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Period 18th century
Remove constraint Period: 18th centuryHeight [cm] 36
Remove constraint Height [cm]: 36Search Results
1
- An Imaginary Italianate Landscape with Classical Figures and a Waterfall
- ca. 1773
- Not on view
2
- Sketch for an oval ceiling
- ca. 1705
- Not on view
3
- Lake Nemi
- between 1790 and 1795
- Not on view
4
- Lake Albano
- 1790 to 1792
- Not on view
5
- A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
- between 1712 and 1713
- Not on view
6
- The Bathing Place at Ramsgate
- ca. 1788
- Not on view
7
- The Wandering Sailor
- ca. 1798
- Not on view
8
- The Linen Market at St. Domingo
- ca. 1780
- Not on view
9
- Horses and Cattle by a River
- 1777
- Not on view
10
- Thomas King in "The Clandestine Marriage" by George Colman and David Garrick
- ca. 1792
- Not on view
11
- An Unknown Man
- ca. 1780
- Not on view
12
- Study for a Group Portrait
- between 1729 and 1730
- Not on view
13
- A Dinner Conversation
- between 1735 and 1740
- Not on view
14
- Children at Play, Probably the Artist's Son Jacobus and Daughter Maria Joanna Sophia
- 1745
- Not on view
15
- Howard Visiting a Prison
- ca. 1790–92
- On view at YUAG
16
- A Rake's Progress, Plate V: He Marries
- 1735
17
- The Enraged Musician
- 1741
18
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
19
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
20
- Analysis of Beauty, Plate II: A Country Dance
- 1753
21
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
22
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
23
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
24
- The Enraged Musician
25
- Simon, Lord Lovat
- 1746
26
- Visions of the Daughters of Albion; Frontispiece (Plate 1)
- 1793
27
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
28
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
29
- Visions of the Daughters of Albion; Title Page (Plate 2)
- 1793
30
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
31
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
32
- Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
- 1793
33
- Prison Scene
- undated
34
- Howard Visiting a Prison
- undated
35
- Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")
- late 1770s
36
- Fainasollis, Borbar and Fingal
- 1783
37
- Francis Atterbury, Bishop of Rochester & Dean of Westminster
- 1735-1751
38
- Henry Bennet, 1st Earl of Arlington
- 1739
39
- The Revolt of the Fleet, 1642
- ca. 1710
40
- The Parent Restor'd or the Blessings of Peace
- 1797
41
- A French Petit Maître and His Valet
- 1771
42
- A Small Breeze
- 1753
43
- Morning
- 1753
44
- Evening
- 1755
45
- Greenland Fishery
- 1754
46
- An Officer in the Light Infantry, driven by his Lady to Cox-Heath
47
- Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
- 1762
48
- Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
- 1762
49
- Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
- 1762
50
- Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
- 1762
51
- Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
- 1762
52
- Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
- 1762
53
- Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
- 1762
54
- Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
- 1762
55
- Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
- 1762
56
- Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
- 1762
57
- Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
- 1762
58
- Le Port de Rochefort: Vu Du Point A Marque sur le Plan
- undated
59
- Le Havre and Le Manche: A Map of Le Havre
- undated
60
- Dieppe
- undated
61
- L'Orient 1776: Map of the Port of Orient
- 1776
62
- Rochefort 1776
- 1776
63
- Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
- 1789
64
- Set of sixteen: Outlines of Figures and Landscapes
- 1790-1792
65
- Miss Ann Parry
- 1777
66
- A Shepherd Boy
- 1781
67
- Mrs. Chambers
- ca. 1756
68
- Lady Dashwood & Child
- 1785
69
- Her Grace the Duchess of Devonshire, and the Rt Honble Lady Georgiana Cavendish
- 1787
70
- Lady Gertrude Fitzpatrick as Sylvia
- 1791
71
- Miss Fordyce
- between 1762 and 1766
72
- Lady Fortescue
- 1757
73
- Viscountess Duncannon
- ca. 1785
74
- Emily Countess of Kildare
- 1754
75
- Phoebe Hoppner as Caroline de Lichtfield
- 1786
76
- A Shower
- 1785
77
- A Shepherdess
- 1786
78
- Master Skinner
- 1770
79
- Miss Harriet Serocold
- 1779
80
- Mrs. Billington
- 1786
81
- Countess Natalia Petrowna Czernichew
- 1762-1767
82
- Mrs. Gulston
- 1771
83
- Flute Player
- between 1765 and 1771
84
- Miss Jenny & Miss Nelly Bennet
- 1773
85
- Shepherdess
- ca. 1747
86
- Shepherdess
- 1747
87
- Griselda, Countess of Stanhope
- undated
88
- A Jewish Rabbi
- undated
89
- Mrs. Smith
- 1783
![John Faber the Younger Tomo Chachi Mico, or King of Yamacraw, and Tooanahowi [sic], His Nephew](https://media.collections.yale.edu/thumbnail/ycba/d2350461-bf7f-4c88-8c51-84d76ade2c40)
90
- Tomo Chachi Mico, or King of Yamacraw, and Tooanahowi [sic], His Nephew
- ca. 1734
91
- Domestic Employment: Needlework
- 1755 to 1760
92
- The Striking Likeness or Harlequin Turn'd Painter
- 1770s to 1790s
93
- January
- 1767
94
- May
- 1767
95
- June
- 1767
96
- April
- 1767
97
- July
- 1767
98
- October
- 1767
99
- November
- 1767
100
- August
- 1767