–1827
Pl. 13: `Psyche Repents.'
1796
53
William Blake, 1757–1827
Pl. 14: `Venus Counsels Cupid'
1796
54
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
55
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
56
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
57
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
58
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
59
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
60
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
61
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
62
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
63
Luigi Balugani, 1737–1770
Beidelsar (Asclepias procera)
undated
64
Luigi Balugani, 1737–1770
Aije (Diospyros mespiliformis)
undated
65
Luigi Balugani, 1737–1770
Valkoffa (Dombeya torrida)
undated
66
Luigi Balugani, 1737–1770
Lillahu (Pittosporum viridiflorum)
undated
67
Luigi Balugani, 1737–1770
Cantaffa (Pterolobium stellatum)
undated
68
Luigi Balugani, 1737–1770
Ha (Salix subserrata); Crotalaria Pallida
undated
69
Luigi Balugani, 1737–1770
Astragalus Atropilosulus and Gomphocarpus Fruticosus
undated
70
Luigi Balugani, 1737–1770
Jauira (Olea africana)
undated
71
Luigi Balugani, 1737–1770
Brucea antidysenterica
undated
72
Luigi Balugani, 1737–1770
Juniperus Procera
undated
73
Luigi Balugani, 1737–1770
Cordia Abyssinica
undated
74
Luigi Balugani, 1737–1770
Effarazengh (Kniphofia foliosa)
1770
75
Luigi Balugani, 1737–1770
Ensete ventricosum
undated
76
Luigi Balugani, 1737–1770
Crinum Schimperi
undated
77
Luigi Balugani, 1737–1770
Erythrina Abyssinica
undated
78
Luigi Balugani, 1737–1770
Gardenia Ternifolia
undated
79
Luigi Balugani, 1737–1770
Protea Gaguedi
undated
80
Print made by James Bretherton, ca. 1730–1806
The Damnation of Obadiah
1773
81
Print made by Charles Bretherton, ca. 1760–1783
Lady Pointing with a Stick
1782
82
James Watson, 1740–1790
Anne Lascelles
83
James McArdell, ca. 1729–1765
Mrs. Sandby
84
Luigi Balugani, 1737–1770
Fiore di Berberra
undated
85
Luigi Balugani, 1737–1770
Cosciscilla and Dembelal
1770
86
Luigi Balugani, 1737–1770
[One of] Miscellaneous Sketches in Wrapper
1770
87
Luigi Balugani, 1737–1770
Menghi (Rhus glutinosa)
undated
88
Luigi Balugani, 1737–1770
Attath (Maytenus arguta)
undated
89
Luigi Balugani, 1737–1770
Four Fish
undated
90
Luigi Balugani, 1737–1770
Arundinaria alpina
undated
91
Luigi Balugani, 1737–1770
Angua (Boswellia papyrifera)
undated
92
Luigi Balugani, 1737–1770
Netchilo (Abutilon longicuspe)
undated
93
Luigi Balugani, 1737–1770
Brucea antidysenterica
1769–71
94
James Bruce, 1730–1794
Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec
undated
95
James Bruce, 1730–1794
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
96
James Bruce, 1730–1794
Sketch of Arches in Perspective
ca. 1768
97
Luigi Balugani, 1737–1770
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruiting branch
undated
98
Luigi Balugani, 1737–1770
Avicennia marina (Forssk.) Vierh. (White Mangrove): finished drawing of flowering shoot with details of flowers